When his father is killed in the September 11th attacks on the World Trade Centre, Oskar sets out to solve the mystery of a key he discovers in his father's closet. It is a search which leads him into the lives of strangers, through the five boroughs of New York, into history, to the bombings of Dresden and Hiroshima, and on an inward journey which brings him ever closer to some kind of peace.

    Five years later the past has found her and to protect herself and her beloved child she'll have to perform one last act of dazzling daring more audacious than any she has previously attempted.With her internationally bestselling novels Chocolat, Blackberry Wine, Five Quarters of the Orange, and Coastliners, Joanne Harris has woven intoxicating spells that celebrate the sensuous while exposing the passion, secrets and folly beneath the surface of rustic village life. In Holy Fools, her most ambitious and accomplished novel to date, she transports us back to a time of intrigue and turmoil, of deception and masquerade. In the year 1605, a young widow, pregnant and alone, seeks sanctuary at the small Abbey of Sainte Marie-de-la-mer on the island of Noirs Moustiers off the Brittany coast. After the birth of her daughter, she takes up the veil, and a new name, Soeur Auguste. But the peace she has found in remote isolation is shattered five years later by the events that follow the death of her kind benefactress, the Reverend Mother. When a new abbess -- the daughter of a corrupt noble family elevated by the murder of King Henri IV -- arrives at Sainte Marie-de-la-mer, she does not arrive alone. With her is her personal confessor and spiritual guide, Père Colombin, a man Soeur Auguste knows all too well. For the newcomer is Guy LeMerle, a charlatan and seducer now masquerading as a priest, and the one man she fears more than any other. Soeur Auguste has a secret. Once she was l'Ailée, "The Winged One," star performer of a troupe led by LeMerle, before betrayal forced her to change her identity. But now the past has found her. Before long, thanks to LeMerle, suspicion and debauchery are breeding like a plague within the convent's walls -- fueled by dark rumors of witchcraft, part of the false priest's brilliantly orchestrated scheme of revenge. To protect herself and her beloved child, l'Ailée will have to perform one last act of dazzling daring more audacious than any she has previously attempted.

    They go to the same grammar school, but while Vivien's life becomes a chaotic mix of friendships, youth clubs, skinhead violence, A-levels, discos and college, Olive, three years older and a skin shade darker, has a very different tale to tell...

    For the farming Pye family, life is a Greek tragedy where the sins of the fathers are visited on the sons, and terrible events occur—offstage. Centerstage are the Morrisons, whose tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive. Orphaned young, Kate Morrison was her older brother Matt’s protegee, her fascination for pond life fed by his passionate interest in the natural world. Now a zoologist, she can identify organisms under a microscope but seems blind to the state of her own emotional life. And she thinks she’s outgrown her siblings—Luke, Matt, and Bo—who were once her entire world. In this universal drama of family love and misunderstandings, of resentments harbored and driven underground, Lawson ratchets up the tension with heartbreaking humor and consummate control, continually overturning one’s expectations right to the very end. Tragic, funny, unforgettable, this deceptively simple masterpiece about the perils of hero worship leapt to the top of the bestseller lists only days after being released in Canada and earned glowing reviews in The New York Times and The Globe and Mail, to name a few.

    But Brendan and Sherilyn look happier that ever, so nothing is wrong. Is it? For the Gutteridges, Samantha was just a thing that threatened to worm its way into their perfect love. For everyone else, her story is the stuff of tabloid headlines. But this time it's not in a newspaper, it's happening right next door . . .

    That was what he said, standing at the door to the cabin where I was spending the summer with my father. I was fifteen. It was 1948 and one of the first days of July.Trond’s friend Jon often appeared at his doorstep with an adventure in mind for the two of them. But this morning would turn out to be different. What began as a joy ride on “borrowed” horses ends with Jon falling into a strange trance of grief. Trond soon learns what befell Jon earlier that day—an incident that marks the beginning of a series of vital losses for both boys. Set in the easternmost region of Norway, Out Stealing Horses begins with an ending. Sixty-seven-year-old Trond has settled into a rustic cabin in an isolated area to live the rest of his life with a quiet deliberation. A meeting with his only neighbor, however, forces him to reflect on that fateful summer.

    On board are hundreds of refugees, some optimistic, many more desperate. Among them are a maid with a devastating secret, the bankrupt Lord Merridith, his wife and children, and a killer stalking the decks, hungry for the vengeance that will bring absolution. This journey will see many lives end, others begin anew. Passionate loves are tenderly recalled, shirked responsibilities regretted too late, and profound relationships shockingly revealed. In this spellbinding tale of tragedy and mercy, love and healing, the farther the ship sails toward the Promised Land, the more her passengers seem moored to a past that will never let them go. As urgently contemporary as it is historical, this exciting and compassionate novel builds with the pace of a thriller to a stunning conclusion.

