in 2000. It details a year in the life of Jim Glass, who lives, with his mother and three uncles, in the small fictional town of Aliceville, North Carolina in 1934 during the Great Depression.

    He was tall, red-headed, and at our first meeting at least, a virgin. He was, in fact, the perfect man.     That he was fictional hardly entered into it...   On the cusp of thirty, Emma Sheridan is desperately in need of a change. After a string of failed relationships, she can admit that no man has ever lived up to her idea of perfection: the Scottish fictional star of romantic fantasies the world over—James Alexander Malcolm MacKenzie Fraser.   Her ideal man might be ripped from the pages of a book, but Emma hopes that by making one life-altering decision she might be able to turn fiction into fact. After selling all her worldly possessions, Emma takes off for Scotland with nothing but her burgeoning travel blog to confide in.   But as she scours the country’s rolling green hills and crumbling castles, Emma discovers that in searching for her own Jamie Fraser, she just might find herself.

    Ted Wallace is an old, sour, womanising, cantankerous, whisky-sodden beast of a failed poet and drama critic, but he has his faults too.Fired from his newspaper, months behind on his alimony payments and disgusted with a world that undervalues him, Ted seeks a few months repose and free drink at Swafford Hall, the country mansion of his old friend Lord Logan.But strange things have been going on at Swafford.  Miracles, Healings, Phenomena beyond the comprehension of a mud-caked hippopotamus like Ted...

    "Until that moment, I hadn't realized how much I'd been needing to meet someone I might be able to say everything to."They met at a party.  It was hate at first sight.  Ruth was far too beautiful, too flamboyant.  Not at all Ann's kind of person.  Until a chance encounter in the bathroom led to an alliance of souls.  Soon they were sharing hankies during the late showing of "Sophie's Choice," wolfing down sundaes sodden with whipped cream, telling truths of marriage, mortality, and love, secure in a kind of intimacy no man could ever know.  Only best friends understand devil's food cake for breakfast when nothing else will do.  After years of shared secrets, guilty pleasures, family life and divorce, they face a crisis that redefines the meaning of friendship and unconditional love.

    The town of Ringgold, Georgia, has a population of 1,923, one traffic light, one Dairy Queen, and one Catherine Grace Cline. The daughter of Ringgold's third-generation Baptist preacher, Catherine Grace is quick-witted, more than a little stubborn, and dying to escape her small-town life. Every Saturday afternoon, she sits at the Dairy Queen, eating Dilly Bars and plotting her getaway to Atlanta. And when, with the help of a family friend, the dream becomes a reality, she immediately packs her bags, leaving her family and the boy she loves to claim the life she's always imagined. But before things have even begun to get off the ground in Atlanta, tragedy brings Catherine Grace back home. As a series of extraordinary events alter her perspective and sweeping changes come to Ringgold itself Catherine Grace begins to wonder if her place in the world may actually be, against all odds, right where she began. Intelligent, charming, and utterly readable, Looking for Salvation at the Dairy Queen marks the debut of a talented new literary voice.

    Now, having died herself, she finds that it is not so easy to move on. She is terrified that her 37 years of life were meaningless, error-ridden, and forgettable. So Helena haunts-- and is haunted by-- the life she left behind. Meanwhile, David, her shattered attorney husband, struggles with grief and the demands of caring for her houseful of damaged and beloved animals. But it is her absence from her last project, Cindy-- a chimpanzee who may unlock the mystery of communication and consciousness-- that will have the greatest impact on all of them.When Cindy is scheduled for a research experiment that will undoubtedly take her life, David must call upon everything he has learned from Helena to save her. In the explosive courtroom drama that follows, all the threads of Helena's life entwine and tear as Helena and David confront their mistakes, grief, and loss, and discover the only way to save Cindy is to understand what it really means to be human.

