He has no choice but to deal with it all drug free.

    Ken, the publisher, here. I couldn't be more thrilled to make this book flesh. This collection of aphorisms concise, eloquent truths contains so much poetry and passion and deep thinking, I've been caught by single pages for hours. This book is sharp, funny, tragic, irreverent, wise. All beauty. It puts fire in me. I invite you to enjoy that fire, too."

    Eventually sundered from every human attachment, Samya lapses into despair and despondence, and finally an emotionally caused paralysis. But when she shakes off the torpor of sleep, the sleep of avoidance, she awakens to action with the explosive energy of one who has been reborn.

    Since its founding in 1997, Brevity: A Journal of Concise Literary Nonfiction has published hundreds of brief nonfiction essays by writers around the world, each within that strict word count. Over the past 20 years, Brevity has become one of the longest-running and most popular online literary publications, a journal readers regularly return to for insightful essays from skilled writers at every stage of their careers. Featuring examples of nonfiction forms such as memoir, narrative, lyric, braided, hermit crab, and hybrid, The Best of Brevity brings you 84 of the best-loved and most memorable reader favorites, collected in print for the first time. Compressed to their essence, these essays glint with drama, grief, love, and anger, as well as innumerable other lived intensities, resulting in an anthology that is as varied as it is unforgettable, leaving the reader transformed.With contributions from Krys Malcolm Belc, Jenny Boully, Brian Doyle, Roxane Gay, Daisy Hernández, Michael Martone, Ander Monson, Patricia Park, Kristen Radtke Diane Seuss, Abigail Thomas, Jia Tolentino, and so many more, The Best of Brevity offers unparalleled diversity of style, form, and perspective for those interested in reading, writing, or teaching the flash nonfiction form.

    A city without a name is cursed by a plague of birds they probably deserve. But when an angry beggar child and his father learn they have the power to lift the curse they "control" birds they cannot agree on how to use their gift, and end up using it on each other, taking out everyone around them, especially those they love. This is BOOK I of a two-volume novel."

    But missing from the crime scene is a valuable artwork painted in 1926 by a renowned Belgian artist that might bring it all back.An acquaintance, Clay Fontenot, who has enabled a wide variety of personal violations in his life, some of which he has enjoyed, is the scion of a powerful New Orleans family. And Marion is an artist and masseuse from the Quarter who has returned after Katrina to rebuild her life. When Eli, a convicted art thief, is sent to find the missing painting, all of their stories weave together in the slightly deranged halls of the Quarter.

    The bodies of the dead – savagely mutilated, unspeakably defiled – are piling up with terrifying speed. There are no apparent motives and no obvious connections between the victims, but the killings only began when Scott Griffiths and his family arrived in Thussock...“In his evocation of fear and unease and the speed with which he grips you, he brings to mind old Brit horror writer James Herbert. And that is some recommendation.” —London Lite“Moody has the power to make the most mundane and ordinary characters interesting and believable, and is reminiscent of Stephen King at his finest.” —Shadowlocked"Moody is as imaginative as Barker, as compulsory as King, and as addictive as Palahniuk." —Scream the Horror Magazine

    Content to be alone and work on her photography, Vaughn’s seclusion is disrupted when she meets her new neighbor, Sophie Birch. The two form a tentative friendship, hanging out at Dragon Park with the rest of Nashville’s teens. There, the relationship deepens: Sophie becomes the subject of Vaughn’s artistic experiments and Vaughn becomes the subject of Sophie’s social experimentation as she pushes Vaughn to loosen up and let down her guard. After a fight with her mother, Sophie moves in with Vaughn and her academic parents who embrace Sophie’s wild side — until the girls push each other a step too far. In her debut novel, Susannah Felts perfectly captures the feel of growing up Southern-style, the universal push-pull of adolescent limit testing, and, above all, the intoxicating power that comes with burgeoning creativity.

    You watch three seasons of Keeping Up with the Kardashians in two days. You get a pet turtle. You absent-mindedly paint what ends up looking like your high school’s football coach, but naked. You go backpacking in Australia for a few months. You try speaking with a New York accent in public, just to see if people like that version of you better. The comment still haunts you. An “indoor kind of girl.” You feel like you’re that person, but you’re not that person. In Frankie Barnet’s exquisite and funny debut collection of stories, characters stumble through their daily existence, frequently feeling confused, rejected, bored, disillusioned or misunderstood. Metatron is proud to present these five stunningly imaginative tales, which signal the arrival of a gifted writer. Frankie Barnet is a Montreal- based writer. Her work has appeared in publications such as Joyland, Lemonhound and Papirmasse, and she is the author of the 2012 chapbook Something Disgusting Happening. She is a graduate of the Creative Writing program at Concordia University.“An Indoor Kind Of Girl veers from fading friendships to scheming call centres with an occasional sense of absurdity and also a kind of hyper-real real. Barnet’s narrators have a sharp eye for all that goes around them and they judge their own actions and others’ with a combination of ruthless honesty and vulnerability.”– MELISSA BULL, AUTHOR OF RUE “As I read, everything hit me at once; the quick prose and real characters, the humour of it, and this sort of sadness, loneliness.”– SOLILOQUIES ANTHOLOGY “A very powerful writer”– THE LINK

