As the grief-stricken Swabey looks back on their affair, the exact nature of his responsibility for Clara’s death is movingly revealed.

    When he first sees her, he knows he's found what he's been looking for.Yara believes she can give David exactly what he needs to reach his full potential:A broken heart.David’s religion is love. Yara’s religion is heartache.Neither is willing to surrender, but religion always requires sacrifice.

    They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.

    In The Return Journey, Maeve Binchy brings us sons and lovers, daughters and strangers, husbands and wives in their infinite variety--powerfully compelling stories of love, loss, revelation, and reconciliation.A secretary's silent passion for her boss meets the acid test on a business trip....A man and a woman's mutual disdain at first sight shows how deceptive appearances can be....An insecure wife clings to the illusion of order, only to discover chaos at the hands of a house sitter who opens the wrong doors....A pair of star-crossed travelers take each other's bags, and then learn that when you unlock a stranger's suitcase, you enter a stranger's life. In their company are many more, whose poignant, ironic, often humorous stories--unforgettable slices of life--make up The Return Journey, a spellbinding trip into the human heart.Maeve Binchy was born and educated in Dublin. She is the author of the bestselling books Evening Class, This Year It Will Be Different, The Glass Lake, The Copper Beech, The Lilac Bus, Circle of Friends, Silver Wedding, Firefly Summer, Echoes, Light a Penny Candle, and London Transports, three volumes of short stories, two plays, and a teleplay that won three awards at the Prague Film Festival. She has been writing for The Irish Times since 1969 and lives with her husband, Gordon Snell, in Dublin.From the Hardcover edition.

    Over the course of twelve novels, Jane Green has established herself as one of the preeminent names in women's fiction. In Promises to Keep she weaves a profoundly moving tale that will enthrall both new and old fans. Callie Perry lights up every room she enters, and adores her settled family life in tony Bedford, New York. Steffi is Callie's younger sister. At thirty, she's still a free spirit bouncing between jobs and boyfriends in Manhattan. Their long-divorced parents, Walter and Honor, share little besides their grown daughters. But when Callie receives a difficult diagnosis, the family will come together for one unforgettable and ultimately life-changing year.

    Twenty-seven-year-old A&R man Stelfox is slashing and burning his way through the music industry, a world where 'no one knows anything' and where careers are made and broken by chance and the fickle tastes of the general public - 'Yeah, those animals'.Fuelled by greed and inhuman quantities of cocaine Stelfox blithely criss-crosses the globe ('New York, Cologne, Texas, Miami, Cannes: you shout at waiters and sign credit card slips and all that really changes is the quality of the porn') searching for the next hit record amid a relentless orgy of self-gratification.But as the hits dry up and the industry begins to change, Stelfox must take the notion of cutthroat business practices to murderous new levels in a desperate attempt to salvage his career.Kill Your Friends is a dark, satirical and hysterically funny evisceration of the record business, a place populated by frauds, charlatans and bluffers, where ambition is a higher currency than talent, and where it seems anything can be achieved - as long as you want it badly enough.

    Left alone at an after party with a bunch of scary tattooed and pierced metal-heads, sheltered Melanie is relieved when the only normal-looking guy in the room insists on keeping her company.By the time Melanie discovers that Gabe is the band’s drummer and not as normal as she assumed, she has already made a complete fool of herself. She can’t help but be interested in him, not as a rock star, but as the sexiest man she’s ever encountered. Strangely attracted to his hidden tattoos and body piercing, she wonders what it would be like to spend a night with a bad boy.Gabe is more than willing to show sweet Melanie there’s more to him than meets the eye. All she has to do is try him. Will they only share a single night of passion? Or will their hearts entangle as quickly as their bodies?Contains explicit sex, graphic language, and a hot rock star with a naughty and inventive mind.***Gabe and Melanie's story continues in Book 6: Tell Me and Book 11: Trust Me (not yet released).

    Banning me from the phone and restricting my computer privileges are the most tyrannical parental gestures I can think of. Don’t they realize that Hope’s the only one who keeps me sane? I don’t see how things could get any worse.”When her best friend, Hope Weaver, moves away from Pineville, New Jersey, hyperobservant sixteen-year-old Jessica Darling is devastated. A fish out of water at school and a stranger at home, Jessica feels more lost than ever now that the only person with whom she could really communicate has gone. How is she supposed to deal with the boy- and shopping-crazy girls at school, her dad’s obsession with her track meets, her mother salivating over big sister Bethany’s lavish wedding, and her nonexistent love life?A fresh, funny, utterly compelling fiction debut by first-time novelist Megan McCafferty, Sloppy Firsts is an insightful, true-to-life look at Jessica’s predicament as she embarks on another year of teenage torment--from the dark days of Hope’s departure through her months as a type-A personality turned insomniac to her completely mixed-up feelings about Marcus Flutie, the intelligent and mysterious “Dreg” who works his way into her heart. Like a John Hughes for the twenty-first century, Megan McCafferty taps into the inherent humor and drama of the teen experience. This poignant, hilarious novel is sure to appeal to readers who are still going through it, as well as those who are grateful that they don’t have to go back and grow up all over again.

