His whimsical and often erotic writing has already captured the hearts and minds of literally thousands of readers from around the world. He paints vivid pictures with intricate words and explores the compelling themes of love, loss, relationships and sex. All beautifully captured in poetry, prose, quotes and little short stories.

    The stories range from the tragic to the comic, though Mo Yan's humor is always tinged with a shade of black. They embody, too, the author's deep and abiding love of his fellow man, equaled only by his intense disdain of bureaucracy and repression--despite which his fiction is never didactic. Satire, fantasy, the supernatural, mystery: all are present in this remarkable and intensely enjoyable volume.- The release of award-winning director Zhang Yimou's major film adaptation of the title story (Happy Times) in summer 2002 heightened the visibility of both the author and this collection.- This paperback is being published simultaneously with the author's mangum opus, Big Breasts and Wide Hips--a return to the sweep and ambition of his bestelling Red Sorghum--which will receive major critical acclaim and further raise Mo Yan's profile in the States.- One of the stories in the volume serves as a companion piece to the author's hugely popular Red Sorghum.- Hardcover ISBN: 1-55970-565-5

    Decipher     love. To make what was once whole     whole again: or to see     why it never should have been thought whole.     This “ancient work” reflects what the poet sees as fundamental in human feeling, what psychologists and mystics have called the “hunger for the Absolute”—a hunger as fundamental as any physical hunger. This hunger must confront the elusiveness of the Absolute, our self-deluding, failed glimpses of it. The third section of the book is titled “History is a series of failed revelations.”     The result is one of the most fascinating and ambitious books of poetry in many years.One of Publishers Weekly's Best Poetry Books of 2013A New York Times Notable Book of 2013An NPR Best Book of 2013

    involvement in Vietnam, drawing on the insights and reassessments of one of the war’s architects"I had a part in a great failure. I made mistakes of perception, recommendation and execution. If I have learned anything I should share it."These are not words that Americans ever expected to hear from McGeorge Bundy, the national security adviser to Presidents John F. Kennedy and Lyndon B. Johnson. But in the last years of his life, Bundy—the only principal architect of Vietnam strategy to have maintained his public silence—decided to revisit the decisions that had led to war and to look anew at the role he played. He enlisted the collaboration of the political scientist Gordon M. Goldstein, and together they explored what happened and what might have been. With Bundy’s death in 1996, that manuscript could not be completed, but Goldstein has built on their collaboration in an original and provocative work of presidential history that distills the essential lessons of America’s involvement in Vietnam.Drawing on Goldstein’s prodigious research as well as the interviews and analysis he conducted with Bundy, Lessons in Disaster is a historical tour de force on the uses and misuses of American power. And in our own era, in the wake of presidential decisions that propelled the United States into another war under dubious pretexts, these lessons offer instructive guidance that we must heed if we are not to repeat the mistakes of the past.

    Containing 74 essays written over the last ten years, this book covers a range of subjects including the literature of the perceived masters and of Rushdie's contemporaries, the politics of colonialism and the ironies of culture, film, politicians, the Labour Party, religious fundamentalism in America, racial prejudice and the preciousness of the imagination and of free expression.

    In The Location of Culture, he uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.