The story follows the lives of some residents of the 10,394,850th block throughout the course of a year.

    Storylines both conventional and outlandish reveal humdrum routines as menacing, or imaginary worlds as perfectly familiar. Allusions to authors such as Edgar Allan Poe and Jules Verne reinforce the fantasy tradition in these tales, while understated humor and moments of sadness add a quirky unpredictability. Also included is the previously unpublished novella, "Botch Town," a coming-of-age story about a boy on Long Island whose family and friends live ordinary lives under threats both real and imagined. Each story is followed by a brief afterword that details its genesis.ContentsIntroduction by Jonathan CarrollThe Annals of Eelin-Ok + Story NotesJupiter's Skull + Story NotesA Night in the Tropics + Story NotesThe Empire of Ice Cream + Story NotesThe Beautiful Gelreesh + Story NotesBoatman's Holiday + Story NotesBotch Town + Story NotesA Man of Light + Story NotesThe Green Word + Story NotesGiant Land + Story NotesCoffins on the River + Story NotesSummer Afternoon + Story NotesThe Weight of Words + Story NotesThe Trentino Kid + Story Notes

    Collecting:Five Weeks in a Balloon,Around the World in Eighty Days,A Journey to the Center of the Earth,From the Earth to the Moon,Round the Moon,Twenty-Thousand Leagues Under the Sea,The Mysterious Island.This omnibus offers a unique compilation of seven of Vernes Voyages, stories in which he extrapolated developing technology and invention into marvellous fiction.This volume offers readers a generous introduction to Jules Verne, whose books are as alive today as they were for readers new to the ideas expressed in them during his time.This edition of the text is exquisitely bound in bonded-leather, with distinctive gilt edging and an attractive silk-ribbon bookmark. Decorative, durable, and collectable, these books offer hours of pleasure to readers young and old and are an indispensable cornerstone for any home library.

    But he soon learns that rats in suits are even worse. What do you do when rats invade your barn? Kill them or negotiate? Mason finds out the hard way that force does not always work! An allegory of war and violence? A statement on the arms race? Neal Asher’s work takes Orwell’s Animal Farm into a grimly humorous future where evolution is outrunning humanity. You may never trust a rat again! “I’ve never read anything like MASON’S RATS before … it’s sharp, funny and highly inventive. There’s more fun in this one slim volume than in many a full-length novel!” – Stephen Gallagher

    Read by Tom Teti.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    Standouts include "Kirinyaga" and "For I Have Touched the Sky," two installments from Resnick's well-regarded Kirinyaga series, set on an orbital space habitat modeled on a pre-colonial African culture. Contentsxi • Foreword: The Man Who Hated Short Stories • (1992) • essay by Mike Resnick1 • Introduction: Will the Last Person to Leave the Planet Please Shut off the Sun? • (1992) • essay by Mike Resnick3 • Will the Last Person to Leave the Planet Please Shut off the Sun? • (1992) • shortstory by Mike Resnick7 • Introduction: Kirinyaga • (1992) • essay by Mike Resnick8 • Kirinyaga • [Kirinyaga • 2] • (1988) • novelette by Mike Resnick31 • Introduction: Me and My Shadow • (1992) • essay by Mike Resnick32 • Me and My Shadow • (1984) • shortstory by Mike Resnick51 • Introduction: Mrs. Hood Unloads • (1992) • essay by Mike Resnick52 • Mrs. Hood Unloads • (1991) • shortfiction by Mike Resnick57 • Introduction: Over There • (1992) • essay by Mike Resnick58 • Over There • [Teddy Roosevelt] • (1991) • novelette by Mike Resnick85 • Introduction: The Last Dog • (1992) • essay by Mike Resnick86 • The Last Dog • (1977) • shortstory by Mike Resnick95 • Introduction: King of the Blue Planet • (1992) • essay by Mike Resnick96 • King of the Blue Planet • (1988) • shortstory by Mike Resnick111 • Introduction: Watching Marcia • (1992) • essay by Mike Resnick112 • Watching Marcia • (1981) • shortstory by Mike Resnick125 • Introduction: Death Is an Acquired Trait • (1992) • essay by Mike Resnick126 • Death Is an Acquired Trait • (1988) • shortstory by Mike Resnick133 • Introduction: The Crack in the Cosmic Egg • (1992) • essay by Mike Resnick134 • The Crack in the Cosmic Egg • (1988) • shortstory by Mike Resnick137 • Introduction: Revolt of the Sugar Plum Fairies • (1992) • essay by Mike Resnick138 • Revolt of the Sugar Plum Fairies • (1992) • shortstory by Mike Resnick151 • Introduction: For I Have Touched the Sky • (1992) • essay by Mike Resnick152 • For I Have Touched the Sky • [Kirinyaga • 3] • (1989) • novelette by Mike Resnick183 • Introduction: Frankie the Spook • (1992) • essay by Mike Resnick184 • Frankie the Spook • (1990) • shortstory by Mike Resnick203 • Introduction: Beibermann's Soul • (1992) • essay by Mike Resnick204 • Beibermann's Soul • (1988) • shortstory by Mike Resnick209 • Introduction: Balance • (1992) • essay by Mike Resnick210 • Balance • [Susan Calvin (Robot)] • (1989) • shortstory by Mike Resnick217 • Introduction: Posttime in Pink • (1992) • essay by Mike Resnick218 • Posttime in Pink • (1991) • novelette by Mike Resnick249 • Introduction: Beachcomber • (1992) • essay by Mike Resnick250 • Beachcomber • (1980) • shortstory by Mike Resnick255 • Introduction: Blue • (1992) • essay by Mike Resnick256 • Blue • (1979) • shortstory by Mike Resnick261 • Introduction: Stalking the Unicorn with Gun and Camera • (1992) • essay by Mike Resnick262 • Stalking the Unicorn with Gun and Camera • (1986) • shortstory by Mike Resnick271 • Introduction: Monsters of the Midway • (1992) • essay by Mike Resnick272 • Monsters of the Midway • (1991) • shortstory by Mike Resnick279 • Introduction: Malish • (1992) • essay by Mike Resnick280 • Malish • (1991) • shortstory by Mike Resnick285 • Introduction: The Light that Blinds, the Claws that Catch • (1992) • essay by Mike Resnick286 • The Light that Blinds, the Claws that Catch • [Teddy Roosevelt] • (1992) • shortstory by Mike Resnick295 • Introduction: His Award-Winning Science Fiction Story • (1992) • essay by Mike Resnick296 • His Award-Winning Science Fiction Story • (1988) • shortstory by Mike Resnick309 • Introduction: Was It Good For You, Too? • (1992) • essay by Mike Resnick310 • Was It Good For You, Too? • (1989) • shortstory by Mike Resnick317 • Introduction: God and Mr. Slatterman • (1992) • essay by Mike Resnick318 • God and Mr. Slatterman • (1984) • shortstory by Mike Resnick327 • Introduction: The Fallen Angel • (1992) • essay by Mike Resnick328 • The Fallen Angel • (1984) • shortfiction by Mike Resnick331 • Introduction: How I Wrote the New Testament, Ushered in the Renaissance, and Birdied the 17th Hole at Pebble Beach • (1992) • essay by Mike Resnick332 • How I Wrote the New Testament, Ushered in the Renaissance, and Birdied the 17th Hole at Pebble Beach • (1990) • shortstory by Mike Resnick339 • Introduction: Winter Solstice • (1992) • essay by Mike Resnick340 • Winter Solstice • (1991) • shortstory by Mike Resnick

