In this peeled-paint coal town deep in Appalachia, Kevin quickly falls in with a half-wild hollow kid named Buzzy Fink who schools him in the mysteries and magnificence of the woods. The events of this fateful summer will affect the entire town of Medgar, Kentucky. Medgar is beset by a massive mountaintop removal operation that is blowing up the hills and back filling the hollows. Kevin's grandfather and others in town attempt to rally the citizens against the "company" and its powerful owner to stop the plunder of their mountain heritage. When Buzzy witnesses a brutal hate crime, a sequence is set in play that tests Buzzy and Kevin to their absolute limits in an epic struggle for survival in the Kentucky mountains.

    After being released from prison, Glen Davis returns to his hometown only to commit double homicide within forty-eight hours of his return. Sheriff Bobby Blanchard, as upright as Glen is despicable, walks in the path of Glen’s destruction and tries to rebuild the fragile ties of the families and community they share. Dark secrets that have been simmering for two generations explode to the surface, allowing us a chilling glimpse at how evil can fester in a man’s heart and eat up his soul.“This is the novel that will live with you day and night.” — Kaye Gibbons“Cancel the competition for the suspense thriller of the year. Larry Brown has already won it with Father and Son.” —St. Louis Post-Dispatch“Larry Brown is one of the great unsung heroes of American fiction... His work is a reminder of a reason to read.” —San Jose Mercury News

    Set in a small, dusty Texas town, it introduces Jacy, Duane and Sonny, teenagers stumbling towards adulthood, discovering the beguiling mysteries of sex and the even more baffling mysteries of love.

    It is 1930, the midst of the Great Depression. After her mysterious role in a family tragedy, passionate, strong-willed Thea Atwell, age fifteen, has been cast out of her Florida home, exiled to an equestrienne boarding school for Southern debutantes. High in the Blue Ridge Mountains, with its complex social strata ordered by money, beauty, and girls’ friendships, the Yonahlossee Riding Camp for Girls is a far remove from the free-roaming, dreamlike childhood Thea shared with her twin brother on their family’s citrus farm—a world now partially shattered. As Thea grapples with her responsibility for the events of the past year that led her here, she finds herself enmeshed in a new order, one that will change her sense of what is possible for herself, her family, her country.Weaving provocatively between home and school, the narrative powerfully unfurls the true story behind Thea’s expulsion from her family, but it isn’t long before the mystery of her past is rivaled by the question of how it will shape her future. Part scandalous love story, part heartbreaking family drama, The Yonahlossee Riding Camp for Girls is an immersive, transporting page-turner—a vivid, propulsive novel about sex, love, family, money, class, home, and horses, all set against the ominous threat of the Depression—and the major debut of an important new writer.

    Starting in the present day and moving backward, the novel is told in the voices of the three women: fifteen-year-old part-black Rayona; her American Indian mother, Christine, consumed by tenderness and resentment toward those she loves; and the fierce and mysterious Ida, mother and grandmother whose haunting secrets, betrayals, and dreams echo through the years, braiding together the strands of the shared past.

    At once a love story & a harrowing account of one man’s long walk home, Cold Mountain introduces a new talent in American literature.Based on local history & family stories passed down by Frazier’s great-great-grandfather, Cold Mountain is the tale of a wounded Confederate soldier, Inman, who walks away from the ravages of the war & back home to his prewar sweetheart, Ada. His odyssey thru the devastated landscape of the soon-to-be-defeated South interweaves with Ada’s struggle to revive her father’s farm, with the help of an intrepid young drifter named Ruby. As their long-separated lives begin to converge at the close of the war, Inman & Ada confront the vastly transformed world they’ve been delivered.Frazier reveals insight into human relations with the land & the dangers of solitude. He also shares with the great 19th century novelists a keen observation of a society undergoing change. Cold Mountain recreates a world gone by that speaks to our time.