    They also shared a husband. When a tragic car accident ends the life of Richard Glass, it also upends the lives of Evie and Nicole, and their children. There's no love lost between the widow and the ex. In fact, Evie sees a silver lining in all this heartache—the chance to rid herself of Nicole once and for all. But Evie wasn't counting on her children's bond with their baby half-brother, and she wasn't counting on Nicole's desperate need to hang on to the threads of family, no matter how frayed. Strapped for cash, Evie cautiously agrees to share living expenses—and her home—with Nicole and the baby. But when Evie suspects that Nicole is determined to rearrange more than her kitchen, Evie must decide who she can trust. More than that, she must ask: what makes a family? The Glass Wives is Amy Sue Nathan's heartfelt debut novel.

    There, at The End of the Road of the South, the family malt shop freezer holds unspeakable things, society maven Mrs. Dot hosts Junior Debutante meetings and shares inspired thoughts for the week (such as “sincerity is as valuable as radium”), and Daisy Fay’s Daddy hatches a quick-cash scheme that involves resurrecting his daughter from the dead in a carefully orchestrated miracle. Along the way, Daisy Fay does a lot of growing up, emerging as one of the most hilarious, appealing, and prized characters in modern fiction.

    But when she finds herself awake at 1:37 a.m. in a panic over the need to produce a homemade pie for her daughter's school, she has to admit her life has become unrecognizable. With panache, wisdom, and uproarious wit, I Don't Know How She Does It brilliantly dramatizes the dilemma of every working mom.

    He had decided that after our parents died he just didn't want any more fighting between what was left of us. He was twenty-four, Beth was twenty-three, I was twenty-one, Toph was eight, and all of us were so tried already, from that winter. So when something would come up, any little thing, some bill to pay or decision to make, he would just sigh, his eyes tired, his mouth in a sorry kind of smile. But Beth and I...Jesus, we were fighting with everyone, anyone, each other, with strangers at bars, anywhere -- we were angry people wanting to exact revenge. We came to California and we wanted everything, would take what was ours, anything within reach. And I decided that little Toph and I, he with his backward hat and long hair, living together in our little house in Berkeley, would be world-destroyers. We inherited each other and, we felt, a responsibility to reinvent everything, to scoff and re-create and drive fast while singing loudly and pounding the windows. It was a hopeless sort of exhilaration, a kind of arrogance born of fatalism, I guess, of the feeling that if you could lose a couple of parents in a month, then basically anything could happen, at any time -- all bullets bear your name, all cars are there to crush you, any balcony could give way; more disaster seemed only logical. And then, as in Dorothy's dream, all these people I grew up with were there, too, some of them orphans also, most but not all of us believing that what we had been given was extraordinary, that it was time to tear or break down, ruin, remake, take and devour. This was San Francisco, you know, and everyone had some dumb idea -- I mean, wicca? -- and no one there would tell you yours was doomed. Thus the public nudity, and this ridiculous magazine, and the Real World tryout, all this need, most of it disguised by sneering, but all driven by a hyper-awareness of this window, I guess, a few years when your muscles are taut, coiled up and vibrating. But what to do with the energy? I mean, when we drive, Toph and I, and we drive past people, standing on top of all these hills, part of me wants to stop the car and turn up the radio and have us all dance in formation, and part of me wants to run them all over."

    Irene fights her husband. She does not want to uproot her family and has deep misgivings about the move. Nevertheless, the family leaves, and they are just settling into their life in Oregon’s high desert when the unthinkable happens. Fifteen-year-old Shep is shot and killed during an apparent robbery in their home. The murderer, a young mechanic with a history of assault, robbery, and drug-related offenses, is caught and sentenced to death. Shep’s murder sends the Stanley family into a tailspin, with each member attempting to cope with the tragedy in his or her own way. Irene’s approach is to live, week after week, waiting for Daniel Robbin’s execution and the justice she feels she and her family deserve. Those weeks turn into months and then years. Ultimately, faced with a growing sense that Robbin’s death will not stop her pain, Irene takes the extraordinary and clandestine step of reaching out to her son’s killer. The two forge an unlikely connection that remains a secret from her family and friends. Years later, Irene receives the notice that she had craved for so long—Daniel Robbin has stopped his appeals and will be executed within a month. This announcement shakes the very core of the Stanley family. Irene, it turns out, isn’t the only one with a shocking secret to hide. As the execution date nears, the Stanleys must face difficult truths and find a way to come to terms with the past.Dramatic, wrenching, and ultimately uplifting, The Crying Tree is an unforgettable story of love and redemption, the unbreakable bonds of family, and the transformative power of forgiveness.

