As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these lenses of knowledge together to show that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings are we capable of understanding the generosity of the earth, and learning to give our own gifts in return.

    He translates the philosophy of the Maine farmer into terms as applicable in Manhattan as on the Kennebec. Northern Farm is among the great classics of American nature writing

    Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land, nature and weather. Travelling from Cumbria to the Cairngorms, and exploring the landscapes of Roger Deakin, J. A. Baker, Nan Shepherd and others, Robert Macfarlane shows that language, well used, is a keen way of knowing landscape, and a vital means of coming to love it.

    Parlour games. Cocktails. Welcome to a glorious journey through the golden age of the country house party - and you are invited. Our host, celebrated historian Adrian Tinniswood, traces the evolution of this quintessentially British pastime from debauched royal tours to the flamboyant excess of the Bright Young Things. With cameos by the Jazz Age industrialist, the bibulous earl and the off-duty politician - whether in moated manor houses or ornate Palladian villas - Tinniswood gives a vivid insight into weekending etiquette and reveals the hidden lives of celebrity guests, from Nancy Astor to Winston Churchill, in all their drinking, feasting, gambling and fornicating. The result is a deliciously entertaining, star-studded, yet surprisingly moving portrait of a time when social conventions were being radically overhauled through the escapism of a generation haunted by war - and a uniquely fast-living period of English history. Praise for The Long Weekend:'Delicious, occasionally fantastical, revealing in ways that Downton Abbey never was. It is as if Tinniswood is at the biggest, wildest, most luxuriantly decadent party ever thrown, and he knows everyone.' Observer 'A deliciously jaunty and wonderfully knowledgeable book. Tinniswood displays a terrific insider's grasp of gossip . A meticulous, irresistible story.' Spectator 'Elegant, encyclopedic and entertaining . A confident and skilled historian who understands the mores of his era and wears his learning lightly . Deserves to be on every costume drama producer's bookshelf.' Times

    Thoreau lived alone in a secluded cabin at Walden Pond. It is one of the most influential and compelling books in American literature. This new paperback edition-introduced by noted American writer John Updike-celebrates the 150th anniversary of this classic work. Much of Walden's material is derived from Thoreau's journals and contains such engaging pieces as "Reading" and "The Pond in the Winter" Other famous sections involve Thoreau's visits with a Canadian woodcutter and with an Irish family, a trip to Concord, and a description of his bean field. This is the complete and authoritative text of Walden-as close to Thoreau's original intention as all available evidence allows. For the student and for the general reader, this is the ideal presentation of Thoreau's great document of social criticism and dissent.

    Together in one volume, Ralph Waldo Emerson's Nature and Henry David Thoreau's Walking, writing that defines our distinctly American relationship to nature.

    And yet nature remains deeply ingrained in our language, culture and consciousness. For centuries, we have acted on an intuitive sense that we need communion with the wild to feel well. Now, in the moment of our great migration away from the rest of nature, more and more scientific evidence is emerging to confirm its place at the heart of our psychological wellbeing. So what happens, asks acclaimed journalist Lucy Jones, as we lose our bond with the natural world--might we also be losing part of ourselves?Delicately observed and rigorously researched, Losing Eden is an enthralling journey through this new research, exploring how and why connecting with the living world can so drastically affect our health. Travelling from forest schools in East London, to the Svalbard Global Seed Vault, via Poland's primeval woodlands, Californian laboratories and ecotherapists' couches, Jones takes us to the cutting edge of human biology, neuroscience and psychology, and discovers new ways of understanding our increasingly dysfunctional relationship with the earth. Urgent and uplifting, Losing Eden is a rallying cry for a wilder way of life - for finding asylum in the soil and joy in the trees - which might just help us to save the living planet, as well as ourselves, from a future of ecological grief.

    Baker set out to track the daily comings and goings of a pair of peregrine falcons across the flat fen lands of eastern England. He followed the birds obsessively, observing them in the air and on the ground, in pursuit of their prey, making a kill, eating, and at rest, activities he describes with an extraordinary fusion of precision and poetry. And as he continued his mysterious private quest, his sense of human self slowly dissolved, to be replaced with the alien and implacable consciousness of a hawk.It is this extraordinary metamorphosis, magical and terrifying, that these beautifully written pages record.

    They call her the "Widow Drake", because she is lonely and grieving, but there is much more around this mysterious widow. She carries secrets buried deep about her marriage that nobody should ever find out! For Susannah, the first glimpse of the tall, handsome master of horses will kindle something deep inside her, something that she never thought she would feel again. But with wounds from the past still bleeding, how can she ever hope to open her heart, and love again?When Jasper Stone arrives at The Willows, to tame the new colt the Widow Drake has purchased, he mistakenly thinks there is nothing exciting about his new assignment. He has been drifting through the country, trying to clear his mind from the painful events that forced him to leave home many months ago...But the Widow Drake is not the middle aged virago Jasper is anticipating. She is a young, beautiful woman; a passionate woman that might be dangerous. How can he hope to keep the fortress he has built around his heart intact?Jasper is not alone in trying to attract the beautiful Widow Drake. A man from her past holds the key to the painful secrets of her past, as well as threatens her very future. As Jasper and Susannah grow closer, she knows she is being drawn to him, as irresistibly as a moth to fire. Can she find the courage to open her heart, even if danger swirls all around her once again?"The Burning Passion of a Fiery Lady" is a historical romance novel of approximately 80,000 words. No cheating, no cliffhangers, and a guaranteed happily ever after.

