Revealed in this book is one of American history's best-kept secrets: the world's first nuclear reactor accident to claim fatalities happened on United States soil. Chronicled here for the first time is the strange tale of SL-1, a military test reactor located in Idaho's Lost River Desert that exploded on the night of January 3, 1961, killing the three-man maintenance crew on duty. Through details uncovered in official documents, firsthand accounts from rescue workers and nuclear industry insiders, and exclusive interviews with the victims' families and friends, this book probes intriguing questions about the devastating blast that have remained unanswered for more than 40 years. From reports of a faulty reactor design and mismanagement of the reactor's facilities to rumors of incompetent personnel and a failed love affair that prompted deliberate sabotage of the plant, these plausible explanations for the explosion raise questions about whether the truth was deliberately suppressed to protect the nuclear energy industry.

    In an eloquent narrative that blends strong reportage, poetic observation, and deeply felt reflection, she takes us into the upside-down world of northeastern Japan, where nothing is certain and where the boundaries between living and dying have been erased by water. The stories of rice farmers, monks, and wanderers; of fishermen who drove their boats up the steep wall of the wave; and of an eighty-four-year-old geisha who survived the tsunami to hand down a song that only she still remembered are both harrowing and inspirational. Facing death, facing life, and coming to terms with impermanence are equally compelling in a landscape of surreal desolation, as the ghostly specter of Fukushima Daiichi, the nuclear power complex, spews radiation into the ocean and air. Facing the Wave is a testament to the buoyancy, spirit, humor, and strong-mindedness of those who must find their way in a suddenly shattered world.

    Ibuse began serializing Black Rain in the magazine Shincho in January 1965. The novel is based on historical records of the devastation caused by the atomic bombing of Hiroshima.

    British, Japanophile writer (she lived there for several years, returned home to work for a Japanese company, and subsequently came up with this book project) follows in the footsteps of the legendary writer Basho.

    Three years after the end of the Second World War, Tsugami, the editor-in-chief of a newspaper, decides to organize a bullfight. But things are not as simple as Tsugami assumes: there are all kinds of logistical problems to overcome, and he has to go into an unwelcome alliance with a shady businessman. Tsugami's private life is also difficult, and as the bullfight approaches he must decide whether or not to remain with his lover Sakiko . . .Bullfight won the prestigious Akutagawa Prize in 1949, and Yasushi Inoue was consequently assured a place in the Japanese canon. This novel is translated by Michael Emmerich, who has translated much Japanese literature, including Hiromi Kawakami and Banana Yoshimoto. Pushkin Press will be publishing further works by Inoue, including the epistolary novel The Hunting Gun and the story collection The Counterfeiter.Contains a previously unpublished preface by Inoue himself.Yasushi Inoue (1907�1991) is one of the great Japanese authors. Born in Asahikawa on Hokkaido, he studied first law and then history of art. From 1936, he worked as a journalist for a major Japanese daily, until Bullfight brought him the Akutagawa Prize and national acclaim. His central concern is the loneliness of modern life and the complexities of personal relationships.

    Its structure has become popular in other languages and today it is probably the best know form of poetry worldwide.There are few rules to haiku, but they are strict: 17 phonetic sounds, a sense of cutting images or ideas, and a reference to a season. From those restrictions, poets have written about many things, from the year’s first blossom to aging, from mosquitoes humming to insects singing, from catching one’s shadow to crossing a stream in the summer.Haiku features 90 classic poems from four poets: Matsuo Bashō, Yosa Buson, Kobayashi Issa and Masaoka Shiki which range across more than 200 years of Japanese poetry.In Haiku, each poem is presented in Japanese script, along with romanized Japanese (romaji) and an English translation. Beautifully produced in traditional Chinese binding and with a timeless design, Haiku is an expert introduction and celebration of one of the most beautiful and accessible forms of poetry in the world.

    This samurai philosophy book contains the first English translations of their seminal writings on Bushido. Cleary not only provides clear and readable translations but comprehensive notes introducing the social, political, and organizational principles that defined samurai culture—their loyalty to family, their sense of service and duty, and their political strategies for dealing with allies and enemies.These writings introduce the reader to the authentic world of Zen culture and the secrets behind the samurai's success—being "in the moment" and freeing the mind from all distractions, allowing you to react instantaneously and instinctively without thinking. In these classic works, we learn that Zen mental control and meditational training were as important to the Samurai as swordsmanship and fighting skills.

    As the news gradually seeped out of the USSR and the extent of the disaster was realized, it became clear how horribly wrong things had gone. Dozens died - two from the explosion and many more from radiation illness during the following months - while scores of additional victims came down with acute radiation sickness. Hundreds of thousands were evacuated from the most contaminated areas. The prognosis for Chernobyl and its environs - succinctly dubbed the Zone of Alienation - was grim.Today, 20 years after the worst nuclear power plant accident in history, intrepid journalist Mary Mycio dons dosimeter and camouflage protective gear to explore the world's most infamous radioactive wilderness. As she tours the Zone to report on the disaster's long-term effects on its human, faunal, and floral inhabitants, she meets pockets of defiant local residents who have remained behind to survive and make a life in the Zone. And she is shocked to discover that the area surrounding Chernobyl has become Europe's largest wildlife sanctuary, a flourishing - at times unearthly - wilderness teeming with large animals and a variety of birds, many of them members of rare and endangered species. Like the forests, fields, and swamps of their unexpectedly inviting habitat, both the people and the animals are all radioactive. Cesium-137 is packed in their muscles and strontium-90 in their bones. But quite astonishingly, they are also thriving.If fears of the Apocalypse and a lifeless, barren radioactive future have been constant companions of the nuclear age, Chernobyl now shows us a different view of the future. A vivid blend of reportage, popular science, and illuminating encounters that explode the myths of Chernobyl with facts that are at once beautiful and horrible, Wormwood Forest brings a remarkable land - and its people and animals - to life to tell a unique story of science, surprise and suspense.

