Their horses were quivering in their every limb, ready to crush the [foreign] countries under their feet...Those who reached my boundary, their seed is not; their heart and soul are finished forever and ever." – An inscription made during the reign of Ramesses III When scholars look at the passage of history, certain epochs and transitions to new periods tend to stand out. The transition from the early modern to the Industrial Age in the late 18th century and the collapse of the Roman Empire are two of the more well known, but the transition from the Bronze to the Iron Age during the late 13th and early 12th centuries BCE arguably changed the structure and course of world history more fundamentally than any period before or since. During this period, numerous wealthy and enduring kingdoms of the eastern Mediterranean Sea region collapsed, and new ones rose in their places. At the center of this period of turmoil was a group of people known today as the Sea Peoples, the English translation of the name given to them by the Egyptians. Despite their prominent role in history, however, the Sea Peoples remain as mysterious as they were influential; while the Egyptians documented their presence and the wars against them, it has never been clear exactly where the Sea Peoples originated from, or what compelled them to invade various parts of the region with massive numbers. Whatever the reason, the Sea Peoples posed an existential threat to the people already living in the region, as noted by an Egyptian inscription: “The foreign countries (i.e. Sea Peoples) made a conspiracy in their islands. All at once the lands were removed and scattered in the fray. No land could stand before their arms: from Hatti, Qode, Carchemish, Arzawa and Alashiya on, being cut off (i.e. destroyed) at one time. A camp was set up in Amurru. They desolated its people, and its land was like that which has never come into being. They were coming forward toward Egypt, while the flame was prepared before them. Their confederation was the Peleset, Tjeker, Shekelesh, Denyen and Weshesh, lands united. They laid their hands upon the land as far as the circuit of the earth, their hearts confident and trusting: 'Our plans will succeed!'" As with any historical matter from the ancient world, the sources can be a problem. The ancient Egyptians recorded their interactions with the Sea Peoples in both written texts and in pictorial reliefs and thus provide the most complete contemporary description of them, but the nature of ancient Egyptian historiography was quite different than the modern concept, so the sources cannot be considered entirely reliable. Later Greek sources, both historiographical and mythological, can help fill in some more details, but those sources are suspect because they were written several centuries after the emergence of the Sea Peoples. Modern archaeology is beneficial in determining how people lived and possibly where they moved, but there are also problems when one relies too much on archaeological data because the dating of material culture is not an exact science. Finally, linguistic evidence is often employed to determine the geographic origins and eventual landing points of many of the Sea Peoples, but confusion often arises if a group’s demonym refers specifically to their place of origin or final home. Naturally, the mystery surrounding the Sea Peoples has led to all kinds of theories aiming to identify them.

    In the dead of night, three men with swords burst into the bed chamber of the Marquis de Montferrat. Their leader, Raimundo di Sangro – the Prince of San Severo – accuses him of being an imposter, and demands to know a secret he believes the marquis harbors. The false marquis resists and manages to escape, leaving behind a burning palazzo and a raging prince now obsessed with finding his quarry – and his secret – at any cost.Baghdad, 2003. An army unit tracking Saddam’s cronies stages a spectacular raid on a fortified villa and makes a horrifying discovery in its basement: a state- of-the-art, concealed lab where dozens—men, women, children—have died, the subjects of gruesome experiments. The mysterious scientist they were after, a man believed to be working on a bioweapon and known only as the hakeem—the doctor—escapes, taking with him the startling truth about his work. In one of his victims’ cells, a puzzling clue is left behind: an Ouroboros – the tail devourer – a circular symbol of a snake that’s feeding on its own tail.As the power of the symbol comes to light, revealing the centuries of mystery and pain left in its wake, one unsuspecting woman – Mia Bishop, a geneticist – stands at the center of a conspiracy that could change the world forever. From Baghdad to the chaos of a Beirut still reeling from a fresh war in the fall of 2006, to the lost villages of eastern Turkey and northern Iraq by way of epic chapters set in eighteenth century Europe, and in the masterful hands of international bestseller Raymond Khoury, The Sanctuary delivers the same rapid-fire suspense and provocative scholarship that made The Last Templar an international blockbuster.

