But the Alexander House is different. Built by a 1700s land baron to contain the madness and depravity of his eldest son, the house is plagued by shadows of the past and the lingering taint of bloodshed. David is haunted, as well. For twenty-two years ago, he turned away the woman he loved, and she took her life in sorrow. And David suspects she’s followed him to the Alexander House.

    Long ago, it was the Piven Institute for the Care and Correction of Troubled Females—an insane asylum nicknamed “Hysteria Hall.” However, many of the inmates were not insane, just defiant and strong willed. Kind of like Delia herself.But the house still wants to keep “troubled” girls locked away. So, in the most horrifying way, Delia gets trapped.And that’s when she learns that the house is also haunted.Ghost girls wander the halls in their old-fashioned nightgowns. A handsome ghost boy named Theo roams the grounds. Delia finds that all the spirits are unsettled and full of dark secrets. The house, as well, harbors shocking truths within its walls—truths that only Delia can uncover, and that may set her free.But she’ll need to act quickly, before the house’s power overtakes everything she loves.From master of suspense Katie Alender comes a riveting tale of twisted memories and betrayals, and the meaning of madness.

    I don't think people are meant to live here.”Longtime residents of Harper's Cove believe that something is wrong with the Widow's Point Lighthouse. Some say it's cursed. Others claim it's haunted.Originally built in 1838, three workers were killed during the lighthouse's construction, including one who mysteriously plunged to his death from the catwalk. That tragic accident was never explained, and it was just the beginning of the terror. In the decades that followed, nearly two dozen additional deaths occurred in or around the lighthouse including cold-blooded murder, suicide, unexplained accidents and disappearances, the slaughter of an entire family, and the inexplicable death of a Hollywood starlet who was filming a movie on the grounds.The lighthouse was finally shuttered tight in 1988 and a security fence was erected around the property. No one has been inside since.Until tonight.Thomas Livingston is the acclaimed author of thirteen books about the supernatural and this evening he will enter the Widow's Point Lighthouse, searching for material for his next bestseller. He will be locked inside for the weekend with no way of contacting the outside world. And although no human has stepped foot inside the structure in nearly three decades, Livingston will not be alone.In this remarkable collaboration, father and son writing team, Richard and Billy Chizmar, combine forces to tell a chilling ghost story that will make you think twice about what is waiting for you in the dark. This novella is a much-expanded version of the short story of the same title.

    He soon learns he was right to be wary. Edgar is no ordinary toy, and he doesn’t like being rejected. When Josh banishes him to the closet, terrible things begin to happen.Desperate to be rid of the bear, Josh engages the help of a friend. As the boys’ efforts rebound on them with horrifying results, Josh is forced to accept the truth—Edgar will always get even.

    But they don’t die, and we do. Equilibrium.The unnamed and morally questionable narrator is an exorcist with great follow-through and few doubts. His methods aren’t delicate but they’re undeniably effective: he’ll get the demon out — he just doesn’t particularly care what happens to the person.Prosper of Schanz is a man of science, determined to raise the world’s first philosopher-king, reared according to the purest principles. Too bad he’s demonically possessed.

    A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was taken from the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan.

    So when she takes a new room at the right price, she believes her luck has finally turned. But 82 Edgware Road is not what it appears to be. It's not only the eerie atmosphere of the vast, neglected house, or the disturbing attitude of her new landlord, Knacker McGuire, that makes her uneasy - it's the whispers behind the fireplace, the scratching beneath floors, the footsteps in the dark, and the young women weeping in neighbouring rooms. And when Knacker's cousin Fergal arrives, the danger goes vertical. But this is merely a beginning, a gateway to horrors beyond Stephanie's worst nightmares. And in a house where no one listens to the screams, will she ever get out alive?

    Natalie spends her days comatose, but at night she prowls her mother’s home, unnaturally strong and insatiably carnivorous. With doctors baffled, Natalie’s mother reaches out to Margaret, an expert in the supernatural. But even Margaret is mystified and terrified by Natalie’s condition. She’s dying, and before she dies, she might kill someone. Has a demon clawed its way inside an eleven-year-old girl? Or does the source of this nightmare lie with Natalie’s dead father?A tight, tense novella, The Possession of Natalie Glasgow twists the exorcism tale at every turn down to its final grave confrontation.

