A romantic epic set in the first half of the nineteenth century, the main action is unleashed by King Mzilikazi's extermination campaign against the Barolong in 1832 at Kunana (nowadays Setlagole), and covers the resultant alliance of defeated peoples with Boer frontiersmen in a resistance movement leading to Battlehill (Vegkop, 1836) and the showdown at the Battle of Mosega (17 January 1839). Plaatje's eponymous heroine is an enduring symbol of the belief in a new day.

    This world came to him as a chaos of loud and colorful sounds: the hair dryers at his mother's beauty parlor, black mamba bicycle bells, mechanics in Nairobi, the music of Michael Jackson—all punctuated by the infectious laughter of his brother and sister, Jimmy and Ciru. He could fall in with their patterns, but it would take him a while to carve out his own.In this vivid and compelling debut memoir, Wainaina takes us through his school days, his mother's religious period, his failed attempt to study in South Africa as a computer programmer, a moving family reunion in Uganda, and his travels around Kenya. The landscape in front of him always claims his main attention, but he also evokes the shifting political scene that unsettles his views on family, tribe, and nationhood.Throughout, reading is his refuge and his solace. And when, in 2002, a writing prize comes through, the door is opened for him to pursue the career that perhaps had been beckoning all along. A series of fascinating international reporting assignments follow. Finally he circles back to a Kenya in the throes of postelection violence and finds he is not the only one questioning the old certainties.Resolutely avoiding stereotype and cliché, Wainaina paints every scene in One Day I Will Write About This Place with a highly distinctive and hugely memorable brush.

    A simple, apolitical man, he believes in the essential fairness of the South African government and its policies—until the sudden arrest and subsequent "suicide" of a black janitor from Du Toit's school. Haunted by new questions and desperate to believe that the man's death was a tragic accident, Du Toit undertakes an investigation into the terrible affair—a quest for the truth that will have devastating consequences for the teacher and his family, as it draws him into a lethal morass of lies, corruption, and murder.

    Set in Hillbrow during the tumultuous years of apartheid’s demise, the rapid changes taking place both in the neighbourhood and the country are charted by staid, conservative Aubrey Tearle, a retired proofreader whose life has been devoted to reading telephone directories. Obsessed with what he terms ‘corrigenda’––mistakes that crop up with increasing frequency as ‘standards decline’––he embarks on a grandiose plan to enlighten his fellow–citizens, with disastrous, hilarious and poignant results.Demonstrating a Cervantes–like knack for creating innocents who tilt at windmills, Vladislavić continues to demonstrate the dazzling and unique talent seen in his previous writings as he explores the age–old theme of how individuals respond when ‘things fall apart’––and what can occur when language itself is in a state of flux. This highly original novel reflects post–apartheid, post–modern writing at its best.

    As richly imagined and stylistically innovative as Wicomb's debut work, David's Story is a mesmerizing novel, multilayered and multivoiced, at times elegiac, wry, and expansive.Unfolding in South Africa at the moment of Nelson Mandela's release from prison in 1991, the novel explores the life and vision of David Dirkse, part of the underground world of activists, spies, and saboteurs in the liberation movement—a world seldom revealed to outsiders. With "time to think" after the unbanning of the movement, David is researching his roots in the history of the mixed-race "Coloured" people of South Africa and of their antecedents among the indigenous people and early colonial settlers.But David soon learns that he is on a hit list, and, caught in a web of betrayal and surveillance, he is forced to rethink his role in the struggle for "nonracial democracy," the loyalty of his "comrades," and his own conceptions of freedom. Through voices and stories of David and the women who surround him—responding to, illuminating, and sometimes contradicting one another—Wicomb offers a moving exploration of the nature of political vision, memory, and truth.

    Caine Prize winner Brian Chikwava tackles the realities of life in London for Africa’s dispossessed in this fearlessly political and very funny story of an illegal Zimbabwean immigrant seeking a better life in England — with a past he is determined to hide.

    “There are barbels in the mud. They will wake up if you step on them.” When Paul and Dominique are sent to boarding schools in Natal, their idyllic childhood on a Free State farm is over. Their parents’ leftist politics has made life impossible in the local dorp school. Angry schoolboy Paul is a promising poet, his sister his confidant. But his literary awakening turns into a descent. He flees the oppression of South Africa, only to meet his death in London. Dominique Botha’s poignant debut is an elegy to a rural existence and her brother – both now forever lost. The novel is based on true events.

    Hanover Park. The heart of the Cape Flats. It is 1986. Michael Jackson and Brenda Fassie rule every hi-fi. Princess Di and George Michael hairstyles are all the rage. There are plans to commemorate the tenth anniversary of the 1976 student uprising.Neville and Magda Fourie live in Magnolia Court with their three children. They are trying to ‘raise them decent’ in a township festering with gang wars and barricaded with burning tyres. Suzette, the eldest, is beautiful and determined to escape her family’s poverty. Nicky, the sensitive middle child, has ambitions to use her intellect as a way out. Anthony, the only son, attracted by power and wealth, is lured away from his family by a gangster. In What Will People Say? a rich variety of township characters – the preachers, the teachers, the gangsters and the defeated – come to life in vivid language as they eke out their lives in the shadows of grey concrete blocks of flats.Which members of the Fourie family will thrive, which ones will not survive?Generously spiced with Cape Flats slang; lots of vivid and gritty description that give an authentic feel to the story; plenty of plot – the writer draws us in and makes us curious about what will happen next; and very human characters we come to care about.

    The story takes place in Harare at the height of Zimbabwe’s economic woes in 2008. The book is a thorough and evocative attempt at grappling with a variety of important issues in the postcolonial context: tradition and modernity; feminism and patriarchy; spiritual and political freedoms and responsibilities; poverty and desperation; and wealth and abundance.

