Instead, Liam insists he is of virtuous mind and pure of heart — a decision which causes his inherited demon familiar, Ronway, to despair in boredom.Being literally the devil on Liam's shoulder, it's practically Ronway's duty to lead him into temptation now and again.

    She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire.Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human.When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

    They expose the absurdity of our rituals, our definitions of sexuality, and above all, our expectations of happiness and self-fulfillment.       Cain’s protagonists are destined to suffer—and sometimes enjoy—the consequences of their own restless discontent.  In the title story, Lisa, a city dweller, is dissatisfied with her life and relationships. Her attempt at self-rejuvenation takes her on a hiking excursion through a foreign land. Lisa discovers a remote village where the ritualized and generous bisexual love of its inhabitants entrances her. She begins to abandon thoughts of home.      In “Cultivation,” Frances, a divorced mother strapped with massive credit card debt, has become an expert at growing pot. When she packs her three children and twelve pounds of homegrown into the minivan and travels cross-country to sell the stash, their journey becomes one of anguish, revelation, and ultimately transformation. “Cultivation,” like many of the stories in The Necessity of Certain Behaviors, follows a trail of broken relationships and the unfulfilled promises of modern American life.       Told in precise, evocative prose, these memorable stories illuminate the human condition from a compelling, funny, and entirely original perspective.

    Through the voices of undocumented immigrants, border patrol agents, and scorned lovers, award-winning poet Eduardo C. Corral writes dramatic portraits of contradiction, survival, and a deeply human, relentless interiority. With extraordinary lyric imagination, these poems wonder about being unwanted or renounced. What do we do with unrequited love? Is it with or without it that we would waste away?In the sequence “Testaments Scratched into Water Station Barrels,” with Corral’s seamless integration of Spanish and English, poems curve around the surfaces upon which they are written, overlapping like graffiti left by those who may or may not have survived crossing the border. A harrowing second collection, Guillotine solidifies Corral’s place in the expanding ecosystem of American poetry.

    Not with a sword or a gun, but with an interdimensional creature called Handler. Together they take down “feeders”—aliens who prey on mankind. When Lori touches a feeder, Handler’s impossibly large jaws appear and drag the beast into another dimension.It’s a living—or was, until a job for the Lake Foundation goes wrong, and Lori stumbles across the Nix, a group of mutant teenagers held captive on the docks. Now the Lake Foundation is hunting Lori, and if they find Lori, they find Ben, the brother Lori would do anything to protect. There’s only one thing to do: strike first.Lori teams up with the Nix to take on Lake, and to discover why the Nix were kidnapped in the first place. But as she watches their powers unfold, Lori realizes the Nix are nothing like her. She has no powers. She has…Handler. Maybe she’s not the monster hunter after all. Maybe she’s just the bait.

    In fact, the whole of Kazuo’s life has been about his obligations to his father, never about what he wanted for himself. Anything alien absolutely fascinates Kazuo, but the majority of Kazuo’s alien education has come strictly from his studies.To help Kazuo gain more business experience and contacts, his father requires him to attend an industry gala held by one of the most well-known extraterrestrial importers on Earth, a Sirynthalian known as Aethos. While Aethos is certainly a main attraction in attending the gala, Kazuo also remembers a past visit to the property’s enormous extraterrestrial greenhouse— a visit he’d like to repeat, as long as he can avoid touching the plants this time around.As far as decisions go, leaving the party to look at the exotic flora seems to be a fairly harmless one to Kazuo. But a walk through the greenhouse becomes a life-altering event when Kazuo comes across an alien plant with a mind of its own... and a desire for Kazuo. Now Kazuo has a life-or-death decision to make. The question is: does he have all of the facts he needs to make it?This story was written as a part of the M/M Romance Group's "Love’s Landscapes" event. Group members were asked to write a story prompt inspired by a photo of their choice. Authors of the group selected a photo and prompt that spoke to them and wrote a short story. Photo Description: An illustration in the style of Japanese manga artwork features a young Asian male, nude from the waist down, blushing in embarrassment as thick green plant tentacles hold him aloft, binding his arms behind his back and spreading his legs wide. A wide tentacle protruding from the center of a large pink blossom penetrates his anus. Three smaller yellow tendrils, also from the center of the flower, reach toward his erect cock.This story may contain sexually explicit content and is intended for adult readers. It may contain content that is disagreeable or distressing to some readers. The M/M Romance Group strongly recommends that each reader review the General Information section before each story for story tags as well as for content warnings.

    As 'Red' adjusts to life on the farm herding hens, collecting fruit, weeding plants, and running errands, many questions remain: Exactly why is Red here? What's eating at Auntie Ann? And, most pressingly, can a fire-demon cook an egg simply by holding it?