    A first in audiobook publishing--a series that uses the written word to enhance the listening experience--poetry to be read as well as heard. Each audiobook includes rare archival recordings and a book with the text of the poetry, a bibliograohy, and commentary by J. D. McClatchy, the poet and critic, who is the editor of The Yale Review. "To hear a poem spoken in the voice of the person who wrote it is not only to witness the rising of words off the page and into the air, but to experience an aural reenactment of exactly what the poet must have heard, if only internally, during the act of composition. THE VOICE OF THE POET recordings deliver these pleasures as they broadcast the pitch and timbre of many of the major voices in twentieth-century poetry."--Billy Collins, U.S,. Poet Lauerate.

    Not knowing how to deal with the unfamiliar and intense emotions he ignites within her, she lets herself burn in his fire. Still haunted by his fiancé's unsolved murder, Gerard Watton, the Duke of Hadminster, has thrown himself into his business. However, that changes when his sister's captivating governess brings forth feelings he thought himself unable to experience ever again. But as tension and feelings run wild, someone threatens to snatch his happiness away from him a second time. When someone tries to poison Elizabeth, the crippling fear of the past repeating itself resurfaces, and Gerard is hard-pressed to act fast. For one is an accident, two is a tragedy, but three is murder...

    The Blizzard Voices is based on the actual reminiscences of the survivors as recorded in documents from the time and written reminiscences from years later. Here are the haunting voices of the men and women who were teaching school, working the land, and tending the house when the storm arrived and changed their lives forever.

    Where the color green calms us, and the forest sharpens our senses.In The Heartbeat of Trees, renowned forester Peter Wohlleben draws on new scientific discoveries to show how humans are deeply connected to the natural world.In an era of cell phone addiction, climate change, and urban life, many of us fear we've lost our connection to nature--but Peter Wohlleben is convinced that age-old ties linking humans to the forest remain alive and intact.Drawing on science and cutting-edge research, The Heartbeat of Trees reveals the profound interactions humans can have with nature, exploring:the language of the forestthe consciousness of plantsand the eroding boundary between flora and fauna.A perfect book to take with you into the woods, The Heartbeat of Trees shares how to see, feel, smell, hear, and even taste the forest.Peter Wohlleben, renowned for his ability to write about trees in an engaging and moving way, reveals a wondrous cosmos where humans are a part of nature, and where conservation and environmental activism is not just about saving trees--it's about saving ourselves, too.Praise for The Heartbeat of Trees "As human beings, we're desperate to feel that we're not alone in the universe. And yet we are surrounded by an ongoing conversation that we can sense if, as Peter Wohlleben so movingly prescribes, we listen to the heartbeat of all life." --Richard Louv, author of Our Wild Calling a nd Last Child in the Woods "Astonishment after astonishment--that is the great gift of The Heartbeat of Trees. It is both a celebration of the wonders of trees, and a howl of outrage at how recklessly we profane them." --Kathleen Dean Moore, author of Earth's Wild Music "As Peter Wohlleben reminds us in The Heartbeat of Trees, trees are the vocabulary of nature as forests are the brainbank of a living planet. This was the codex of the ancient world, and it must be the fine focus of our future." --Dr. Diana Beresford-Kroeger, author of To Speak for the Trees and The Global Forest "Peter Wohlleben knows the battle that lies before us: forging a closer relationship with nature before we destroy it. In The Heartbeat of Trees he takes us deep into the global forest to show us how."--Jim Robbins, author of The Man Who Planted Trees

    Berry's sentences and stories deliver a great payload of edifying entertainment, which I hungrily consume, but it is the bass note of morality thumping through his musical phrases that guides me with the most constant of hands upon my plow." —Nick Offerman, New York Times bestselling author of Paddle Your Own Canoe"Read [Berry] with pencil in hand, make notes and hope that somehow our country and the world will soon come to see the truth that is told here." —The New York Times"He is unlike anybody else writing today…" —Andrew Marr, New Statesman"The rarest (and highest) of literary classes consist of that small group of authors who are absolutely inimitable… One of the half-dozen living American authors who belongs in this class is Wendell Berry." —Los Angeles TimesWendell Berry began his life in post-war America as the old times and the last of the old-time people were dying out, and continues to this day in the old ways: a team of work horses and a pencil are his preferred working tools. The writings gathered in The World-Ending Fire are the unique product of a life spent farming the fields of rural Kentucky with mules and horses, and of the rich, intimate knowledge of the land cultivated by this work. These are essays written in defiance of the false call to progress and in defense of local landscapes, essays that celebrate our cultural heritage, our history, and our home.With grace and conviction, he shows that we simply cannot afford to succumb to the mass-produced madness that drives our global economy—the natural world will not survive it.Yet he also shares with us a vision of consolation and of hope. We may be locked in an uneven struggle, but we can and must begin to treat our land, our neighbors, and ourselves with respect and care. As Berry urges, we must abandon arrogance and stand in awe.

    While considering the direction of his own life, he began to contemplate the existence of this colossal tree. Standing in England for centuries, the oak would have been a sapling when the Magna Carta was signed in 1215.Canton examines our long-standing dependency on the oak, and how that has developed and morphed into myth and legend. We no longer need these sturdy trees to build our houses and boats, to fuel our fires, or to grind their acorns into flour in times of famine. What purpose, then, do they serve in our world today? Are these miracles of nature no longer necessary to our lives? What can they offer us? Canton tells the story of this tree in its ecological, spiritual, literary, and historical contexts, using it as a prism to see his own life and human history. The Oak Papers is a reflection on change and transformation, and the role nature has played in sustaining and redeeming us.