It is an integral part of their marriage, child rearing, and community. In this daring new book, distinguished philosopher Daniel C. Dennett takes a hard look at this phenomenon and asks why. Where does our devotion to God come from and what purpose does it serve? Is religion a blind evolutionary compulsion or a rational choice? In "Breaking the Spell," Dennett argues that the time has come to shed the light of science on the fundamental questions of faith. In a spirited narrative that ranges widely through history, philosophy, and psychology, Dennett explores how organized religion evolved from folk beliefs and why it is such a potent force today. Deftly and lucidly, he contends that the "belief in belief" has fogged any attempt to rationally consider the existence of God and the relationship between divinity and human need."Breaking the Spell" is not an antireligious screed but rather an eyeopening exploration of the role that belief plays in our lives, our interactions, and our country. With the gulf between rationalists and adherents of "intelligent design" widening daily, Dennett has written a timely and provocative book that will be read and passionately debated by believers and nonbelievers alike.

    Pieper's attention is ever to the particular virtue, its precise meaning, and to its contribution to the wholeness that constituted an ordered, active, and truthful human life. No better brief account of the virtues can be found. Pieper has long instructed us in these realities that need to be made operative in each life as it touches all else `that is', as Pieper himself often puts it." - James V. Schall, S.J., Georgetown University "A fine and thought provoking examination of the relationship between the mind, heart, and moral life of the human person." - John Cardinal O'Connor, Archbishop of New York "Pieper's sentences are admirably constructed and his ideas are expressed with maximum clarity. He restores to philosophy what common sense obstinately tells us ought to be found there: wisdom and insight." - T. S. Eliot

    He brings to his treatment of these questions the same courage, scrupulous logic, and lofty wisdom for which his other work as philosopher, writer, and teacher has been famous. These qualities make the essays included in this book perhaps the most graceful and moving presentation of the freethinker's position since the days of Hume and Voltaire. "I am as firmly convinced that religions do harm as I am that they are untrue," Russell declares in his Preface, and his reasoned opposition to any system or dogma which he feels may shackle man's mind runs through all the essays in this book, whether they were written as early as 1899 or as late as 1954. The book has been edited, with Lord Russell's full approval and cooperation, by Professor Paul Edwards of the Philosophy Department of New York University. In an Appendix, Professor Edwards contributes a full account of the highly controversial "Bertrand Russell Case" of 1940, in which Russell was judicially declared "unfit" to teach philosophy at the College of the City of New York. Whether the reader shares or rejects Bertrand Russell's views, he will find this book an invigorating challenge to set notions, a masterly statement of a philosophical position, and a pure joy to read.Why I am not a Christian --Has religion made useful contributions to civilization? --What I believe --Do we survive death? --Seems, madam? Nay, it is --Free man's worship --On Catholic and Protestant skeptics --Life in the Middle Ages --Fate of Thomas Paine --Nice people --New generation --Our sexual ethics --Freedom and the colleges --Can religion cure our troubles? --Religion and morals --Appendix: How Bertrand Russell was prevented from teaching at the College of the City of New York

    Kennedy's memoir of discovery is personal and historical, cultural, and autobiographical.

    evil. Heavy Metal guitarist, Dimebag Darrell Abbott, was attacked and murdered on stage, December 8th, 2004 at the Alrosa Villa Nightclub. Erin Halk, Jeff Thompson and Nathan Bray each lost their lives trying to help Dimebag and others from the attack of an armed madman. While Dimebag is certainly a part of the story contained within the book, the focus is squarely on the background of Halk, Bray & Thompson, in addition to the killer, his motives and the actual incident at the venue. "A Vulgar Display Of Power: Courage And Carnage At The Alrosa Villa" is a deep, moving story which does an amazing job of honoring the memories Jeff, Nate, Erin, and Darrell. Of the victims who lost their lives, Nathan Bray is the only person who is survived by a wife and child. MJS Music Publications is contributing proceeds from every copy sold to a college fund set up for his son, Anthony. Music History/True Crime/Biography 352 pages, 240+ pictures.