    Then, on the day she gives birth to their first baby, James informs her that he's leaving her. Claire is left with a newborn daughter, a broken heart, and a postpartum body that she can hardly bear to look at.She decides to go home to Dublin. And there, sheltered by the love of a quirky family, she gets better. So much so, in fact, that when James slithers back into her life, he's in for a bit of a surprise.

     Determined to overcome a difficult past, Erica Hathaway learns early on how to make it on her own. Days after her college graduation she finds herself face to face with a panel of investors who will make or break her fledgling startup. The only thing she didn't prepare for was going weak in the knees over an arrogant and gorgeous investor who's seemingly determined to derail her presentation. Billionaire and rumored hacker Blake Landon has already made his fortune in software, and he's used to getting what he wants with very little resistance. Captivated by Erica's drive and unassuming beauty, he's wanted nothing more since she stepped into his boardroom. Determined to win her over, he breaks down her defenses and fights for her trust, even if that means sacrificing a level of control he's grown accustomed to. But when Blake uncovers a dark secret from Erica's past, he threatens not just her trust, but the life she's fought so hard to create.

    Now his wife, Galatea is expected to be obedience and humility personified, but it is not long before she learns to use her beauty as a form of manipulation. In a desperate bid by her obsessive husband to keep her under control, she is locked away under the constant supervision of doctors and nurses. But with a daughter to rescue, she is determined to break free, whatever the cost...

    With her single mother's increasing pregnancy and refusal to work, Sadie has to take over her mother's job as a domestic servant for one of the wealthy summer families on a nearby island.When the family arrives at their summer getaway, Sadie is surprised to learn that the owner of the house is Jax Stone, one of the hottest teen rockers in the world. If Sadie hadn't spent her life raising her mother and taking care of the house she might have been normal enough to be excited about working for a rock star.Even though Sadie isn't impressed by Jax's fame, he is drawn to her. Everything about Sadie fascinates Jax but he fights his attraction. Relationships never work in his world and as badly as he wants Sadie, he believes she deserves more. By the end of the summer, Jax discovers he can't breathe without Sadie.

    In Moral Disorder she has created a series of interconnected stories that trace the course of a life and also the lives intertwined with it--those of parents, of siblings, of children, of friends, of enemies, of teachers, and even of animals. As in a photograph album, time is measured in sharp, clearly observed moments. The '30s, the '40s, the '50s, the '60s, the '70s, the '80s, the '90s, and the present --all are here. The settings vary: large cities, suburbs, farms, northern forests. The first story, "The Bad News," is set in the present, as a couple no longer young situate themselves in a larger world no longer safe. The narrative then switches time as the central character moves through childhood and adolescence in "The Art of Cooking and Serving," "The Headless Horseman," and "My Last Duchess." We follow her into young adulthood in "The Other Place" and then through a complex relationship, traced in four of the stories: "Monopoly," "Moral Disorder," "White Horse," and "The Entities." The last two stories, "The Labrador Fiasco" and "The Boys at the Lab," deal with the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood's celebrated storytelling gifts and unmistakable style to their best advantage. As the New York Times has said: "The reader has the sense that Atwood has complete access to her people's emotional histories, complete understanding of their hearts and imaginations."

    A huge and very particular appetite: Blonde, curvy, and preferably not a fucking liar... (Although, that's a story for another day.)As a high profile lawyer, I don't have time to waste on relationships, so I fulfill my needs by anonymously chatting and sleeping with women I meet online. My rules are simple: One dinner. One night. No repeats. This is only casual sex. Nothing more. Nothing less. At least it was , until "Alyssa"...She was supposed to be a 27 year old lawyer, a book hoarder, and completely unattractive. She was supposed to be someone I shared law advice with late at night, someone I could trust with details of my weekly escapades. But then she came into my firm for an interview—a college-intern interview, and everything fucking changed...

    Now go deeper into Matt's world in this FLAT-OUT MATT novella. Live his side of the story, break when his heart breaks, and fall for the unlikely hero all over again.Take an emotional skydive for two prequel chapters and seven FLAT-OUT LOVE chapters retold from his perspective, and then land with a brand-new steamy finale chapter from Julie.Author's Note: Two chapters, The Sleepover and Keep Going, contain more mature content than Flat-Out Love (Keep Going, in particular), and were written based on reader demand. They wouldn't have fit in well with the original Flat-Out Love, but given that this is a fan-driven companion piece, I think they work. While the content here is upped a bit, the scenes are tastefully done. (So, you know sorry to those who wanted lewd and graphic.)