    Bloodworth has returned to his home - a forgotten corner of Tennessee - after twenty years of roaming. The wife he walked out on has withered and faded. His three sons are grown and angry. Warren is a womanising alcoholic; Boyd is driven by jealousy to hunt down his wife's lover; and Brady puts hexes on his enemies from his mother's porch. Only Fleming, the old man's grandson, treats him with respect and sees past all the hatred, realising the way it can poison a man's soul. It is ultimately the love of Raven Lee, a sloe-eyed beauty from another town, that gives Fleming the courage to reject his family's curse.In a tale redolent with the crumbling loyalties and age-old strife of the post-war American South made familiar to us by Cormac McCarthy, Gay's characters inhabit a world driven by blood ties that strangle as they bind. A coming of age novel, a love story, and a portrait of a family torn apart, Provinces of Night introduced a distinctive new voice in American fiction and a superb cast of characters.

    Then there’s Violet Devohr, Zee’s great-grandmother, who they say took her own life somewhere in the vast house, and whose massive oil portrait still hangs in the dining room.The Hundred-Year House unfolds a generational saga in reverse, leading the reader back in time on a literary scavenger hunt as we seek to uncover the truth about these strange people and this mysterious house. With intelligence and humor, a daring narrative approach, and a lovingly satirical voice, Rebecca Makkai has crafted an unforgettable novel about family, fate and the incredible surprises life can offer.

    They and their five children work relentlessly to tame their patch of land, buying saplings from a local tree man known as John Appleseed so they can cultivate the fifty apple trees required to stake their claim on the property. But the orchard they plant sows the seeds of a long battle. James loves the apples, reminders of an easier life back in Connecticut; while Sadie prefers the applejack they make, an alcoholic refuge from brutal frontier life.1853: Their youngest child Robert is wandering through Gold Rush California. Restless and haunted by the broken family he left behind, he has made his way alone across the country. In the redwood and giant sequoia groves he finds some solace, collecting seeds for a naturalist who sells plants from the new world to the gardeners of England. But you can run only so far, even in America, and when Robert's past makes an unexpected appearance he must decide whether to strike out again or stake his own claim to a home at last.Chevalier tells a fierce, beautifully crafted story in At the Edge of the Orchard, her most graceful and richly imagined work yet.

    Then about the murders, which happened later."When fifteen-year-old Dell Parsons' parents rob a bank, his sense of normal life is forever altered. In an instant, this private cataclysm drives his life into before and after, a threshold that can never be uncrossed.His parents' arrest and imprisonment mean a threatening and uncertain future for Dell and his twin sister, Berner. Willful and burning with resentment, Berner flees their home in Montana, abandoning her brother and her life. But Dell is not completely alone. A family friend intervenes, spiriting him across the Canadian border, in hopes of delivering him to a better life. There, afloat on the prairie of Saskatchewan, Dell is taken in by Arthur Remlinger, an enigmatic and charismatic American whose cool reserve masks a dark and violent nature.Undone by the calamity of his parents' robbery and arrest, Dell struggles under the vast prairie sky to remake himself and define the adults he thought he once knew. But his search for grace and peace only moves him nearer to a harrowing and murderous collision with Remlinger, an elemental force of darkness.A true masterwork of haunting and spectacular vision from one of America's greatest writers, Canada is a profound novel of boundaries traversed, innocence lost and reconciled, and the mysterious and consoling bonds of family. Told in spare, elegant prose, both resonant and luminous, it is destined to become a modern classic.

    They have no car, no mailbox, and no visitors-except for her mother's lifelong best friend. Every Sunday, Wren's father delivers winding sermons in an abandoned gas station, where he takes up serpents and praises the Lord for his blighted white eye, proof of his divinity and key to the hold he has over the community, over Wren and her mother.But over the course of one summer, a miracle performed by Wren's father quickly turns to tragedy. As the order of her world begins to shatter, Wren must uncover the truth of her father's mysterious legend and her mother's harrowing history and complex bond with her best friend. And with that newfound knowledge, Wren can imagine a different future for herself than she has been told to expect.Rich with epic love and epic loss, and diving deep into a world that is often forgotten but still part of America, Shiner reveals the hidden story behind two generations' worth of Appalachian heartbreak and resolve. Amy Jo Burns brings us a smoldering, taut debut novel about modern female myth-making in a land of men-and one young girl who must ultimately open her eyes.