    When Anoush Pakradounian steps off a boat and feels Levantine heat on her cheek like a caress, she thinks she knows where she's going: she thinks she knows who's right and who's wrong. Yet nothing about her family's past is black and white. In 1915 one million Armenians were marched into Syria by Turks and killed in the first genocide of the twentieth century. In 1982 Beirut came under siege for three months and 18,000 civilians died, while another 30,000 were wounded. Anoush's quest for answers is interwoven with the memory of ruined cities and vanished empires: Lake Van before the genocide, Beirut in civil war, Ottoman villas and desecrated churches, Palestinian refugee camps and torture chambers turned into nightclubs. Her search to find out the truth about her father, her grandparents and her own place in the story spans four generations and massive upheavals in the Middle East.With echoes of Barbara Kingsolver's THE POISONWOOD BIBLE, Thomas Keneally’s SCHINDLER’S LIST and Geraldine Brooks' THE PEOPLE OF THE BOOK, BONE ASH SKY is a powerful work that examines family, loyalty, love and secrets long-hidden in the horror of war and displacement.

    The collection follows a restless, nervy, cosmically abandoned speaker failing at the aspirational markers of adulthood as she flips from city to city, from enchantment to disgust, always reemerging—just barely—on the trains and bridges and bar stools of New York City. A child of the Indian ocean diaspora, Fernandes enacts the humor and devastation of what it means to exist as a body of contradictions. Her interpretations are muddied. Her feminism is accusatory, messy. Her homelands are theoretical and rootless. The poet converses with goats and throws a fit at a tarot reading; she loves the intimacy of strangers during turbulent plane rides and has dark fantasies about the “hydrogen fruit” of nuclear fallout. Ultimately, these poems possess an affection for the doomed: false beloveds, the hounded earth, civilizations intent on their own ruin. Fernandes skillfully interrogates where to put our fury and, more importantly, where to direct our mercy.

    Refugees sleep five to a bed as bleach-blondes with matching nose jobs wend their way to the next drug-fuelled supernightclub. At any moment, the bombs will start falling.Meanwhile, Zena and her best friend Maya must try to make sense of their lives amidst the craziness, and negotiate the city’s many obsessions including cosmetic surgery, husband hunting and Kalashnikovs.As honest as it is forgiving, this artist’s memoir pits love and art against the ever present threat of war.Zena el Khalil, born in 1976 in London, has lived in Nigeria, London, New York and Beirut. She is an installation artist, painter, curator and environmental activist. During the July 2006 attacks on Lebanon, her blog beirutupdate.blogspot.com received international acclaim. It was publicised on news portals such as CNN and the BBC and excerpted in the Guardian and Der Spiegel online. She lives and works in Beirut.

    In each hole is a random consumer product. Mano Medium, a sensitive, young cigarette-factory worker in love, does his part by quitting the factory to work double-time as Pie Time's replacement barber and butcher, and by holding the things found in the holes of the newly dead. However, the more people die, the bigger Mano becomes.br>XO, the power-hungry corporation bent on overtaking Pie Time, and Father Mothers, the bumbling priest, have their own ideas about how to capitalize on God's Finger. By contrast, and powered by honoring his own lost loves, Mano fights to resist this exploitation by teaching death to those who can't afford to survive it. As Pie Time and Mano both grow irrevocably, Mano must make a decision about how he can best fit into his own life.br>With a large cast of unusual characters, each struggling with their own complex and tangled relationships to death, money, and love, Mammother is a fabulist's tale of how we hold on and how we let go in a rapidly growing world.

    The job goes south in a hurry, and his supervillainous employer, Dr. Eye, is none-too-thrilled about it. But those complications are nothing compared to an unexpected custody visit from his six-year-old daughter, the kind of kid who thinks her deadbeat dad hung the moon, not tried to blow it up.

    A down-on-her-luck book dealer hoping for the sale of a lifetime. And a twist so shocking, no one will come out unscathed.After a tragedy too painful to bear, former novelist Lily Albrecht has resigned herself to a dull, sexless life as a rare book dealer. Until she gets a lead on a book that just might turn everything around. The Book of the Most Precious Substance is a 17th century manual on sex magic, rumored to be the most powerful occult book ever written—if it really exists at all. And some of the wealthiest people in the world are willing to pay Lily a fortune to find it—if she can. Her search for the book takes her from New York to New Orleans to Munich to Paris, searching the dark corners of power where the world’s wealthiest people use black magic to fulfill their desires. Will Lily fulfill her own desires, and join them? Or will she lose it all searching for a ghost? The Book of the Most Precious Substance is an addictive erotic thriller about the lengths we’ll go to get what we need—and what we want.

    They join groups such as the Markers and the Breeders, have costumed orgies, and test the limits of drugs, alcohol, and pain just to pass the time.To Laura Stein, they’re morons and, other than a small handful of friends, she’d rather spend time with her meat plant than with any of her fellow passengers. But when one of her subordinates is murdered while out on a job, Laura takes it as her responsibility to find out what happened. She expects to find a personal grudge or a drug deal gone wrong, but instead stumbles upon a conspiracy that could tear the ship in two.Labelled a terrorist and used as a pawn in the ultimate struggle for control, Laura, with help from her friend Bruce and clues left by a geneticist from the past, digs deep into the inner working of the ship, shimmying her way through ductwork, rallying the begrudged passengers to rise up and fight, and peeking into an unsavory past to learn the truth and save their future.

