A sumptuous feast of a novel, it relates the bizarre history of the all-female De La Garza family. Tita, the youngest daughter of the house, has been forbidden to marry, condemned by Mexican tradition to look after her mother until she dies. But Tita falls in love with Pedro, and he is seduced by the magical food she cooks. In desperation, Pedro marries her sister Rosaura so that he can stay close to her, so that Tita and Pedro are forced to circle each other in unconsummated passion. Only a freakish chain of tragedies, bad luck and fate finally reunite them against all the odds.

    The bewitched Lucius passes from owner to owner - encountering a desperate gang of robbers and being forced to perform lewd 'human' tricks on stage - until the Goddess Isis finally breaks the spell and initiates Lucius into her cult. It has long been disputed whether Apuleius meant this last-minute conversion seriously or as a final comic surprise and the challenge of interpretation continues to keep readers fascinated. Apuleius' enchanting story has inspired generations of writers such as Boccaccio, Shakespeare, Cervantes and Keats with its dazzling combination of allegory, satire, bawdiness and sheer exuberance, and The Golden Ass remains the most continuously and accessibly amusing book to have survived from Classical antiquity.

    The housekeeper's reputation is one built on dependable efficiency, though she is something of an oddity. Stubborn, foul-mouthed and with a flagrant disregard for her employer's opinions she may even be crazy. She allows no-one to set foot inside her house; she masks herself with a veil and is equally guarded about her personal life. And yet Emerence is revered as much as she is feared. As the story progresses her energy and passion to help becomes clear, extinguishing any doubts arising out of her bizarre behaviour. A stylishly told tale which recounts a strange relationship built up over 20 years between a writer and her housekeeper. After an unpromising and caustic start benign feelings develop and ultimately the writer benefits from what becomes an inseparable relationship. Simultaneously we learn Emerence's tragic past which is revealed in snapshots throughout the book.

    Painting a richly detailed backdrop, Undset immerses readers in the day-to-day life, social conventions, and political and religious undercurrents of the period. Now in one volume, Tiina Nunnally's award-winning definitive translation brings this remarkable work to life with clarity and lyrical beauty. As a young girl, Kristin is deeply devoted to her father, a kind and courageous man. But when as a student in a convent school she meets the charming and impetuous Erlend Nikulaussøn, she defies her parents in pursuit of her own desires. Her saga continues through her marriage to Erlend, their tumultuous life together raising seven sons as Erlend seeks to strengthen his political influence, and finally their estrangement as the world around them tumbles into uncertainty. With its captivating heroine and emotional potency, Kristin Lavransdatter is the masterwork of Norway's most beloved author, one of the twentieth century's most prodigious and engaged literary minds and, in Nunnally's exquisite translation, a story that continues to enthrall.

    The first playwright to depict suffering without reference to the gods, Euripides made his characters speak in human terms and face the consequences of their actions. In Medea, a woman rejected by her lover takes hideous revenge by murdering the children they both love, and Hecabe depicts the former queen of Troy, driven mad by the prospect of her daughter’s sacrifice to Achilles. Electra portrays a young woman planning to avenge the brutal death of her father at the hands of her mother, while in Heracles the hero seeks vengeance against the evil king who has caused bloodshed in his family. Philip Vellacott’s lucid translation is accompanied by an introduction, which discusses the literary background of Classical Athens and examines the distinction between instinctive and civilized behaviour.

    Taking center stage in this debut novel is Alcestis, the fabled ‘good wife’ who sacrificed herself in order to save her much loved husband, King Admetus. In this reworking of the classic legend, a decidedly more complex and restless Alcestis is provided with an intriguing backstory involving her childhood and the untimely death of her favorite sister, Hippothoe. When Admetus is too cowardly to face his own death, Alcestis, hopeful of reuniting with Hippothoe, agrees to take his place in the Underworld. It is here in death that Alcestis wrestles with the true nature of love and loss, as she falls under the seductive spell of Persephone...” --Margaret Fuller, Booklist

    Written in diary form, it tells the tale of an unhappy, passionate young man hopelessly in love with Charlotte, the wife of a friend - a man who he alternately admires and detests. 'The Sorrows of Young Werther' became an important part of the 'Sturm und Drang movement, and greatly influenced later 'Romanticism'. The work is semi-autobiographical - in 1772, two years before the novel was published, Goethe had passed through a similar tempestuous period, when he lost his heart to Charlotte Buff, who was at that time engaged to his friend Johann Christian Kestner.

