“No question is more debated today. And none produces more disappointing answers.” In Girard’s mimetic theory it is the imitation of someone else’s desire that gives rise to conflict whenever the desired object cannot be shared. This mimetic rivalry, Girard argues, is responsible for the frequency and escalating intensity of human conflict. For Girard, human conflict comes not from the loss of reciprocity between humans but from the transition, imperceptible at first but then ever more rapid, from good to bad reciprocity. In this landmark text, Girard continues his study of violence in light of geopolitical competition, focusing on the roots and outcomes of violence across societies latent in the process of globalization. The volume concludes in a wide-ranging interview with the Sicilian cultural theorist Maria Stella Barberi, where Girard’s twenty-first century emphases on the continuity of all religions, global conflict, and the necessity of apocalyptic thinking emerge.

    This new edition is fully revised and updated.This popular introduction to the subject of ethics poses vital contemporary questions and explores the approach of leading thinkers.The authors take the reader, step by step, through the complex arguments on issues such as animal an human rights, environmental ethics and the morality of war.‘It is a great gift to be able to make philosophy accessible to the general reader. This is a wonderfully clear introduction both to moral philosophy and to contemporary ethical concerns.’David Atkinson, Church Times

    Rabbi Alfred J. Kolatch includes the attitudes of Jewish legal scholars toward such far-reaching topics as artificial insemination, birth control, and intermarriage, while expanding on answers included in the first volume.

    The species that survive will be the ones that are most compatible with us: the weedy species--from mosquitoes to coyotes--that thrive in continually disturbed human-dominated environments. The End of the Wild is a wake-up call. Marshaling evidence from the last ten years of research on the environment, Stephen Meyer argues that nothing--not national or international laws, global bioreserves, local sustainability schemes, or wildlands--will change the course that has been set. Like it or not, we can no longer talk about conserving nature, only managing what is left. The race to save biodiversity is over.But that doesn't mean our work is over. The End of the Wild is also a call to action. Without intervention, the surviving ecosystems we depend on for a range of services--including water purification and flood and storm damage contro--could fail and the global spread of invasive species (pests, parasites, and disease-causing weedy species) could explode. If humanity is to survive, Meyer argues, we have no choice but to try to manage the fine details. We must move away from the current haphazard strategy of protecting species in isolation and create trans-regional meta-reserves, designed to protect ecosystem functions rather than species-specific habitats.

    The walking wounded. These are the stories of ordinary people.

    That day, the German army used a chlorine gas meant to exterminate indiscriminately. Until then, war, as described by Clausewitz and practiced by Napoleon, involved attacking the adversary’s vital function first. Using poison gas signaled the passage from classical war to terrorism. This terror from the air inaugurated an era in which the main idea was no longer to target the enemy’s body, but their environment. From then on, what would be attacked in wartime as well as in peacetime would be the very conditions necessary for life.This kind of terrorism became the matrix of modern and postmodern war, from World War I’s toxic gas to the Nazi Zyklon B used in Auschwitz, from the bombing of Dresden to the attack on the World Trade Center. Sloterdijk goes on to describe the offensive of modern aesthetics, aesthetic terrorism from Surrealism to Malevich--an “atmo-terrorism” in the arts that parallels the assault on environment that had originated in warfare.

    In time they're joined by rugged farmhand Tom, come to lend some muscle to Ellen's ageing father, who has begun to find sheep farming hard to manage alone. Almost inevitably romance grows between Ellen and the new arrival but once married however, Ellen discovers that Tom has a brutish side to his character. As war in Europe spreads, she begins to dream of him leaving for the trenches as a way for her to escape.Even with Tom fighting abroad however, the family can not hide from the realities of war as a group of POWs are brought to their valley to build a reservoir. And amongst the men, sworn enemies and shunned by all the locals, Ellen finds a gentler heart that she finds difficult to resist...

    " Fox has inspired millions of people over the past forty years through his simple, practical guidelines. In Diagrams for Living he presents valuable keys to living a more fulfilled life drawn from the eloquent spiritual wisdom of the Bible.If we read the Bible literally, cautions Fox, we miss the eternal power and personal relevance found in its symbols, allegories, and parables. "Whether you realize it or not," he writes, "you are on every page from Genesis to Revelation." Fox shows how to read dramatic biblical stories as symbolic diagrams for living that can "show you how to overcome difficulties and problems, and how to give expression to the deep aspirations that lie hidden in your soul." This power to reveal, inspire, and guide makes the Bible's teachings adaptable to everyone at every stage of spiritual development.Sensible, contemporary, and full of reassurance, Diagrams for Living offers sage counsel from a gifted teacher.