    Now it is Robert’s son Bohemund’s turn to take up arms – the opportunity to fight under the papal banner in the Holy Lands could bring him the glory and riches he desires and which have been cruelly denied him elsewhere.

    When Derrick Sloane meets Annie Maddock and falls madly in love, he believes he's met the girl of his dreams. Only he then awakes to discover she is exactly that...nothing more than a dream. Disheartened, he goes to the first coffee shop he can find. There he meets Annie. She is at the same table, reading the same book, and he fast realizes his dream has shown him his own future. But when a misstep alters that perfect future he tries to fix it, every attempt only making it worse. Dreaming the future can be a nightmare when you see what's coming...and can't do anything to change it.

    They've been buddies forever, banded together by scrapes and squalor, their relationships defined by these wild times.After a car accident leaves one friend sick and dying, and severe weather traps them at the cabin, there is nowhere to go, forcing them to finally and ultimately take stock and confront their past transgressions, considering what they mean to one another and to themselves.With some of the most luminous and purple prose flexed in recent memory, D. Foy is an incendiary new voice and Made to Break, a grand, episodic debut, redolent of the stark conscience of Denis Johnson and the spellbinding vision of Roberto Bolaño.

    When it goes missing, they go nuts: he plots revenge against art patriarch The Platypus while she obsesses over their anti-love affair. Meanwhile, the other art school scenesters experiment with bad drugs, bad sex, and bad ideas. When a punk named Punk shows up with a potent sex drug, the whole wild crowd gets caught up in the gravitational pull of The Platypus’ sinister White Ball, where a confused art terrorism cell threatens a ludicrous and hilarious implosion. With an unerring, unflinching eye for satire, Zach Plague’s brilliant hybrid of image and text lampoons the art world and those boring enough to fall into its traps. Featuring dynamic graphic text on every page, boring boring boring boring boring boring boring is an intrigue of mundane proportion.

    On the 25th anniversary of its launch into low-earth orbit, TASCHEN celebrates its most breathtaking deep space images both as scientific feats and as photographic masterpieces. Ultra high-resolution and taken with almost no background light, these pictures have answered some of the most compelling questions of time and space, while also revealing new mysteries, like the strange “dark energy” that sees the universe expanding at an ever-accelerated rate. In generous square format with several foldouts, the pictures mesmerize in their iridescent colors, intricate textures, and vast, fragile forms.The collection is accompanied by an essay from photography critic Owen Edwards and an interview with Zoltan Levay, who explains how the pictures are composed. Veteran Hubble astronauts Charles F. Bolden, Jr. and John Mace Grunsfeld also offer their insights on Hubble’s legacy and future space exploration.

    After a decade of work and groundbreaking anthologies, "Everything Together" collects his short-story comics, which condense vast amounts of emotion and information into nuanced cartoon narratives. Harkham's classic style is both articulate and expedient. At the center of the book are two vastly different tales: "Poor Sailor," a sea-faring myth of a man gone to find wealth for his love; and "Somersaulting," a kind of fever dream of teenagers in love, wiling away the summer. Alongside these stories are shorter comic strips tackling everything from Napoleon as a tortured artist to touching examinations of Jewish mysticism and life in a shtetl, to satires on contemporary university life. Throughout these tales, Harkham maintains a light touch and emotive wit. The works in this book confirm his place among the best storytellers of his generation.Sammy Harkham was born in Los Angeles in 1980, moving to Sydney, Australia, at the age of 14. He soon started making his own comics and a zine, "Kramers Ergot," which has evolved into one of the most influential comics anthologies published today. His comic strip "Poor Sailor," originally published in "Kramers Ergot" 4, was subsequently included in "Best American Nonrequired Reading of 2004 "and has been published in French, Korean and Italian. "Kramers Ergot" has been on numerous "best of the year" lists including the "LA Weekly," "Time," "The New York Times," "Dazed and Confused," "The Comics Journal" and "Publishers Weekly." In 2006 Harkham started the ongoing comic series, "Crickets," and edited "The Simpsons' Treehouse of Horror," and most recently the eighth volume of "Kramers Ergot." A partner in both the renowned bookstore Family, and the movie theater, Cinefamily, Harkham lives in Los Angeles with his wife and three children.