    Written by a lady of the court at the height of Heian culture, this book enthralls with its lively gossip, witty observations, and subtle impressions. Lady Shonagon was an erstwhile rival of Lady Murasaki, whose novel, "The Tale of Genji," fictionalized the elite world Lady Shonagon so eloquently relates. Featuring reflections on royal and religious ceremonies, nature, conversation, poetry, and many other subjects, "The Pillow Book" is an intimate look at the experiences and outlook of the Heian upper class, further enriched by Ivan Morris's extensive notes and critical contextualization.

    Only a writer of W.G. Beasley's stature could render Japan's complicated past so concisely and elegantly. This is the history of a society and a culture with a distinct sense of itself, one of the few nations never conquered by a foreign power in historic times (until the twentieth century) and the home of the longest-reigning imperial dynasty that still survives. The Japanese have always occupied part or all of the same territory, its borders defined by the sea. They have spoken and written a common language, (once it had taken firm shape in about the tenth century) and their population has been largely homogeneous, little touched by immigration except in very early periods. Yet Japanese society and culture have changed more through time than these statements seem to imply. Developments within Japan have been greatly influenced by ideas and institutions, art and literature, imported from elsewhere. In this work Beasley, a leading authority on Japan and the author of a number of acclaimed works on Japanese history, examines the changing society and culture of Japan and considers what, apart from the land and the people, is specifically Japanese about the history of Japan.The arrival of Buddhism in the sixth century brought a substantially Chinese-style society to Japan, not only in religion but in political institutions, writing system, and the lifestyle of the ruling class. By the eleventh century the Chinese element was waning and the country was entering a long and essentially "Japanese" feudal period—with two rulers, an emperor and a Shogun—which was to last until the nineteenth century. Under the Togukawa shogunate (1600-1868), Chinese culture enjoyed something of a renaissance, though popular culture owed more to Japanese urban taste and urban wealth.In 1868 the Meiji Restoration brought to power rulers dedicated to the pursuit of national wealth and strength, and Japan became a world power. Although a bid for empire ended in disaster, the years after 1945 saw an economic miracle that brought spectacular wealth to Japan and the Japanese people, as well as the westernization of much of Japanese life.

    The Way of the Warrior presents a remarkably faithful mirror of many of the characteristics and habits of modern Japanese civilization, as it represents a tradition that enjoyed great power and prestige for centuries. This work was written to provide practical and moral instruction for warriors, and to outline the parameters of personal, social, and professional conduct characteristic of Bushido, or Way of the Warrior, the Japanese chivalric tradition.Personal responsibilities, family relationships, public duties, education, finances and ethics are treated in this text from the perspective of the spirit of Japanese gentlemen. Even the forms of political incompetence and corruption that Japan currently struggles with are accurately described in this more than 400-year-old book; So deep did the feudal and military modes of government that generated them take their roots in Japanese society. This manual is therefore an essential resource for anyone who wishes to understand Japan and the Japanese people in a realistic way.

    It is, essentially, the reason that you get up in the morning. This book is about finding your ikigai - identifying your purpose or passion and using this knowledge to achieve greater happiness in your life. Your ikigai doesn't have to be some grand ambition or highly noble life's purpose - it can be something simple and humble, like tending your garden or walking your dog.Having grown up in Japan, Yukari Mitsuhashi understands first hand what ikigai means to Japanese people. Now living in Los Angeles, she has written this book to introduce the traditional concept to a new audience. This is not a 'one size fits all' book. Instead, Ikigai encourages you to look at the details of your life and appreciate the everyday moments as you learn to identify your own personal ikigai. The book includes case studies from a range of people sharing their ikigai, from athletes to writers and business people.With its refreshingly simple philosophy and liberating concepts, this beautifully presented book will be a guide you will return to again and again.

    The next morning, the fishermen find themselves in the middle of an empty sea. Overnight, the island has vanished without a trace. The Japanese weather service sends a vessel to investigate. They find convincing evidence of a horrifying geological change. Thrust into existence millions of years ago when a strong shift in the underlying plates tore it away from the Asian mainland, the Japanese Archipelago has been moving inexorably toward an unseen force in the Japan Trench, and is set on a collision course that threatens to pull the economic superpower under--literally.

    This volume deals with the period leading up to World War II, a time of high unemployment and other economic hardships caused by the Great Depression. Mizuki's photo-realist style effortlessly brings to life the Japan of the 1920s and 1930s, depicting bustling city streets and abandoned graveyards with equal ease. When the Showa era began, Mizuki himself was just a few years old, so his earliest memories coincide with the earliest events of the time. With his trusty narrator Nezumi Otoko (Rat Man), Mizuki brings history into the realm of the personal, making it palatable, and indeed compelling, for young audiences as well as more mature readers. As he describes the militarization that leads up to World War II, Mizuki's stance toward war is thoughtful and often downright critical--his portrayal of the Nanjing Massacre clearly paints the incident (a disputed topic within Japan) as an atrocity. Mizuki's "Showa 1926-1939" is a beautifully told history that tracks how technological developments and the country's shifting economic stability had a role in shaping Japan's foreign policy in the early twentieth century.

    In this book Muller invites the reader along for a uniquely American odyssey into the ancient heart of modern Japan. Broad in scope and deftly observed by an author with a rich visual sense of people and place, Japanland is as beguiling as this colorful country of contradictions.