Journalist Joe Oakes makes a living exposing supernatural hoaxes, but when he visits a secretive religious community on a remote Scottish island, everything he thought he knew is overturned. On the trail of a strange creature caught briefly on film, so deformed it can hardly be human, Oakes crosses a border of electrical fencing, toxin-filled oil drums, and pigs’ skulls to infiltrate the territory of the groups’ isolated founder, Malachi Dove. Their confrontation, and its violent aftermath, is so catastrophic that it forces Oakes to question the nature of evil—and whether he might be responsible for the heinous crime about to unfold. Startling and uncompromising, Pig Island confirms Mo Hayder as one of the most talented, compelling thriller writers now working.

    Pointing them out now no longer applies to the current edition.Tom Reed is a crime reporter with The San Francisco Star, whose superb journalistic skills earned him a Pulitzer nomination. But years later Reed’s life is coming apart. His editor wants him fired. His wife has left him to wrestle with his demons. Alone, Reed is tormented by the fear he may have caused the suicide of an innocent man suspected of murdering a two-year-old girl.Reed’s friend on the case is legendary San Francisco Homicide Inspector, Walt Sydowski, who has one of California’s highest clearance rates. He is also a lonely widower haunted by the fact he cannot solve the girl's heartbreaking death.Both men grapple with the past while they race the clock to learn the truth behind a several new abductions that have anguished the Bay Area, in this acclaimed thriller set in the late 1990s.

    . . Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season. No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .

    Owner Cecily Sinclair runs a smooth hotel, but the death of an offensive snob could kill her business.

    London’s favorite musical comedy of the past two years was finishing its run at the end of the week. Suddenly, the line began to move, forming a wedge before the open doors as hopeful theatergoers nudged their way forward. But one man, his head sunk down upon his chest, slowly sank to his knees and then, still more slowly, keeled over on his face. Thinking he had fainted, a spectator moved to help, but recoiled in horror from what lay before him: the man in the queue had a small silver dagger neatly plunged into his back. With the wit and guile that have made Inspector Grant a favorite of mystery fans, the inspector sets about discovering just how a murder occurred among so many witnesses, none of whom saw a thing.

    Twenty years. Now the killer is back for more…DCI Matilda Darke has returned to work after a nine month absence. A shadow of her former self, she is tasked with re-opening a cold case: the terrifyingly brutal murders of Miranda and Stefan Harkness. The only witness was their eleven-year-old son, Jonathan, who was too deeply traumatized to speak a word.Then a dead body is discovered, and the investigation leads back to Matilda's case. Suddenly the past and present converge, and it seems a killer may have come back for more…A darkly compelling debut crime novel. The start of a brilliant series, perfect for fans of Stuart MacBride, Val McDermid, and James Oswald.

    Now she's a Paris correspondent, thank you very much—a dream come true for any journalist.There's just a slight down side—she arrives in freezing rain, gets caught in a traffic jam caused by a bomb scare, and hates her apartment; but the real Bonjour is finding herself face down on a museum floor during a robbery. "Killed for a boring story!" she thinks. But as it happens, she isn't the one who dies. Three terrifying masked gunmen shoot the unfortunate security guard.They could have stolen all the treasures of Monte Cristo's cave, so to speak, but it turns out they've made off with only a mirror. True, it once belonged to the French seer Nostradamus, but it may be the museum's least valuable item.Does it have some prophetic ability? Does someone know something the gendarmes don't? Here's what Georgia Lee knows: If she finds out first, she's a journalistic hero. If she doesn't, she's dead.

    Antoine Verlaque, the charming chief magistrate of Aix, suspects foul play, and when he discovers that Bremont had been a close friend of Marine Bonnet, his on-again off-again girlfriend, Verlaque must turn to her for help.The once idyllic town suddenly seems filled with people who scould have benefited from Bremont's death--including his playboy brother Francois, who's heavily in debt and mixed up with some unsavory characters. But just as Verlaque and Bonnet are narrowing down their list of suspects, another death occurs. And this time, there can be no doubt--it's murder.A lively mystery steeped in the enticing atmosphere of the south of France and seasoned with romance as rich as the French cuisine that inspires it, this first installment in the acclaimed Verlaque & Bonnet Provencal Mystery series is as addictive and captivating as Provence itself.