    Petina Gappah’s characters may have ordinary hopes and dreams, but they are living in a world where a loaf of bread costs half a million dollars, where wives can’t trust even their husbands for fear of AIDS, and where people know exactly what will be printed in the one and only daily newspaper because the news is always, always good.In her spirited debut collection, the Zimbabwean writer Petina Gappah brings us the resilience and inventiveness of the people who struggle to live under Robert Mugabe’s regime. She takes us across the city of Harare, from the townships beset by power cuts to the manicured lawns of privilege and corruption, where wealthy husbands keep their first wives in the “big houses” while their unofficial second wives wait in the “small houses,” hoping for a promotion.Despite their circumstances, the characters in An Elegy for Easterly are more than victims—they are all too human, with as much capacity to inflict pain as to endure it. They struggle with the larger issues common to all people everywhere: failed promises, unfulfilled dreams, and the yearning for something to anchor them to life.At the sound of the last post --An elegy for Easterly --The annex shuffle --Something nice from London --In the heart of the Golden Triangle --The Mupandawana dancing champion --Our man in Geneva wins a million euros --The maid from Lalapanzi --Aunt Juliana's Indian --The cracked, pink lips of Rosie's bridegroom --My cousin-sister Rambanai --The negotiated settlement --Midnight at the Hotel California

    Inspired by actual 19th-century court records, Unconfessed is a breathtaking literary tour de force. They called her Sila van den Kaap, slave woman of Jacobus Stephanus Van der Wat of Plettenberg Bay, South Africa. A woman moved from master to master, farm to farm, and—driven by the horrors of slavery to commit an unspeakable crime—from prison to prison. A woman fit for hanging . . . condemned to death on April 30, 1823, but whose sentence the English, having recently wrested authority from the Dutch settlers, saw fit to commute to a lengthy term on the notorious Robben Island. Sila spends her days in the prison quarry, breaking stones for Cape Town’s streets and walls. She remembers the day her childhood ended, when slave catchers came “whipping the air and the ground and we were like deer whipped into the smaller and smaller circle of our fear.” Sila remembers her masters, especially Oumiesies (“old Missus”), who in her will granted Sila her freedom, but Theron, Oumiesies’ vicious and mercenary son, destroys the will and with it Sila’s life. Sila remembers her children, with joy and with pain, and imagines herself a great bird that could sweep them up in her wings and set them safely on a branch above all harm. Unconfessed is an epic novel that connects the reader to the unimaginable through the force of poetry and a far-reaching imagination.

    In this daring novel, the author gives a startling account of the inner workings of contemporary South African urban culture. In doing so, he ventures into unexplored areas and takes local writing in English to places it hasn't been before. The Quiet Violence of Dreams is set in Cape Town's cosmopolitan neighbourhoods - Observatory, Mowbray and Sea Point - where subcultures thrive and alternative lifestyles are tolerated. The plot revolves around Tshepo, a student at Rhodes, who gets confined to a Cape Town mental institution after an episode of 'cannabis-induced psychosis'. He escapes but is returned to the hospital and completes his rehabilitation, earns his release - and promptly terminates his studies. He now works as a waiter and shares an apartment with a newly released prisoner. The relationship with his flatmate deteriorates and Tshepo loses his job at the Waterfront. Desperate for an income, he finds work at a male massage parlour, using the pseudonym Angelo. The novel explores Tshepo-Angelo's coming to consciousness of his sexuality, sexual orientation, and place in the world. lifestyle and set of experiences are explored - that of a young black woman who gets involved with a disabled German student who does not want to commit to marriage, despite Mmabatho's unplanned pregnancy.

    But it's Zikora's demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Shunned by the speed with which her ideal life fell apart, Zikora turns to reflecting on her mother's painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself.©2020 Chimamanda Ngozi Adichie (P)2020 Brilliance Publishing, Inc, all rights reserved.

    Celebrating life with gusto and in inimitable style, he describes a journey fraught with discomfort, mishap, ecstasy, disillusionment, discovery and astonishing human encounters; a journey that would be acceptable madness in a white man but is regarded by the author s fellow Africans as an extraordinary and inexplicable expenditure of time and money.As Sihle's famous counterpart Paul Theroux, author of Dark Star Safari, comments, Dark Continent, My Black Arse is uniquely an African travel story: the story of 'an African travelling on his own money and motivation, from one end of Africa to the other'. An inspiring story, it carries the following warning: Reading this book might cause you to resign from your boring job, leave your nagging / ungrateful / insecure partner, stop merely existing and start living the life you have always longed and yearned for.

    Born in a rural village in 1940, Wangari Maathai was already an iconoclast as a child, determined to get an education even though most girls were uneducated. We see her studying with Catholic missionaries, earning bachelor’s and master’s degrees in the United States, and becoming the first woman both to earn a PhD in East and Central Africa and to head a university department in Kenya. We witness her numerous run-ins with the brutal Moi government. She makes clear the political and personal reasons that compelled her, in 1977, to establish the Green Belt Movement, which spread from Kenya across Africa and which helps restore indigenous forests while assisting rural women by paying them to plant trees in their villages. We see how Maathai’s extraordinary courage and determination helped transform Kenya’s government into the democracy in which she now serves as assistant minister for the environment and as a member of Parliament. And we are with her as she accepts the Nobel Peace Prize, awarded in recognition of her “contribution to sustainable development, human rights, and peace.” In Unbowed, Wangari Maathai offers an inspiring message of hope and prosperity through self-sufficiency.