S. Lewis's works continue to attract thousands of new readers every year, appealing to those seeking wisdom and calm in a hectic and ever-changing world. Each volume is written with the lucidity, warmth, and wit that has made Lewis revered as a writer the world over.From The Problem of Pain—a wise and compassionate exploration of suffering—to the darkly satirical The Screwtape Letters, Lewis is unrivalled in his ability to disentangle the questions of life. His writings offer hope, wisdom, and a true understanding of human nature.

    His tricks and turns have a purpose. They are bridges over a deep pit of sympathy and sorrow, illuminated by a tragic vision of stunted and frustrated lives.' Fintan O'Toole, Irish TimesMartin McDonagh's searingly brilliant new play premi�res at the National Theatre, London in November 2003.

    The popular image of the men who made the bomb is of dispassionate intellects who number-crunched their way towards a weapon whose devastating power they could not even imagine. But in his Tony Award-winning play Copenhagen, Michael Frayn shows us that these men were passionate, philosophical, and all too human, even though one of the three historical figures in his drama, Werner Heisenberg, was the head of the Nazis' effort to develop a nuclear weapon. The play's other two characters, the Danish physicist Niels Bohr and his wife, Margrethe, are involved with Heisenberg in an after-death analysis of an actual meeting that has long puzzled historians. In 1941, the German scientist visited Bohr, his old mentor and long-time friend, in Copenhagen. After a brief discussion in the Bohrs' home, the two men went for a short walk. What they discussed on that walk, and its implications for both scientists, have long been a mystery, even though both scientists gave (conflicting) accounts in later years. Frayn's cunning conceit is to use the scientific underpinnings of atomic physics, from Schr?dinger's famous cat to the Heisenberg uncertainty principle, to explore how an individual's point of view renders attempts to discover the ultimate truth of any human interaction fundamentally impossible. To Margrethe, Heisenberg was always an untrustworthy student, eager to steal from her husband's knowledge. To Bohr, Heisenberg was a brilliant if irresponsible foster son, whose lack of moral compass was part of his genius. As for Heisenberg, the man who could have built the bomb but somehow failed to, his dilemma is at the heart of the play's conflict. Frayn's clever dramatic structure, which returns repeatedly to particular scenes from different points of view, allows several possible theories as to what his motives could have been. This isn't the first play to successfully merge the world

    His conclusion, that it is the work of the Illuminati, a secret brotherhood presumed long dead, leads him to Rome, where against the backdrop of a papal election the Illuminati look set to renew their bitter vendetta against their sworn enemy, the Catholic Church . . .The Da Vinci CodeRobert Langdon receives an urgent late-night phone call while on business in Paris: the elderly curator of the Louvre has been violently murdered inside the museum. Alongside the body, police have found a series of baffling codes. As Langdon begins to sort through the bizarre riddles, he is stunned to find a trail that leads to the works of Leonardo da Vinci - and suggests the answer to an age-old mystery which will take him into the vaults of history . . .

    In struggling to escape from their thwarted lives and to achieve human 'tenderness', the characters embody and continue the major preoccupations of Lawrence's work as a whole.Love Among the Haystacks provides an early illustration of the intensity and innovation which made Lawrence one of the most distinctive and important of twentieth-century writers.

    John Herington, one of the world's foremost Aeschylean scholars, will come as a revelation. Scully and Herington accentuate the play's true power, drama, and relevance to modern times. Aeschylus originally wrote Prometheus Bound as part of a tragic trilogy, and this translation is unique in including the extant fragments of the companion plays.

    Reflecting his lifelong interest in Arthurian themes, his primary sources were Malory's Morte d'Arthur and the Welsh Mabinogion. For him, the Idylls embodied the universal and unending war between sense and soul, and Arthur the highest ideals of manhood and kingship; an attitude totally compatible with the moral outlook of his age. Poetically, Tennyson was heir to the Romantics, and Keats's influence in particular can be seen clearly in much of his work. Yet Tennyson's style is undoubtedly his own and he achieved a delicacy of phrase and subtlety of metrical effect that are unmatched. This edition, based on the text authorized by Tennyson himself, contains full critical apparatus.

    It vividly captures the loss of political idealism and links the journey of a single family to the wider political situation.The kettle boils in 1936 as the fascists are marching. Tea is brewed in 1946, with disillusion in the air at the end of the war. Twenty years on, in 1956, as rumors spread of Hungarian revolution, the cup is empty.Sarah Khan, an East End Jewish mother, is a feisty political fighter and a staunch communist. Battling against the State and her shirking husband she desperately tries to keep her family together.This landmark state-of-the-nation play is a panoramic drama portraying the age-old battle between realism and idealism. Chicken Soup captures the collapse of an ideology alongside the disintegration of a family.Chicken Soup with Barley, the first in a trilogy that includes Roots and I'm Talking about Jerusalem was first performed at the Belgrade Theatre, Coventry in 1958 and transferred to the Royal Court in the same year.

    It begins with six children--three boys and three girls--playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.

    Tolkien's On Fairy-stories is his most-studied and most-quoted essay, an exemplary personal statement of his own views on the role of imagination in literature, and an intellectual tour de force vital for understanding Tolkien's achievement in writing The Lord of the Rings .Contained within is an introduction to Tolkien's original 1939 lecture and the history of the writing of On Fairy-stories, with previously unseen material. Here, at last, Flieger and Anderson reveal the extraordinary genesis of this seminal work and discuss how the conclusions that Tolkien reached during the composition of the essay would shape his writing for the rest of his life.

    His colleagues are an assortment of misfits, including Prendy (plagued by doubts) and captain Grimes, who is always in the soup (or just plain drunk). Then Sports Day arrives, and with it the delectable Margot Beste-Chetwynde, floating on a scented breeze. As the farce unfolds and the young run riot, no one is safe, least of all Paul. Taking its title from Edward Gibbon's Decline and Fall of the Roman Empire, Evelyn Waugh's first, funniest novel immediately caught the ear of the public with his account of an ingénu abroad in the decadent confusion of 1920s high society.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    This omnibus collects in a single volume two novels that they published in 1847, each a tale of passionate romance and transformative personal experience. Jane Eyre At Thornfield Hall, where she takes employment as a governess, Jane Eyre finds fulfillment in her work, and the love of her life in her employer Edward Rochester. When a dark secret from Rochester’s past comes to light, Jane must make the most difficult decision of her life: to stay beside the man she loves regardless of the truth, or to embark upon a new life free of encumbrances of the past. Wuthering Heights From the moment of his adoption by the Earnshaws, the foundling boy Heathcliff devotes himself to their young daughter Catherine. Growing up together the two share a love that blossoms into romance, until Catherine’s hurtful betrayal. Embittered as an adult, Heathcliff vents his rage on his and Catherine’s heirs, manipulating their lives under the influence of a passion that has curdled into obsession.

    Written later, and probably abandoned after her father's death, The Watsons is a tantalizing and highly delightful story whose vitality and optimism centre on the marital prospects of the Watson sisters in a small provincial town. Sanditon, Jane Austen's last fiction, is set in a seaside town and its themes concern the new speculative consumer society and foreshadow the great social upheavals of the Industrial Revolution.

    Set in and around a large pool of water onstage, Metamorphoses juxtaposes the ancient and the contemporary in both language and image to reflect the variety and persistence of narrative in the face of inevitable change. Nominated for three 2002 Tony Awards, including "Best Play," Metamorphoses earned Zimmerman a Tony for "Best Direction of a Play."