He hits the books, hangs with his friends, flirts with girls, and omits the full truth of his life from his Aunt Audrey and Uncle Steve, who have raised him since his parents died. But there's one way that Jason Peele is very different: when he dreams at night, it isn't about girls; it's about David Bowie. At sixteen-years-old, Jason is just beginning to understand that he might be gay.The one place Jason feels comfortable is on the track where he can run fast and hard. He loves the feel of the wind at his back, of his legs propelling him furiously around, the roar of the crowd in his ears. But now, even his sanctuary feels threatening. It isn't just the jerks who call him "faggot" in the locker room. A new guy has joined the team, and everything about him will challenge the way Jason sees life. From late-night showings of "La Cage Aux Folles" to reading Gandhi, he's running a new race on an uncertain course, and only one thing's for sure--his senior year is going to be unforgettable...With "A Secret Edge, "Robin Reardon delivers a sexy, sensitive coming-of-age novel about identity and courage, love and honor, anger and hope, and the many ways the truth can really set you free.

    Through the window of Ben's intimacies and observations, we remember what it was to be 14, freaked out by life, and never more eager to see what would happen next.

    Fee and his friends are forced to bear grief, shame, and pain that endure long after the director is imprisoned. Fee survives even as his friends do not, but a deep-seated horror and dread accompany him through his self-destructive college days and after, until the day he meets a beautiful young student named Warden and is forced to confront the demons of his brutal past.

    For all readers of Ian McEwan's Atonement or L P Hartley's The Go-Between.1970s Weston-Super-Mare and ten-year-old oddball Eustace, an only child, has life transformed by his mother's quixotic decision to sign him up for cello lessons. Music-making brings release for a boy who is discovering he is an emotional volcano. He laps up lessons from his young teacher, not noticing how her brand of glamour is casting a damaging spell over his frustrated and controlling mother.When he is enrolled in holiday courses in the Scottish borders, lessons in love, rejection, and humility are added to daily practice.Drawing in part on his own boyhood, Patrick Gale's new novel explores a collision between childish hero worship and extremely messy adult love lives.

    Powerful and artful, and ten years in the writing, it is a masterwork from Jamie O’Neill.Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the distant beacon of Muglins Rock and claim that island for themselves. All the while Mr. Mack, who has grand plans for a corner shop empire, remains unaware of the depth of the boys’ burgeoning friendship and of the changing landscape of a nation.

    Every day, the same stunning man, riding alongside you. He seems to notice you. You could swear something's there--it almost feels as if he's reaching out... Then, one fine day, you're given the chance of a lifetime: a opportunity to finally strike up a conversation. Do you take it?Wyatt does. And he's thrust into a more beautiful, violent, emotionally-charged journey than he ever could have expected. Only time will tell if his new bond with this beautiful boy can weather the tumult and confusion that accompany early adulthood... “Mikey said things in a way that invoked visions of us spending time together in the future. I considered this while I watched the sun set out my window. Beyond houses, buildings and occasional fields, all of it racing by, I caught flickers of open water and the far-off levee holding it at bay. The next few miles were peppered with conversation borne, still, out of an inscrutable dose of caution and unfamiliarity. How does one coax something from a void? What kind of enigmatic force conjures a friendship between strangers? How fragile those first times together must be, yet with so much depending on them. For one covert second, I swelled with sadness, not just because a continued relationship with this beautifully unchained boy was so improbable, but for the tragedy of all friendships that died in infancy.”

     In his electrifying novel, adolescent gay love, violence, and the spirituality of old-time religion are combined through the alchemy of Grimsley's vision into a powerfully suspenseful story of escape and redemption.

    But David is up to the challenge. Living in a three-bedroom semi in 1970s' working-class East Dulwich, surrounded by his somewhat colourful relatives, he is bright, smart-mouthed, fanatical about pop music and ready to shine. Rehearsals begin, and he strikes up a friendship with the handsome yet enigmatic Maxie Boswell, captain of the school football team. As their alliance deepens it appears they might become more than just good friends, but that can't be right, can it?Discovering a confidant in empathetic teacher, Hamish McClarnon, and spurred on by his no-nonsense best friend, Frances Bassey, David takes on the school bully, the National Front, and anyone else who threatens to stand in the way of true love.Vibrant, warm, and full of life, this uproarious and touching coming-of-age novel, set against the backdrop of South-East London in the thrill of the late seventies, will transport you straight back to your first music obsession and the highs and lows of your first love.