    These bonobos, like others of their species, are capable of reason and carrying on deep relationships - but unlike most bonobos, they also know American Sign Language.Isabel Duncan, a scientist at the Great Ape Language Lab, doesn’t understand people, but animals she gets - especially the bonobos. Isabel feels more comfortable in their world than she’s ever felt among humans... until she meets John Thigpen, a very married reporter who braves the ever-present animal rights protesters outside the lab to see what’s really going on inside.When an explosion rocks the lab, severely injuring Isabel and “liberating” the apes, John’s human interest piece turns into the story of a lifetime, one he’ll risk his career and his marriage to follow. Then a reality TV show featuring the missing apes debuts under mysterious circumstances, and it immediately becomes the biggest - and unlikeliest - phenomenon in the history of modern media. Millions of fans are glued to their screens watching the apes order greasy take-out, have generous amounts of sex, and sign for Isabel to come get them. Now, to save her family of apes from this parody of human life, Isabel must connect with her own kind, including John; a green-haired vegan; and a retired porn star with her own agenda.Ape House delivers great entertainment, but it also opens the animal world to us in ways few novels have done, securing Sara Gruen’s place as a master storyteller who allows us to see ourselves as we never have before.

    Failing out of school, picking up shifts at Margo’s diner, she’s left fending for herself in a town where she’s never quite felt at home. When she “borrows” her neighbor’s car to perform at an open mic night, she realizes her life could be much bigger than where she came from. After a fight with her dad, April packs her stuff and leaves for good, setting off on a journey to find a life that’s all hers.As April moves through the world, meeting people who feel like home, she chronicles her life in the songs she writes and discovers that where she came from doesn’t dictate who she has to be. This lyrical, unflinching tale is for anyone who has ever yearned for the fierce power of found family or to grasp the profound beauty of choosing to belong.

    For years, Percy has had to take care of herself and Mama—a woman who’s been unraveling for as long as her daughter can remember. Fearing Carletta is strung out on meth and that she won’t survive the storm, Percy heads for Shelton Potter’s cabin, deep in the woods of Northern Michigan. A two-bit criminal, as incompetent as he is violent, Shelton has been smoking his own cook and grieving the death of his beloved Labrador, Old Bo.But when Percy arrives, there is no sign of Carletta. Searching the house, she finds Shelton and his girlfriend drugged into oblivion—and a crying baby girl left alone in a freezing room upstairs. From the moment the baby wraps a tiny hand around her finger, Percy knows she must save her—a split-second decision that is the beginning of a dangerous odyssey in which she must battle the elements and evade Shelton and a small band of desperate criminals, hell-bent on getting that baby back.Knowing she and the child cannot make it alone, Percy seeks help from Carletta’s ex, Portis Dale, who is the closest thing she’s ever had to a father. As the storm breaks and violence erupts, Percy will be forced to confront the haunting nature of her mother’s affliction and finds her own fate tied more and more inextricably to the baby she is determined to save.Filled with the sweeping sense of cultural and geographic isolation of its setting—the hills of fictional Cutler County in northern Michigan—and told in Percy’s unflinching style, Sweetgirl is an affecting exploration of courage, sacrifice, and the ties that bind—a taut and darkly humorous tour-de-force that is horrifying, tender, and hopeful.

    In this peeled-paint coal town deep in Appalachia, Kevin quickly falls in with a half-wild hollow kid named Buzzy Fink who schools him in the mysteries and magnificence of the woods. The events of this fateful summer will affect the entire town of Medgar, Kentucky. Medgar is beset by a massive mountaintop removal operation that is blowing up the hills and back filling the hollows. Kevin's grandfather and others in town attempt to rally the citizens against the "company" and its powerful owner to stop the plunder of their mountain heritage. When Buzzy witnesses a brutal hate crime, a sequence is set in play that tests Buzzy and Kevin to their absolute limits in an epic struggle for survival in the Kentucky mountains.