    Suddenly the words DON'T LOOK INSIDE scratch furiously into the leather, as if carved by an invisible hand. Lizzie jolts, terrified. She intends to heed the warning. No way in hell is she opening the book now.But her curiosity gets the better of her. She feels compelled to look inside. Her hands move with a will of their own, opening the book. Her heart hammers in her chest as she reads the first line. No. She reels in horror. What have I done? She should have obeyed the warning. She never should have looked inside. But now it's too late, because the book is about to exact a hideous punishment...Spike Black's Don't Look Inside is an unrelenting, fast-paced supernatural horror novel. Written in an arresting and irresistible style, it's a high concept, must-read ghost story that will haunt you long after its uncompromising and spectacular conclusion.

    In the apartment of Oliver's old professor at Cambridge, there is a painting on the wall, a mysterious depiction of masked revelers at the Venice carnival. On this cold winter's night, the old professor has decided to reveal the painting's eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.By the renowned storyteller Susan Hill--whose first ghost story, The Woman in Black, has run for eighteen years as a play in London's West End--here is a new take on a form that is fully classical and, in Hill's able hands, newly vital. The Man in the Picture is a haunting tale of loss, love, and the very basest fear of our beings.

    She soon becomes obsessed with the files from the world-famous Rhine parapsychology lab experiments, which attempted to prove ESP really exists.Along with a handsome professor, she uncovers troubling cases, including one about a house supposedly haunted by a poltergeist, investigated by another research team in 1965. Unaware that the entire original team ended up insane or dead, the two professors and two exceptionally gifted Duke students move into the abandoned mansion to replicate the investigation, with horrifying results.The Unseen is Alexandra Sokoloff's most thrilling novel to date: a story of deception, attraction, and the unknown.

    At first, the quaint, rural ways of their new neighbors seem to be everything they wanted. But there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of Savoyard still stand. Where a longstanding debt of blood has never been forgotten. A debt that has been waiting patiently for Frank Nichols's homecoming...

    It lurks in the shadows, spreading fear and icy cold – and it carries a sharp and very solid dagger...The headmaster wastes no time in enlisting the help of ghost-hunters Anthony Lockwood, Lucy Carlyle and George Cubbins.Can Lockwood & Co. survive the night and save the day?

    But before he was stuck in America's most haunted city, he was a teenager with a bright future ahead of him. In this story, we find Oliver saving up to attend his dream college in the fall and leave behind his family's New Orleans antique shop for good. And if his job just happens to involve robbing graves for a group calling themselves the Bone Artists, well—money is money, and it's only for now. But Oliver soon learns that the Bone Artists don't take kindly to deserters. And there are some debts that can never be repaid.With a mounting sense of dread that builds to a terrible end, The Bone Artists is a thrilling installment in the Asylum series that can stand on its own for new readers or provide a missing piece of the puzzle for series fans.Epic Reads Impulse is a digital imprint focused on young adult short stories and novellas, with new releases the first Tuesday of each month.

    A tragic coming-of-age tale of horror and drama in the setting of a hot New Orleans summer. "Original, touching coming of age." ~Jack Ketchum, author of THE GIRL NEXT DOOR "With OF FOSTER HOMES & FLIES, Lutzke is firing on all cylinders. It's a lean mean emotional machine. Coming-of-age presented in a fresh direction. Bearing tremendous emotional weight and heart. It made me cry. " -John Boden, author of JEDI SUMMER and DOMINOES “Disturbing, often gruesome, yet poignant at the same time, Chad Lutzke’s OF FOSTER HOMES AND FLIES is one of the best dark coming-of-age tales I’ve read in years. You’ll laugh (sometimes when you know you shouldn’t), you’ll cry, you’ll find yourself wondering how soon you can read more of this guy’s work. Highly recommended!” - James Newman, author of MIDNIGHT RAIN, UGLY AS SIN, and ODD MAN OUT "OF FOSTER HOMES AND FLIES by Chad Lutzke is a lovely addition to the coming of age subgenre. He creates in the character of Denny an authentic young man with passions and foibles, someone easy to relate to and root for. The novella hits all the right notes you expect out of a coming of age tale, while also providing a plot that has originality and surprises." ~Mark Allan Gunnells, author of FLOWERS IN A DUMPSTER and THE SUMMER OF WINTERS