    . . . It’s not hyperbole to suggest that We Disappear is the eeriest Kansas-set story since Truman Capote’s In Cold Blood." — Chicago Sun-TimesA dark and compelling novel of addiction, obsession, love, and family from the acclaimed author of  Mysterious Skin The body of a teenage boy is discovered in a Kansas field. The murder haunts Donna—a recent widow battling cancer—calling forth troubling details from long-suppressed memories of her past. Hoping to discover more about "disappeared" people, she turns to her son, Scott, who is fighting demons of his own. Addicted to methamphetamines and sleeping pills, Scott is barely holding on—though the chance to help his mother in her strange and desperate search holds out a slim promise of some small salvation.But what he finds is a boy named Otis handcuffed in a secret basement room, and the questions that arise seem too disturbing even to contemplate. With his mother's health rapidly deteriorating, Scott must surrender to his own obsession, and unravel Otis's unsettling connections to other missing teens . . . and, ultimately, to himself.

    He was Kurt Strom, a big, good-looking southern boy who left the Detroit Tigers farm team to serve as a medic. In the blood-and-guts insanity of jungle warfare, he tended their wounds. In the comaraderie of of combat, he seduced them.

    But those plans change when his parents are suddenly killed and he finds himself the guardian of his little brother, Nick. Jamus ends up back in the Boston neighborhood where he grew up, with a crying toddler on his knee and the challenge of building a new life for himself and the boy. Jamus somehow finds a way to navigate the ups and downs of single parenting, but over a decade of raising Nick, Jamus never truly overcomes his struggles with loneliness and the guilt he feels as the sole survivor of the crash that killed his parents. That changes when he meets bookishly handsome Sean Malloy. There’s a spark between the two men, but both must face down their own private demons to find love in the Irish enclave of South Boston.For a more in-depth look at "Brothers," check out www.ralphjosiahbardsley.com.

     Even the most idyllic small town has dangerous currents just under the surface -- like abuse, bigotry and hate. And murder. Killian Kendall is a small-town teen whose whole world is about to be turned upside down. The new kid in school is openly gay and, despite himself, Killian finds himself drawn to him. When the boy is killed in a brutal attack, and Killian is injured in the process, Killian begins to questions everything around him. The police seem eager to write the attack off as a random mugging, but Killian knows better. Unable to ignore the injustice, Killian launches his own investigation, and everyone is a suspect -- even his closest friends. His search turns up hatred in small town America. Before it's over, more people will die, and Killian's life will be on the line again. Bleeding Hearts is the first book in the Killian Kendall Mystery Series.

    Initially denying even the possibility that he might be experiencing a homosexual crush, De'Ath soon finds himself giving in to this "strange and bothersome distraction" by scouring teenybopper magazines for articles like "20 Facts Ya Didn't Know About [Ronnie]!!" "As someone who did not know any facts at all about him as yet," he notes, "I confess I felt a certain onset of excitement." Gilbert Adair's narrative--it might be more accurate to call it a novella instead of a novel--is a precise depiction of romantic obsession and frustration. Narrated by De'Ath, it is thus somewhat more internally driven than the excellent 1998 film adaptation starring John Hurt and Jason Priestley. Love and Death on Long Island can be easily polished off with a few hours' reading, but its nuanced characterization of a man who trades restraint for recklessness is well worth savoring. --Ron Hogan

    At the beginning of this novel, she drives back to her family ranch in the foothills of the Sierras to attend the wedding of her identical twin, Judith, to a nice young doctor from Connecticut. Cassandra, however, is hell-bent on sabotaging the wedding. Dorothy Baker's entrancing tragicomic novella follows an unpredictable course of events in which her heroine appears variously as conniving, self-aware, pitiful, frenzied, absurd, and heartbroken—at once utterly impossible and tremendously sympathetic. Cassandra reckons with her complicated feelings about the sister who she feels owes it to her to be her alter ego; with her father, a brandy-soaked retired professor of philosophy; and with the ghost of her dead mother, as she struggles to come to terms with the only life she has. First published in 1962, Cassandra at the Wedding is a book of enduring freshness, insight, and verve. Like the fiction of Jeffrey Eugenides and Jhumpa Lahiri, it is the work of a master stylist with a profound understanding of the complexities of the heart and mind.

    Now Is the Hour is the wondrous story of how Rigby John got to this point. It traces his gradual emancipation from the repressions of a strictly religious farming family and from the small-minded, bigoted community in which he has grown up during a time of explosive cultural change. Transforming this familiar journey from American Graffiti to On the Road into something rich and strange and hilarious is the persona of Rigby John himself. Intimately in touch with his fears, hesitantly awakening to his own sexuality, and palpably open to life's mysteries, Rigby John is a protagonist whom readers will fall in love with, root for, and be moved by.Now Is the Hour is a powerful, vastly entertaining story of self-awakening, of the complex bonds of family, and ultimately of America during a period of tremendous upheaval.