    Plunging toward its riveting finale, Malina brutally lays bare the struggle for love and the limits of discourse between women and men.

    Walter Faber is an emotionally detached engineer forced by a string of coincidences to embark on a journey through his past.

    He does not understand the reason for his fate. He doesn’t particularly think of himself as Jewish. And his fellow prisoners, who decry his lack of Yiddish, keep telling him, “You are no Jew.” In the lowest circle of the Holocaust, Georg remains an outsider.The genius of Imre Kertesz’s unblinking novel lies in its refusal to mitigate the strangeness of its events, not least of which is Georg’s dogmatic insistence on making sense of what he witnesses–or pretending that what he witnesses makes sense. Haunting, evocative, and all the more horrifying for its rigorous avoidance of sentiment, Fatelessness is a masterpiece in the traditions of Primo Levi, Elie Wiesel, and Tadeusz Borowski.

    Childhood tells the story of a misfit child's single-minded determination to become a poet; Youth describes her early experiences of sex, work, and independence. Dependency picks up the story as the narrator embarks on the first of her four marriages and goes on to describe her horrible descent into drug addiction, enabled by her sinister, gaslighting doctor-husband.Throughout, the narrator grapples with the tension between her vocation as a writer and her competing roles as daughter, wife, mother, and drug addict, and she writes about female experience and identity in a way that feels very fresh and pertinent to today's discussions around feminism. Ditlevsen's trilogy is remarkable for its intensity and its immersive depiction of a world of complex female friendships, family and growing up--in this sense, it's Copenhagen's answer to Elena Ferrante's Neapolitan Novels. She can also be seen as a spiritual forerunner of confessional writers like Karl Ove Knausgaard, Annie Ernaux, Rachel Cusk and Deborah Levy. Her trilogy is drawn from her own experiences but reads like the most compelling kind of fiction.Born in a working-class neighborhood in Copenhagen in 1917, Ditlevsen became famous for her poetry while still a teenager, and went on to write novels, stories and memoirs before committing suicide in 1976. Having been dismissed by the critical establishment in her lifetime as a working-class, female writer, she is now being rediscovered and championed as one of Denmark's most important modern authors, with Tove fever gripping readers.

    In this story of a wealthy Indian Brahmin who casts off a life of privilege to seek spiritual fulfillment. Hesse synthesizes disparate philosophies--Eastern religions, Jungian archetypes, Western individualism--into a unique vision of life as expressed through one man's search for true meaning.

     It's you I love, perfect man, Greek God, my own; but I know you'll go, betray me, strayfrom home.So better by far for me if you were stone.—from "Medusa"Stunningly original and haunting, the voices of Mrs. Midas, Queen Kong, and Frau Freud, to say nothing of the Devil's Wife herself, startle us with their wit, imagination, and incisiveness in this collection of poems written from the perspectives of the wives, sisters, or girlfriends of famous—and infamous—male personages. Carol Ann Duffy is a master at drawing on myth and history, then subverting them in a vivid and surprising way to create poems that have the pull of the past and the crack of the contemporary.

    Told in short bursts of "Time," the narrative takes the form of a stylized fable, an epic allegory about the inexorable grind of time and the clash between modernity (the masculine) and nature (the feminine) in which Poland's tortured political history from 1914 to the contemporary era and the episodic brutality visited on ordinary village life is played out. A novel of universal dimension that does not dwell on the parochial, Primeval and Other Times was hailed as a contemporary European classic and heralded Tokarczuk as one of the leading voices in Polish as well as world literature.

    Soon Siggi is stealing the paintings to keep them safe from his father. Against the great brooding northern landscape. Siggi recounts the clash of father and son, of duty and personal loyalty, in wartime Germany. “I was trying to find out,” Lenz says, "where the joys of duty could lead a people"