    When the nameless narrator botches an assignment for the clandestine organization that employs him, everyone in his life—including his new girlfriend—is revealed to be either true-blue, double operative, or both.With the literary coyness of Paul Auster and the dark absurdity of Kafka, Hunt's debut is a daring, memory-driven narrative that is as fittingly spare as a bare ceiling light—and just as pendulous. On the surface, the narrator is a simple man, fixing his washer and dryer, strolling through city parks, falling in love at an office supply store. But in The Impossibly, the mundane gives way to outrageous misconduct, and with each unexpected visitor or cryptic note, the tension reaches tantalizing heights. As the narrator frugally doles out clues about his dangerous work in an unnamed European city, the reader inevitably becomes confidante and fellow gumshoe. The narrator's final assignment—to identify his own assassin—dismantles the reader's own analysis of the evidence.

    In this country, the ruins of Phoenician, Greek and Roman are among the most impressive in the world. Crusader castles and Arab palaces stand together in the hills, and the people are a unique medley of races and religions.For five hundred miles the author walked through the mountains, following tracks and rivers. His journey was not only a survey of a remarkable country, but a quest for the divinities of the region — Astarte and Adonis, who held the secrets of death and rebirth in the ancient cults of Lebanon. He visited almost every place of cultural importance, and lived with the people along his way, recording strange remnants left over from the religion of Baalim and high places.The Hills of Adonis is both a travel book and a personal journal; a quest for meaning, a reflection on faith and reason and a poem on the joy and complexity of living.

    A daughter disappears in the middle of the night. What happens in the aftermath of this tragedy—after the search is abandoned, after the TV crews move on to cover the latest horrific incident—is the story of Coyote. There is a marriage and a detective. There is a storm, a talk show host, and a roasted boar. People are murdered and things are hidden. Coyotes skulk in the woods, a man stands by the fence, and a tale emerges within this familiar landscape of the violent unknown."Like a modern-day Poe, [Winnette] has fashioned a narrator whose pull on the reader’s sympathy gradually fades as she recounts the aftermath of her daughter’s mysterious disappearance….Winnette’s deeply affecting story is hard to put down and even harder to forget.” —Publishers Weekly (starred review)"Coyote has a strong and inviting voice and that voice wraps around a dark story, a contemporary story, and one that has its own velocity and fragmentation built in. I found myself swept along in it and impacted by its delicate/bleak movement.”—Aimee Bender, author of The Particular Sadness of Lemon Cake, The Girl in the Flammable Skirt, and Willful Creatures"While there’s a contemporary urgency to Winnette’s novel, it’s the small details (and how they’re revealed) that give this story its considerable sting."—Kirkus Reviews

    With all the heartbreaking earnestness of a Wilco song, these eighteen stories by Chad Simpson roam the small-town playgrounds, blue-collar neighborhoods, and rural highways of Illinois, Indiana, and Kentucky to find people who’ve lost someone or something they love and have not yet found ways to move forward. Simpson’s remarkable voice masterfully moves between male and female and adolescent and adult characters. He embraces their helplessness and shares their sad, strange, and sometimes creepy slices of life with grace, humor, and mounds of empathy. In “Peloma,” a steelworker grapples with his preteen daughter’s feeble suicide attempts while the aftermath of his wife’s death and the politics of factory life vie to hem him in.  The narrator of “Fostering” struggles to determine the ramifications of his foster child’s past now that he and his wife are expecting their first biological child. In just two pages, “Let x” negotiates the yearnings and regrets of childhood through mathematical variables and the summertime interactions of two fifth-graders. Poignant, fresh, and convincing, these are stories of women who smell of hairspray and beer and of landscapers who worry about their livers, of flooded basements and loud trucks, of bad exes and horrible jobs, of people who remain loyal to sports teams that always lose. Displaced by circumstances both in and out of their control, the characters who populate Tell Everyone I Said Hi are lost in their own surroundings, thwarted by misguided aspirations and long-buried disappointments, but fully open to the possibility that they will again find their way.

    And so begins a game of seduction through the loss of free will... A story of sensuality so rich, sexuality so primal, Make Her Dreams Come True tells the tale of a woman who learns to fly by allowing one man to chain her.Threads Of FaithMarisa is a modern-day witch, living at the edge of the woods and of society. She dispenses potions to help lonely souls find their true loves. Because of her inability to live among others, she doesn't believe love is for her, let alone sexual fulfillment. Then Conlon Maguire shows up at her cottage.Conlon wants a potion to win the heart of his soulmate, but the magic behind the potion sets its price. Conlon's potion demands that he spend one night with Marisa, bringing her pleasure. As a servant of the Light, Marisa cannot refuse the price if Conlon agrees to it, but from the moment he touches her, she knows her heart and shields are in danger.

    African American Studies. Gladman wields an idiosyncratic skill with description and characters that has drawn praise and attention from her contemporaries. JUICE describes a world where seemingly minor obsessions and details (like the narrator's almost random preference for juice) can structure and develop an entire story, down to its tone and style. As her narrator puts it: So far it has been sex and leaves that keep me alive.