    There’s Ralph, her fourteen-year old son, and Winnie the young maid, a homely, goodhearted country girl, and the lodgers, of course, a curious but necessary burden. They include blind Alwyne Flyte, communist and cynic, victim of a gas attack in the trenches. When the dreaded telegram arrives at the house, things turn from difficult to desperate for the two young women.Then along comes the butcher, Neville Turk, big handsome ladies’ man, irresistible for his meat, money and brutish confidence, who throws flighty Eithne into a turmoil but has sinister plans of his own. Winnie and the blind lodger, meanwhile, conduct a strange, erotic liaison of their own. And young Ralph, ignored by his mother, looks on, feeling the undercurrents of desire, seeing more than he should. All the strands come together in a shocking denouement that turns a coward into a hero and young Ralph into a man.They’re all in the dark with their dreams, secrets and fantasies, and electric light, new to their world, may be a boon but it reveals both grime and secrets. Life is tough on the home front and they’re all working the system in different ways, sometimes comic sometimes tragic, always human.

    Owen doesn't believe in accidents; he believes he is God's instrument. What happens to Owen after that 1953 foul is both extraordinary and terrifying. At moments a comic, self-deluded victim, but in the end the principal, tragic actor in a divine plan, Owen Meany is the most heartbreaking hero John Irving has yet created.

    For Gideon Mack, faithless minister, unfaithful husband and troubled soul, the existence of God, let alone the Devil, is no more credible than that of ghosts or fairies. Until the day he falls into a gorge and is rescued by someone who might just be Satan himself.Mack's testament - a compelling blend of memoir, legend, history, and, quite probably, madness - recounts one man's emotional crisis, disappearance, resurrection and death. It also transports you into an utterly mesmerising exploration of the very nature of belief.

    A middle-aged ceilist who hides herself away in a tiny British cottage, she blames the world for its lack of love, and similarly despises it for its anger. Not until her beloved cello is stolen -- and her former lover, an American poet named George, returns -- does Eloise emerge from her shell. It is then that she and a myriad cast of schemers, cheats, and lovers descend upon a small Irish village and its inhabitants.

    Hosokawa. Roxane Coss, opera's most revered soprano, has mesmerized the international guests with her singing. It is a perfect evening—until a band of gun-wielding terrorists takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves into something quite different, a moment of great beauty, as terrorists and hostages forge unexpected bonds and people from different continents become compatriots, intimate friends, and lovers.

    Ryan is a fifteen-year-old drug dealer desperate not to turn out like his alcoholic father Tony, whose obsession with his unhinged next-door neighbour threatens to ruin him and his family. Georgie is a prostitute whose willingness to feign a religious conversion has dangerous repercussions, while Maureen, the accidental murderer, has returned to Cork after forty years in exile to discover that Jimmy, the son she was forced to give up years before, has grown into the most fearsome gangster in the city. In seeking atonement for the murder and a multitude of other perceived sins, Maureen threatens to destroy everything her son has worked so hard for, while her actions risk bringing the intertwined lives of the Irish underworld into the spotlight . . .Biting, moving and darkly funny, The Glorious Heresies explores salvation, shame and the legacy of Ireland's twentieth-century attitudes to sex and family.

    She's never really left England, but she has watched Bear Grylls and wonders why it's always men who get to go on all the cool wilderness adventures. So Erin sets off on a voyage into the Alaskan wilderness, a one-woman challenge to the archetype of the rugged male explorer.As Erin's journey takes her through the Arctic Circle, across the entire breadth of the American continent and finally to a lonely cabin in the wilds of Denali, she explores subjects as diverse as the moon landings, the Gaia hypothesis, loneliness, nuclear war, shamanism and the pill.Filled with a sense of wonder for the natural world and a fierce love for preserving it, The Word for Woman is Wilderness is a funny, frank and tender account of a young woman in uncharted territory.

    Lewycka tells the side-splittingly funny story of two feuding sisters, Vera and Nadezhda, who join forces against their father's new, gold-digging girlfriend.Two years after my mother died, my father fell in love with a glamorous blonde Ukrainian divorcée. He was eighty-four and she was thirty-six. She exploded into our lives like a fluffy pink grenade, churning up the murky water, bringing to the surface a sludge of sloughed-off memories, giving the family ghosts a kick up the backside.Sisters Vera and Nadezhda must aside a lifetime of feuding to save their émigré engineer father from voluptuous gold-digger Valentina. With her proclivity for green satin underwear and boil-in-the-bag cuisine, she will stop at nothing in her pursuit of Western wealth.But the sisters' campaign to oust Valentina unearths family secrets, uncovers fifty years of Europe's darkest history and sends them back to roots they'd much rather forget . . . .