    That dirty job done, a lovely evening turns even more delightful when she’s picked up by the cops and spends the next two hours at the Hall of Justice. Could this day get any worse? Of Course! Guess who arrives home to find a dead hooker on her living room floor?Handsome Parker Phillips, Rebecca’s new beau and the most attractive man she’s met in ages, is arrested for the murder. (Worse, she suspects he might actually have done it.)On the plus side, another very attractive man is following the case--reporter Rob Burns of the San Francisco Chronicle, a possible ally. And there are other possibilities.Fans of Janet Evanovich, Joan Hess, and Elizabeth Peters will get a kick out of this one.

    Inspector Wilkins is called in to investigate, but it's going to take some intricate sleuthing to uncover who killed whom and why.

    Five years ago, her family home was the scene of a shocking and bloody crime that left her parents dead and her foster brother in prison. Marnie doesn’t talk much about her personal life, preferring to focus on work. Not even her partner, DS Noah Jake, knows much about Marnie’s past. Though as one of the few gay officers on the force and half Jamaican to boot, Noah’s not one to overshare about his private life either. Now Marnie and Noah are tackling a case of domestic violence, and a different brand of victim.Hope Proctor stabbed her husband in desperate self-defense. A crowd of witnesses in the domestic violence shelter where she’s staying saw it happen, but none of them are telling quite the same story, and the simple question remains: how did Leo Proctor get in to the secure shelter? Marnie and Noah shouldn’t even have been there when it happened but they were interviewing another resident, Ayana Mirza. They’re trying to get Ayana to testify against her brothers for pouring bleach on her face for bringing dishonor to the family, and blinding her in one eye. But Ayana knows that her brothers are looking for her, and she has no doubt that they’ll kill her this time.As the violence spirals, engulfing the residents of the women's shelter, Marnie finds herself drawn into familiar territory: A place where the past casts long shadows and she must tread carefully to survive.

    Living on the edge of society, Elizabeth uses her guile to relieve so-called respectable men of their ill-gotten gains. But brutal and greedy entrepreneur Oscar Thornton is out for blood. He’s lost a great deal of money and is not going to forgive a woman for outwitting him.With his thugs hot on her trail, Elizabeth seizes the moment to blend in with a group of women who have an agenda of their own. She never expects to like or understand these privileged women, but she soon comes to respect their intentions, forming an unlikely bond with the wealthy matriarch of the group whose son, Gideon, is the rarest of species—an honest man in a dishonest world.Elizabeth knows she’s playing a risky game, and her deception could be revealed at any moment, possibly even by sharp-eyed Gideon. Nor has she been forgotten by Thornton, who’s biding his time, waiting to strike. Elizabeth must draw on her wits and every last ounce of courage she possesses to keep her new life from being cut short by this vicious shadow from her past.

    . .December 1918: As a difficult year draws to a close, there is much to celebrate for nineteen-year-old Phoebe Renshaw and her three siblings at their beloved family estate of Foxwood Hall. The dreadful war is finally over; eldest daughter Julia's engagement to their houseguest, the Marquis of Allerton, appears imminent; and all have gathered to enjoy peace on earth, good will toward men. But the peace of Foxwood Hall is shattered on the morning of Boxing Day, when the Marquis goes missing. Not entirely missing, however, as macabre evidence of foul play turns up in gift boxes given to lady's maid Eva Huntford and a handful of others. Having overheard her sister and the Marquis in a heated exchange the night before, Lady Phoebe takes a personal interest in solving the mystery. As the local constable suspects a footman at Foxwood Hall, Phoebe and Eva follow the clues to a different conclusion. But both young women will need to think outside the box to wrap up this case--before a cornered killer lashes out with ill will toward them. . .

    Then a talented young female student goes missing on the marsh and Nikki and Joseph find themselves joining forces with a master criminal in their efforts to save her. They need to look behind the masks, but when they do, they find something more sinister and deadly than they ever expected . . .

    But when the spinster dies suddenly, her best friend kicks up an unseemly fuss, loud enough to attract the attention of Detective Chief Inspector Tom Barnaby. And when Barnaby and his eager-beaver deputy start poking around, they uncover a swamp of ugly scandals and long-suppressed resentments seething below the picture-postcard prettiness.