     In 1950, Constantine Stassos, a Greek immigrant laborer, marries Mary Cuccio, an Italian-American girl, and together they produce three children: Susan, an ambitious beauty, Billy, a brilliant homosexual, and Zoe, a wild child. Over the years, a web of tangled longings, love, inadequacies and unfulfilled dreams unfolds as Mary and Constantine's marriage fails and Susan, Billy, and Zoe leave to make families of their own. Zoe raises a child with the help of a transvestite, Billy makes a life with another man, and Susan raises a son conceived in secret, each extending the meaning of family and love. With the power of a Greek tragedy, the story builds to a heartbreaking crescendo, allowing a glimpse into contemporary life which will echo in one's heart for years to come.

    It is the story of the young Hollywood mogul Monroe Stahr, a character inspired by the life of boy-genius Irving Thalberg, and is an exposé of the studio system in its heyday.

    Moving between the South of France, the East Coast of the U.S., and Algeria, The Last Life explores the weight of isolation and exile in one French family. Of course, the adjective French is already inadequate, as at least some of the LaBasses still long for the paradise lost of Algeria. And Alex LaBasse's wife, Carol, try as she might with her Continental impersonations, will always be an American sporting a metaphorical twin set. The narrator, Sagesse, too, soon finds herself equally stranded. Only her autocratic grandfather, Jacques, is ostensibly comfortable with the identity he has wrought: successful owner of the Bellevue Hotel and head of his dynasty. It is thanks to this man that 14-year-old Sagesse comes to crave invisibility. Having lost of all of her friends, she sees herself as "a member of the Witness Protection Program, surrounded by an odd human assortment chosen only for the efficiency of disguise; but somehow, nevertheless, inescapable."The cause of this loss? Jacques, fed up with Sagesse and her pals' late-night noise at the hotel pool--or perhaps with their failure to take him seriously--shoots at one girl. This incident ruptures life for each LaBasse, the Bellevue no longer "their bulwark against absurdity." Looking back on the crucial two years following the patriarch's "target practice," Sagesse possesses both a teenager's slant self-interest and an older, acute eye for the mechanisms of shame. The Last Life is that rare thing, a fast-moving philosophical novel masquerading as a bildungsroman. In her efforts at identity and affection, its heroine is increasingly alive to the subterfuges of narrative, forcing herself to sort through versions of reality. Her grandmother, for instance, relates one myth about her husband, only to have Carol undercut it entirely. And Sagesse herself can't figure out whether Jacques is "sentimental or heartless." What if both, she realizes, are possible?As Messud's narrator navigates her way through the past--and the Algerian sections are among the book's most extraordinary--there is everything to savor in her wavelike sentences, many of which possess a dangerously witty undertow. And the scenes of familial tedium are the opposite of tedious. The dialogue snaps with subverted emotion, anxiety, and irony. At one of the LaBasses' bleaker fests, much is made of the mouna, a special (if dry) Algerian cake. Nonetheless, the grandmother does her best to fob it off at evening's end. "I've never cared for it myself, although it's a lovely memory." Retrospect, as Sagesse realizes, is "a light in which we may not see more clearly, but at least have the illusion of doing so."

    The novel is told in a kaleidoscope of seamlessly woven voices and centers around an incendiary romance that consumes everyone in its path: Myra Lamb, a wild young girl with mysterious, haint blue eyes who grows up on remote Bloodroot Mountain; her grandmother Byrdie Lamb, who protects Myra fiercely and passes down “the touch” that bewitches people and animals alike; the neighbor boy who longs for Myra yet is destined never to have her; the twin children Myra is forced to abandon but who never forget their mother’s deep love; and John Odom, the man who tries to tame Myra and meets with shocking, violent disaster. Against the backdrop of a beautiful but often unforgiving country, these lives come together—only to be torn apart—as a dark, riveting mystery unfolds. With grace and unflinching verisimilitude, Amy Greene brings her native Appalachia—and the faith and fury of its people—to rich and vivid life. Here is a spellbinding tour de force that announces a dazzlingly fresh, natural-born storyteller in our midst.