    As the daughter of King Malcolm of Scotland, she has always been expected to achieve great things, and so she was sent to England to receive an education at just seven years old. Now, at fourteen, her aunt wants her to take vows to become a nun. A knight hospitaller wants her to join the fight against the Saracens in the Holy Land. And, her father wants her to marry a man she does not love just for the money and political benefits. But… perhaps she might become queen of England instead? After all, she is rumored to be the only woman to have ever turned the king of England’s head. And anyway, King William is far kinder and prettier than the man her father chose for her. As dawn breaks, she runs away from the abbey without any solid plan. And just as she takes a deep breath and allows her legs to rest, she is found by the king’s little brother, Lord Henry. He won’t let her travel alone. When she protests his company, he forces her in his horse's saddle and rides away with her into the forest. In this stunning tale of Matilda of Scotland's "lost" seven years, great love is lost and found, a kingdom rises, and a queen is made.

    The volume includes new or first-time translations of seven essays, and thoroughly revised, updated versions of the other seven. They will prove an essential resource for all students of Heidegger, whether they work in philosophy, literary theory, religious studies or intellectual history.

    Musicians of this genre have developed an often impenetrable sound that teeters on the edge of screaming, incomprehensible noise. Extreme metal circulates on the edge of mainstream culture within the confines of an obscure 'scene', in which members explore dangerous themes such as death, war and the occult, sometimes embracing violence, neo-fascism and Satanism. In the first book-length study of extreme metal, Keith Kahn-Harris draws on first-hand research to explore the global extreme metal scene. He shows how the scene is a space in which members creatively explore destructive themes, but also a space in which members experience the everyday pleasures of community and friendship. Including interviews with band members and fans, from countries ranging from the UK and US to Israel and Sweden, Extreme Metal: Music and Culture on the Edge demonstrates the power and subtlety of an often surprising and misunderstood musical form.

    In its place he argues for a set of values based on reason, reflection, and sympathy, taking his cue from the great ethical tradition of Western philosophy.

    How did a generation that started out at Woodstock and Monterey end up at Crate & Barrel? How did a generation that promised to "teach its children well" end up with a progeny so evil they could give Damien from The Omen a run for his money? And what is so fascinating about porcini mushrooms? Professional iconoclast Queenan shows how a generation with so much promise lost its way by confusing pop culture with culture and mistaking lifestyle for life.Queenan on The Sixties: "Baby Boomers who never saw Hendrix, did drugs, locked or loaded an AK-47 in country or bedded down with a girl named Radiance now all pretend they did. It's like those Civil War reenactment buffs who have drunk so much Wild Turkey they actually think they were at Chickamauga."Queenan on Death: "A generation whose primary cultural artifact is the Filofax has enormous difficulty shoehorning death into its schedule: it's inconvenient, time-consuming and stressful. 'We don't have time to die this afternoon; Caitlin has ballet.'"

    It takes the reader through the book chapter by chapter, using "fill in the blank" questions to highlight the crucial points and to promote personal reflection. Excellent for small group studies as well as individual use.

    Hume's brilliant and dispassionate essay "Of Miracles" has been added in this expanded edition of his Dialogues Concerning Natural Religion, which also includes "Of the Immortality of the Soul", "Of Suicide", and Richard Popkin's illuminating Introduction.

    Twenty-four true, wide-ranging tales of crime, history, human behavior, illness, and ethics, told from the personal perspective of the author, an eminent physician-lawyer who uses the stories to illustrate the principles of human genetics and to discuss the broader issues.

    

     Kirsten Mowat, eighteen years old and with a joyful spring in her step, could't be more in love with her sea-faring sweetheart Duncan Armstrong.But, seven years later – after a hasty wedding, a twist of lies and wrenching loss – Duncan and Kirsten's relationship has faded to tatters. When those closest to her turn their backs, Kirsten – alone, with a young family to care for – must gather all her spirit and strength if they are to survive.From much-loved Millie Gray, The House on Rosebank Lane is an Edinburgh story of families entwined, of sorrow and hopefulness . . . and of a young mother's love for her children and a transforming quest for happiness.A poignant and authentic family saga which depicts the reality of working-class life in 1950s Edinburgh, perfect for fans of Annie Murray (Sisters of Gold), Jennifer Worth (Call the Midwife) and Dilly Court (Nettie's Secret).  PRAISE FOR THE HOUSE ON ROSEBANK LANE: "A deserted mother's struggles to survive and help her children thrive no matter the cost. Millie Gray's fast-moving story, set in the Edinburgh of the 1950s and 60s, is an emotional rollercoaster, full of twists and surprises . . ."– ANNIE MURRAY, bestselling author of Sisters of Gold