But I kept hearing the splash." So begins The Well and the Mine, a magnificent debut novel set in 1930s Alabama. The place is Carbon Hill, a small coal-mining community, in the midst of the Depression. The Moore family, a loving brood of five, is better off than most, generous to their less fortunate neighbors. But darkness arrives at their doorstep when a mysterious woman throws a baby down the Moores' well, and the story slowly unfolds, through the alternating voices of nine-year-old Tess (who witnessed the crime); her older sister, Virgie; her brother, Jack; and her parents, Albert and Leta.The mystery of the baby and why the Moores' well was the chosen location for its disposal is the catalyst of this intimate novel -- the splash whose ripples widen to reveal a community divided by race and class. The revelation of this shadowy side of life in Carbon Hill is leavened by the awakening conscience of a family that survives adversity with pluck and determination. In her first novel, Phillips has found beauty, depth, and the promise of salvation in one strong Southern clan.

    An upright, unmarried spinster, Louisa has spent her life looking after others. In the aftermath of a hurricane that turns her life upside down, she finds a battered diary kept by one of her ancestors. The journal recounts the story of Diana, a 19th-century slave who worked for the Hilliards, but sought to improve her life and her means, and was severely punished. Diana's fate is gradually revealed, even as Louisa discovers objects in her house missing, moved, dented, and seemingly handled by an unappeasable presence. In some small way trying to set right age-old wrongs, Louisa discovers how her own life is entangled in her family's haunted history. So Far Back is a nuanced and resonant portrait of two families sharing an enduring past and an uneasy present.

    It’s the Great Depression and jobs are scarce, but it seems to Veda that Raymond uses religion as an excuse for why he can’t find work. He can’t work on the Sabbath, he can’t work around crude or vulgar men, and he will not join a union. After years of financial hardship, four babies, and what Raymond calls "Veda's accident”, Veda defies her church and files for divorce. The mysterious loss of her second husband is devastating and in order to raise her kids, she does things she is not proud of. Over the years she has blamed the church, Raymond, fate, and herself for her troubles, but it is Charlie’s recklessness that swallows up every bit of pride she has left.

    Before her mother's tragic death she'd promised to care for her young brother, Joshua, and teach him the gospel. But her father, Matthew, a lighthouse keeper devastated by the loss of his wife, banished Celena for refusing to renounce her Mormon faith. Five years later, when Matthew suffers serious injuries and Joshua pleads for Celena's help, she returns to her childhood home with a painful tangle of emotions. Can she love and forgive the headstrong, embittered father who cast her out? Celena's arrival catches the eyes of two approving gentlemen, as well as the suspicion of islanders who want control of the vacant lighthouse. Joshua convinces Celena to step forward as the new lighthouse keeper. When acts of vandalism begin to escalate, it's clear that someone on the island wants her gone#151;but who? More complexities arise as Celena makes a shocking discovery that turns her past inside out. Then the web of intrigue on the island turns deadly, with Celena at its very center. Against a backdrop of ocean waves and rich sunsets, this novel of suspense, romance, and reconciliation explores hidden motives and surprising secrets, the power of promises kept, and the hope of light found in unexpected places. Against a backdrop of ocean waves and rich sunsets, this novel of suspense, romance, and reconciliation explores hidden motives and surprising secrets, the power of promises kept, and the hope of light found in unexpected places. 6" X 9", 320 pages ISBN 978-1-59811-552-9

    In America, anybody can become president. In 1920, anybody did. Harding was a strikingly handsome man, a high school graduate of impenetrable ignorance whose only two qualifications for the presidency were that he looked and sounded presidential--provided you didn't look or listen too closely. Ohio's "favorite son" at the nominating convention, he recognized his deficiencies, did not want such high office, and never expected to be nominated, no less elected. But his destiny was to become the first packaged candidate, elected largely on the strength of a carefully crafted image. Thus began 12 years of Republican rule that fostered unbridled capitalism and willful isolation, leading to the Great Depression and the rise of European dictatorships, which set the stage for World War II. Greatly complicating things was the relationship between Harding and Nan, who shared a deeper intimacy and hotter sex than anything enjoyed by more contemporary White House occupants. But woven around and through their furtive couplings is the tapestry of corruption and scandal generated by a half-dozen uniquely odious presidential cronies. But this tale is not unremittingly bleak. After having been content all of his life to just slide by, Harding reinvented himself in his last year, proving that nobility can triumph over selfishness, that listening to your heart may be more reliable than listening to your head, and that love which is pure can transcend death itself.

    

    Saul, however, is irrevocably drawn to Vine the moment he lays eye on her and believes they are meant to be married, over the objections of her mother and his. Despite her misgivings, Saul’s mother, Esme, and his brother Aaron take to Vine from the moment she comes to God’s Creek. In fact, Vine realizes from the start that Aaron’s interest in her is far more than brotherly. When Saul must leave Vine behind for a year of work, troubling and violent events follow his departure, and Vine’s spirit and her love are put to the ultimate test.This novel was the Winner of the Award for Special Achievement from the Fellowship of Southern Writers and a Finalist for the Southern Book Critics Circle Prize.Blair brings this novel into a beautiful new paperback edition, along with two other Silas House novels, Clay’s Quilt and The Coal Tattoo. The three novels, which share a common setting and some characters, are companion novels. They may be read individually, in any order, but collectively, they form a rich tableau of life in rural mountain Kentucky in the last century.