    Miller comes a frightening and uncanny ghost story about a rapidly changing city in upstate New York and the mysterious forces that threaten it.Ronan Szepessy promised himself he’d never return to Hudson. The sleepy upstate town was no place for a restless gay photographer. But his father is ill and New York City’s distractions have become too much for him. He hopes that a quick visit will help him recharge. Ronan reconnects with two friends from high school: Dom, his first love, and Dom’s wife, Attalah. The three former misfits mourn what their town has become—overrun by gentrifiers and corporate interests. With friends and neighbors getting evicted en masse and a mayoral election coming up, Ronan and Attalah craft a plan to rattle the newcomers and expose their true motives. But in doing so, they unleash something far more mysterious and uncontainable. Hudson has a rich, proud history and, it turns out, the real estate developers aren’t the only forces threatening its well-being: the spirits undergirding this once-thriving industrial town are enraged. Ronan’s hijinks have overlapped with a bubbling up of hate and violence among friends and neighbors, and everything is spiraling out of control. Ronan must summon the very best of himself to shed his own demons and save the city he once loathed.

    When she finds out her girlfriend has lied to her, the world she thought she'd carefully built for herself begins to unravel, and Maria sets out on a journey that will most certainly change her forever.

    A chance meeting with a young American chased away the fear that he would always be alone and brought him the prospect of a new existence.Dustin Earl joined the military and escaped his small town Southern upbringing with the hope that he could give his mentally challenged brother a better life. But Dustin had never known real love, an honest hug, or a simple kiss. He considered his sexuality a weakness; a threat that had been used against those he cared about.For eight months their relationship blossomed until Dustin suddenly returned home. He cherished Stephen, but felt his responsibilities to his brother outweighed his own chance at happiness.Shattered, unable to function and unwilling to accept Dustin’s departure, Stephen flew three thousand miles to get Dustin back and rekindle what they had. But what he would learn when he got there… he could never have imagined.

    It's bad enough that she has to work on Christmas Eve but now there's a drunk bloke dressed as Santa and claiming to be St Nick hanging around outside her flat. Given he's professing to be the giver of Christmas miracles and nearly 2000 years old, she's wary.Things get even more weird when St Nick insists he's there to save Theo. And with the next St Nicholas Day somehow fast approaching, he's even got a plan that'll change her life forever.It all seems pretty straightforward, apart for one awkward fact:Theodora Quirke doesn't actually need saving.

    In modern-day London, Robert searches for fulfillment in a world of sex, drugs, designer clothes, and hip gay clubs, during which he records his experience on his blog. Half a century earlier, Michael kept a secret diary in which he chronicled the dangers of negotiating the closet and the laws that could land himself and his friends and lovers in prison. Past and present collide when Robert moves into a new block of flats and discovers that history is alive and kicking on his doorstep. Funny, sexy, and moving, this tale demonstrates how much the world has changed, and remarkably, how much it can remain the same.

    Numbers have superpowers and they’re safe – any problem they might throw up can be solved.'If I were a five, I’d be shaped like a pentagon … there’d be magic in my walls, safety in my angles.'People are so much harder to cope with. At least that’s how it seems until Bailey Hunter arrives at school. Bailey has a stutter, but he can make friends and he’s good at judo. And Bailey seems to have noticed Felix:‘Felix keeps to himself mostly, but there’s something about him that keeps drawing me in.’Both boys find they’re living in a world where they can’t trust anyone, but might they be able to trust each other, with their secrets, their differences, themselves?

    The ghostwriter will probably cut it all, but hey, it’s the principle of the thing.Dr. Cadence Mbella is the world's most celebrated scholar of the atargati: sentient, intelligent deep-water beings who are most definitely not mermaids. When Cadence decides to release a captive atargati from scientific experimentation and interrogation, she knows her career and her life is forfeit. But she still yearns for the atargati--there is still so much to know about their physiology, their society, their culture. And Cadence would do anything to more fully understand the atargati... no matter what the cost.

    There is no she.Two cells make up one cell. This is the mathematics behind creation. One plus one makes one. Life begets life. We are the period to a sentence, the effect to a cause, always belonging to someone. We are never our own.This is why we are so lonely.She of the Mountains is a beautifully rendered illustrated novel by Vivek Shraya, the author of the Lambda Literary Award finalist God Loves Hair. Shraya weaves a passionate, contemporary love story between a man and his body, with a re-imagining of Hindu mythology. Both narratives explore the complexities of embodiment and the damaging effects that policing gender and sexuality can have on the human heart.Illustrations are by Raymond Biesinger, whose work has appeared in such publications as The New Yorker and the New York Times.Vivek Shraya is a multimedia artist, working in the mediums of music, performance, literature, and film. Her most recent film, What I LOVE about Being QUEER, has been expanded to include an online project and book with contributions from around the world. She is also author of God Loves Hairand Even This Page Is White.