“Only a Russian could do that," says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.”A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians.I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is an Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death from radiation sickness; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent who climbs atop a burned-out police bus at Independence Square and plays the piano.As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history.While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy.

    It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues the villagers. The newspaper asks, “Who will be smitten by this fatal madness next?” Through it all, Comyns’ unique voice weaves a narrative as wonderful as it is horrible, as beautiful as it is cruel. Originally published in England in 1954, this “overlooked small masterpiece” is a twisted, tragicomic gem.

    Charles, Missouri quilting circle, Anna Goben is certain that she needs to enlist her family in the Boones Lick Company wagon train. The loss of her beloved brother in the Civil War has paralyzed her mother and grandfather in a malaise of grief and depression and Anna is convinced that only a fresh start in the Promised Land of California can bring her family back to her. Although the unknown perils of the trail west loom, Anna’s commitment to caring for her loved ones leaves no room for fear—or even loving someone new.   During the five-month journey, trail hand Caleb Reger plans to keep a low profile as he watches over the band of travelers. Guarding secrets about his past and avoiding God’s calling on his life, Caleb wants to steer as far from Anna as she does him, but she proves to be just as he assessed her from the beginning— independent, beautiful trouble.  Led by a pillar of hope, the group faces rough terrain that begins to take a toll on their spirits. Will the wilderness of suffering lead them astray, or will the gentle song of love that echoes across the prairie turn their hearts toward God’s grace and the promise of a new home?

    She must learn to cope with not only what happened to her, but with the bird’s persistent, agitating presence in her life. Natalia Hero’s debut is a beautiful and tormented magical-realist novella about surviving trauma, reclaiming oneself and what it means to heal.