    But very soon they begin to wonder about the meaning behind the traditions, gear, and relationships in the dojo. In this collection of lively, detailed essays, Dave Lowry, one of the most well-known and respected swordsmen in the United States, illuminates the history and meaning behind the rituals, training costumes, objects, and relationships that have such profound significance in Japanese martial arts, including    • the dojo space itself    • the teacher-student relationship    • the act of bowing    • what to expect—and what will be expected of you—when you visit a dojo    • the training weapons    • the hakama (ceremonial skirt) and dogi (practice uniform)    • the Shinto shrineAuthoritative, insightful, and packed with fascinating stories from his own experience, In the Dojo provides a wealth of information that beginning students will pore over and advanced students will treasure.

    In the majority of cases individuals diagnosed as "brain dead" are the source of the organs without which transplants could not take place. In this compelling and provocative examination, Margaret Lock traces the discourse over the past thirty years that contributed to the locating of a new criterion of death in the brain, and its routinization in clinical practice in North America. She compares this situation with that in Japan where, despite the availability of the necessary technology and expertise, brain death was legally recognized only in 1997, and then under limited and contested circumstances. Twice Dead explores the cultural, historical, political, and clinical reasons for the ready acceptance of the new criterion of death in North America and its rejection, until recently, in Japan, with the result that organ transplantation has been severely restricted in that country. This incisive and timely discussion demonstrates that death is not self-evident, that the space between life and death is historically and culturally constructed, fluid, multiple, and open to dispute. In addition to an analysis of that professional literature on and popular representations of the subject, Lock draws on extensive interviews conducted over ten years with physicians working in intensive care units, transplant surgeons, organ recipients, donor families, members of the general public in both Japan and North America, and political activists in Japan opposed to the recognition of brain death. By showing that death can never be understood merely as a biological event, and that cultural, medical, legal, and political dimensions are inevitably implicated in the invention of brain death, Twice Dead confronts one of the most troubling questions of our era.

    George H. Stein examines in detail the structure and organization of the Waffen SS and describes the rigid personnel selection and intensive physical, military, and ideological training that helped to create the tough and dedicated cadre around which the larger force of the later war years was built.

    Cook and his crew soon formed friendships—and often more intimate relationships—with the islanders. The islanders, who initially were not certain if the Englishmen were even human, came to experiment with Western customs and in some cases joined the voyagers on their expeditions. But familiarity quickly bred contempt. Shipboard discipline was threatened by these new relationships, and the culture of the islands was also changed forever. Captain Cook, initially determined to act as an enlightened leader, saw his resolve falter during the third voyage. Amicable relations turned hostile, culminating in Cook’s violent death on the shores of Hawaii. In this masterful account of Cook’s voyages, Anne Salmond—a preeminent authority on the history of the south seas—reimagines two worlds that collided in the eighteenth century, and the enduring impact of that collision.

    This title presents the story of Native American society, culture and religion. It offers a chronological history of America's indigenous peoples. It covers their dramatic early entry into North America.

    To Cas, torn between Scotland and her New Zealand home, the object seems as odd and out-of-place as herself. Intrigued, she begins to search for its origins, thinking it will bring a brief respite from isolation. Instead, the Calgary chess piece opens the door to friendships and new hope. Her son, meanwhile, brings home his own revelation to shake her world.

    The Bank Job is a gripping 3,000 word short story that reveals the dramatic event that inspired the young William Lorimer to become a policeman. Alex Gray's acclaimed series brings Glasgow to vivid life in all its grit and glory and this story is the perfect introduction to her winsome detective, as well as a treat for all fans of the series. Praise for Alex Gray's Lorimer series: 'Brings Glasgow to life in the same way Ian Rankin evokes Edinburgh' Daily Mail'Gray is the new master of Scottish crime writing' Scottish Daily Express'Cracking storylines and well-rounded relationships' Daily Record'A gritty, fast-paced read' Sun