    With no family, but a good education, she boards a ship to Australia with high hopes of a fresh start in a new country as a governess. But Sydney is full of young women with similar hopes and equally poor prospects. When Nicola is at her lowest ebb, a benefactor appears, Mr Belfroy, whose past has made him sympathetic to women struggling to survive. She also meets Frances West, an activist from a privileged background, and her attractive but distant brother, Nathaniel. However hard she tries to resist, Nicola's attraction to Nathaniel West grows. Her achievements at the Governess Home are vital to her. Can she have both?

    This widowed mother of a thirteen-year-old has decided it's time for a fresh start for both of them, time to leave behind Carbondale, Illinois, and the pain of loss. Tessie and her daughter move to Gainesville, Florida, where they discover that they aren't the only ones struggling to move forward in the wake of tremendous grief. Betsy Carter has perfectly captured both the innocence of the 1950s, when even the complex events of our lives seemed somehow easier to endure, and the startling and irreversible changes of the 1960s. A story about the relationships people develop in the face of loss, The Orange Blossom Special introduces us to a remarkable cast of characters, all of whom are tested—and transformed—by the changes in their midst. In her own touching and funny style, Carter shows us the unexpected ways in which strangers can become family.

    Quinn and his new bride Felice are aboard the steamboat Sultana going up the spring-flooded Mississippi River toward Illinois to meet the Funeral Train, when their honeymoon vessel stops at Vicksburg and takes on a pathetic human cargo of 2,000 sick and ragged survivors of the hellish Andersonville prisoner-of-war camp, kept alive only by their desire to get home. Quinn's lot is not thrown in with some of the unluckiest veterans of that awful war. While he is interviewing them about life in the notorious prison, the Sultana, carrying five times its lawful number of passengers, explodes after midnight. Quinn is blown overboard with the emaciated veteran Robb Macombie, and in the worst night of his life proves himself a better man than he had ever imagined he could be."--Dust jacket.

    He has spent his adult life held tight inside the clenched fist of panic disorder -- the stagnation produced by making too many wrong decisions was more paralyzing than a whole case of Jim Beam. Determined that a trip back to the family farm will help him confront his unhappy upbringing, Willem is stunned to find his father's beloved acreage -- so much land, such a great big house -- in the hands of Eilene Till and her two grown sons. There's the plump and perennially unemployed Sonny, building a shrimp boat in the Tills' landlocked backyard, and Bruno, a disabled Vietnam vet, who escapes into his stash of old National Geographics while his wife, Leah, seeks a small measure of comfort in the day-to-day tending of their farm. How Willem navigates through these unsettled lives to find love and reconciliation in his own is at the heart of this compassionate portrait of small-town America that celebrates the unusual, embraces the unwanted, and opens its arms to all lost souls in search of a home.

    Uprooted from her backwoods home, she and her family are thrust into the confusion and chaos of wartime Detroit. And in a pitiless world of unendurable poverty, Gertie will battle fiercely and relentlessly to protect those things she holds most dear -- her children, her heritage . . . and her triumphant ability to create beauty in the suffocating shadow of ugliness and despair.

    Here again she mines the territory of the small town of Zebulon, Mississippi, where even the most seemingly ordinary folks harbor well-disguised heartaches and intricate secrets. Thirteen-year-old Layla Jay was only pretending when she knelt before the preacher to seek salvation. She was hoping to make her grandma happy and get noticed by the cute new boy in town. But religion truly piques her interest when a young, handsome visiting preacher stays at her family’s home. Wallace seems genuinely interested in Layla Jay’s life–until he meets her mama and falls head over heels, like many men have before him. When Wallace marries Frieda, Layla Jay believes she will finally have the father she’s always wanted. But it seems that none of her dreams will come true as Layla Jay wrestles with her mother’s reckless ways, her unsavory stepfather, a best friend’s betrayal, and the longing for love’s first kiss. Yet everything pales in comparison to what happens next as Layla Jay is forced to tell a lie to save her mother’s world from crashing down.

    For twelve years, it remained untouched.Now a near fatal riding accident has shattered Piper’s dreams of Olympic glory. After her grandfather’s death, she inherits the house and all its secrets, including a key to a room that doesn’t exist—or does it? And after her grandmother is sent away to a nursing home, she remembers the box buried in the backyard. In it are torn pages from a scrapbook, a charm necklace—and a newspaper article from 1939 about the body of an infant found floating in the Savannah River. The necklace’s charms tell the story of three friends during the 1930s— each charm added during the three months each friend had the necklace and recorded her life in the scrapbook. Piper always dismissed her grandmother as not having had a story to tell. And now, too late, Piper finds she might have been wrong.

    Little Tree as his grandparents call him is shown how to hunt and survive in the mountains, to respect nature in the Cherokee Way, taking only what is needed, leaving the rest for nature to run its course. Little Tree also learns the often callous ways of white businessmen and tax collectors, and how Granpa, in hilarious vignettes, scares them away from his illegal attempts to enter the cash economy. Granma teaches Little Tree the joys of reading and education. But when Little Tree is taken away by whites for schooling, we learn of the cruelty meted out to Indian children in an attempt to assimilate them and of Little Tree's perception of the Anglo world and how it differs from the Cherokee Way. A classic of its era, and an enduring book for all ages, The Education of Little Tree has now been redesigned for this twenty-fifth anniversary edition.