But it’s what she leaves unsaid—she’s alone, a drinker, a former artist, a shrieker in bed, captain of the sinking ship that is her flesh—that feels the most true. Everyone around her seems to have an entirely different idea of what it means to be an adult: her best friend, Indigo, is getting married; her brother—who miraculously seems unscathed by their shared tumultuous childhood—and sister-in-law are having a hoped-for baby; and her friend Matthew continues to wholly devote himself to making dark paintings at the cost of being flat broke. But when Andrea’s niece finally arrives, born with a heartbreaking ailment, the Bern family is forced to reexamine what really matters. Will this drive them together or tear them apart? Told in gut-wrenchingly honest, mordantly comic vignettes, All Grown Up is a breathtaking display of Jami Attenberg’s power as a storyteller, a whip-smart examination of one woman’s life, lived entirely on her own terms.

    Through her close friendship with Celia Denham she enters a world of dazzling educated people and wealthy bohemians. Clara yearns to be part of their constellation.

    George's, befriends her. But even as their relationship develops, so too does another: Sheba has begun an illicit affair with an underage male student. When the scandal turns into a media circus, Barbara decides to write an account in her friend's defense—and ends up revealing not only Sheba's secrets, but also her own.

    A lonely art historian absorbed in her research seizes the opportunity to share in the joys and pleasures of the lives of a glittering couple, only to find her hopes of companionship and happiness shattered.

    Her four children have flown, her husband is otherwise occupied, and after twenty years of being a good wife and mother, Kate Brown is free for a summer of adventure. She plunges into an affair with a younger man, travelling abroad with him, and on her return to England, meets an extraordinary young woman whose charm and freedom of spirit encourages Kate in her own liberation. Kate's new life has brought her a strange unhappiness, but as the summer months unfold, a darker, disquieting journey begins, devastating in its consequences.

    Memories of her life still glow in her fading consciousness, but she imagines writing a history of the world. Instead, Moon Tiger is her own history, the life of a strong, independent woman, with its often contentious relations with family and friends. At its center — forever frozen in time, the still point of her turning world — is the cruelly truncated affair with Tom, a British tank commander whom Claudia knew as a reporter in Egypt during World War II.

    Told through a variety of shifting perspectives- wives and husbands, friends and lovers, masters and their servants, and a gravedigger's son-Falling Angels follows the fortunes of two families in the emerging years of the twentieth century.

    Just like our marriage." So opens Meg Wolitzer's compelling and provocative novel The Wife, as Joan Castleman sits beside her husband on their flight to Helsinki. Joan's husband, Joseph Castleman, is "one of those men who own the world...who has no idea how to take care of himself or anyone else, and who derives much of his style from the Dylan Thomas Handbook of Personal Hygiene and Etiquette." He is also one of America's preeminent novelists, about to receive a prestigious international award to honor his accomplishments, and Joan, who has spent forty years subjugating her own literary talents to fan the flames of his career, has finally decided to stop. From this gripping opening, Wolitzer flashes back fifty years to 1950s Smith College and Greenwich Village -- the beginning of the Castleman relationship -- and follows the course of the famous marriage that has brought them to this breaking point, culminating in a shocking ending that outs a carefully kept secret. Wolitzer's most important and ambitious book to date, The Wife is a wise, sharp-eyed, compulsively readable story about a woman forced to confront the sacrifices she's made in order to achieve the life she thought she wanted. But it's also an unusually candid look at the choices all men and women make for themselves, in marriage, work, and life. With her skillful storytelling and pitch-perfect observations, Wolitzer invites intriguing questions about the nature of partnership and the precarious position of an ambitious woman in a man's world.

    But the apparently pleasant town is not all it seems. Sylvia falls in love with an older man - but it's her connection to his precocious young daughter and her neighbours' son which will change her life and put them, the library and her job under threat.How does the library alter the young children's lives and how do the children fare as a result of the books Sylvia introduces them to?

    They are superficially a study in contrasts yet share equally haunting sexual burdens carried since youth. With common secrets, they are drawn into a remarkable friendship.

    Restless and unable to sleep, she wanders through her parents' house, revisiting the scenes of her childhood. In a cupboard drawer, folded and pushed away from sight, she finds a sepia photograph of her grandmother, Hanna, whom she remembers as old and forbidding, a silent stranger enveloped in a huge pleated black dress. Now, looking at the features Anna recognises as her own, she realises she is looking at a different woman from the one of her memory. Set against the majestic isolation of the Scandinavian lakes and mountains, this is more than a story of three Swedish women. It is a moving testament of a time forgotten and an epic romance in every sense of the word.

    And across the centuries the fates of three women are linked: to this place, to each other.In the early 1700s, Sarah, accused of being a witch, flees for her life.In the aftermath of the Second World War, Ruth navigates a new house, a new husband and the strange waters of the local community.Six decades later, the house stands empty. Viv, mourning the death of her father, catalogues Ruth’s belongings and discovers her place in the past – and perhaps a way forward.Each woman’s choices are circumscribed, in ways big and small, by the men in their lives. But in sisterhood there is the hope of survival and new life. Intricately crafted and compulsively readable, The Bass Rock burns bright with anger and love.

    Aubyn's wonderful, wry, and profound Patrick Melrose Cycle, follows five-year-old Patrick through a single day, as the Melrose family awaits the arrival of guests. Bright and imaginative, young Patrick struggles daily to contend with the searing cruelty of his father and the resignation of his embattled mother. But on this day he must endure an unprecedented horror—one that splits his world in two. In Never Mind, St. Aubyn renders this vivid tragedy with profound grace and precision, and introduces us to the unforgettable, complex figure of Patrick Melrose.

    The story begins with the death of the community's esteemed rabbi, which sets in motion plans for a memorial service and the search for a replacement. The rabbi's nephew and likely successor, Dovid, calls his cousin Ronit in New York to tell her that her father has died. Ronit, who left the community long ago to build a life for herself as a career woman, returns home when she hears the news, and her reappearance exposes tears in the fabric of the community.Steeped in Jewish philosophy and teachings, Disobedience is a perceptive and thoughtful exploration of the laws and practices that have governed Judaism for centuries, and continue to hold sway today. Throughout the novel, Alderman retells stories from the Torah -- Judaism's fundamental source -- and the interplay between these tales and the struggles of the novel's unique characters wields enormous power and wisdom, and will surely move readers to tears.

    This extraordinarily sensitive and insightful portrait of religious life centers on Philippa Talbot, a highly successful professional woman who leaves her life among the London elite to join a cloistered Benedictine community.