    Pat Murphy's stories range from "Rachel in Love," which portrays a chimpanzee whose brain is implanted with the personality of a young girl who has died, to "His Vegetable Wife," the story of a farmer who grows a spouse from a packet of seed only to find that she is more quiet than docile. All but one of the 19 stories in this collection have been published previously in magazines and anthologies.Contents:Dead Men on TV (1988)Women in the Trees (1990)Don't Look Back (1980)Orange Blossom Time (1981)In the Islands (1983)Touch of the Bear (1980)On a Hot Summer Night in a Place Far Away (1985)Sweetly the Waves Call to Me (1981)His Vegetable Wife (1986)Good-bye, Cynthia (1988)Prescience (1989)Clay Devils (1987)A Falling Star Is a Rock from Outer Space (1986)With Four Lean Hounds (1984)On the Dark Side of the Station Where the Train Never Stops (1984)In the Abode of the Snows (1986)Rachel in Love (1987)Recycling Strategies for the Inner City (1990)Bones (1990)

    A horde of beasts known only as the scourge has ravaged the land, leaving only the village of Terreas to survive. Hemmed in on all sides by the scourge, the denizens of Terreas eke out a lonely existence, trying to survive in a land that is all but dead. Jasen Rabinn is a teenage boy trapped in Terreas but with a mind rooted outside the boundaries of his village. He longs for adventure, and when the mysterious Baraghosa – a sorcerer of a sort not native to Luukessia – comes to Terreas, a chain of events is set in motion that will carry Jasen beyond his simple town. To adventure. To danger. To his destiny.

    Humans are engaged in a long war against an advanced alien race, the Senexi, but the possibility for peace may exist thanks to a young girl who learns the enemy's larger role and humanity's opportunity to evolve.

    Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

    The great Soviet engines of state power turn and burn to ‘set history right’. Not just of the war, but of all future time.In Rome with his lover Julia Duffy, an older, mellower Prince Harry is drawn into Stalin’s plans when a simple game of spies goes horribly wrong. Underneath the eternal city, former Spetsnaz officer Pavel Ivanov fights a running battle with the NKVD’s executioner-in-chief as Stalin’s minions fight to preserve the secret of a weapon that could destroy the West with one, fearsome blow.Moving from Rome to Paris to Cairo, Harry and the uptimers must fight a shadow war against the communist superstate and the suspicion and prejudices of their forebears. They can save world, but world does not want saving by the likes of them.

    A stunning collection of the kind of fiction that has only one source--the unparalleled Ray Bradbury.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    It begins - or does it? - when Caspar, a genius, poor of course, and resentful at that, decides to use his "time machine" to bring back a modest fortune. It begins - or maybe it doesn't - with a mysterious bequest to a secret Otherhood charged with preserving and extending the British Empire at any cost. From the bold colonial days of empire-builder Cecil Rhodes through the wide-eyed and wondrous possibilities of the present to a strange and haunting future of magi and angels, of men and many races other than our own, John Crowley's time-travel masterpiece surfs bravely along "the infinite, infinitely broken coastline of Time" to tell a story that takes place neither here nor there, but everywhen.