An elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. A woman born with a genetic abnormality is mistaken for a vampire, and a crime committed long ago is revenged in the Arctic via a 1.9 billion-year-old stromatolite.In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle - and also by herself, in her award-winning novel Alias Grace. In Stone Mattress, Margaret Atwood is at the top of her darkly humorous and seriously playful game.

    Before she disappeared, she told her little brother, Sam, about a door that led to a magical place where she would meet the King of the Fairies and become his queen.Fifteen years later, Phoebe is in love with Sam, a practical, sensible man who doesn't fear the dark and doesn't have bad dreams - who, in fact, helps Phoebe ignore her own. But suddenly the couple is faced with a series of eerie, unexplained occurrences that challenge Sam's hardheaded, realistic view of the world. As they question their reality, a terrible promise Sam made years ago is revealed - a promise that could destroy them all.

    She has a wand and a transformation mirror. She might be a witch, or an alien from another planet. Together with her cousin Yuu, Natsuki spends her summers in the wild mountains of Nagano, dreaming of other worlds. When a terrible sequence of events threatens to part the two children forever, they make a promise: survive, no matter what. Now Natsuki is grown. She lives a quiet life with her asexual husband, surviving as best she can by pretending to be normal. But the demands of Natsuki's family are increasing, her friends wonder why she's still not pregnant, and dark shadows from Natsuki's childhood are pursuing her. Fleeing the suburbs for the mountains of her childhood, Natsuki prepares herself with a reunion with Yuu. Will he still remember their promise? And will he help her keep it?

    "Nick Demske writes from culture like the Hollywood version of a rebellious slave, the role shredding off him, culture's synthetic exemplary tales shredding and piling up on the floor of the projector room."—Joyelle McSweeneyHis name is "a transcendant uber-obsenity that can be understood universally by speakers of any language."

    Each track has a mysterious name and a strangely powerful effect on the band's fans.A curious music blogger decides to investigate the phenomenon up close by following Beautiful Remorse on tour across Texas and Kansas, realizing along the way that the band's lead singer, is hiding an incredible, impossible secret.

    On her Raleigh Tuff Burner bike, she makes her way to a rickety covered bridge that, within moments, takes her wherever she needs to go, whether it’s across Massachusetts or across the country.Charles Talent Manx has a way with children. He likes to take them for rides in his 1938 Rolls-Royce Wraith with the NOS4A2 vanity plate. With his old car, he can slip right out of the everyday world, and onto the hidden roads that transport them to an astonishing – and terrifying – playground of amusements he calls “Christmasland.” Then, one day, Vic goes looking for trouble—and finds Manx. That was a lifetime ago. Now Vic, the only kid to ever escape Manx’s unmitigated evil, is all grown up and desperate to forget. But Charlie Manx never stopped thinking about Victoria McQueen. He’s on the road again and he’s picked up a new passenger: Vic’s own son.

    This is the story of a trip backward in time in which a nostalgia for the quaint turns into a hideous nightmare.

    In decaying Northampton, eternity loiters between housing projects. Among saints, kings, prostitutes, and derelicts, a timeline unravels: second-century fiends wait in urine-scented stairwells, delinquent specters undermine a century with tunnels, and in upstairs parlors, laborers with golden blood reduce fate to a snooker tournament. Through the labyrinthine streets and pages of Jerusalem tread ghosts singing hymns of wealth and poverty. They celebrate the English language, challenge mortality post-Einstein, and insist upon their slum as Blake’s eternal holy city in “Moore’s apotheosis, a fourth-dimensional symphony” (Entertainment Weekly). This “brilliant . . . monumentally ambitious” tale from the gutter is “a massive literary achievement for our time—and maybe for all times simultaneously” (Washington Post).

    But Sara ffitch is an enigma to him, a creature of almost perverse mystery. Steven Grout is paranoid - and with justice. He knows that They are out to get him. They are. Quiss, insecure in his fabulous if ramshackle castle, is forced to play interminable impossible games. The solution to the oldest of all paradoxical riddles will release him. But he must find an answer before he knows the question. Park, Grout, Quiss - no trio could be further apart. But their separate courses are set for collision.

    G. Ballard lived far ahead of his time. Called his "prophetic masterpiece" by many, The Atrocity Exhibition practically lies outside of any literary tradition. Part science fiction, part eerie historical fiction, part pornography, its characters adhere to no rules of linearity or stability. This reissued edition features an introduction by William S. Burroughs, extensive text commentary by Ballard, and four additional stories. Of specific interest are the illustrations by underground cartoonist and professional medical illustrator Phoebe Gloeckner. Her ultrarealistic images of eroticism and destruction add an important dimension to Ballard's text.

    There are a couple of other odd things, too. He weighs the same in his clothes and out of them, no matter how heavy they are. Scott doesn’t want to be poked and prodded. He mostly just wants someone else to know, and he trusts Doctor Bob Ellis.In the small town of Castle Rock, the setting of many of King’s most iconic stories, Scott is engaged in a low grade—but escalating—battle with the lesbians next door whose dog regularly drops his business on Scott’s lawn. One of the women is friendly; the other, cold as ice. Both are trying to launch a new restaurant, but the people of Castle Rock want no part of a gay married couple, and the place is in trouble. When Scott finally understands the prejudices they face–including his own—he tries to help. Unlikely alliances, the annual foot race, and the mystery of Scott’s affliction bring out the best in people who have indulged the worst in themselves and others.

    The resulting journey through dark and desperate futures of aliens, diseases, and humanity's own madness is brain-bending and utterly bizarre.

    She started seeing them when she got on the bus that morning. She didn't know what they meant...until she saw them run out...

    Since she was a baby, Maren has had what you might call "an issue" with affection. Anytime someone cares for her too much, she can’t seem to stop herself from eating them. Abandoned by her mother at the age of 16, Maren goes looking for the father she has never known, but finds more than she bargained for along the way. Faced with love, fellow eaters, and enemies for the first time in her life, Maren realizes she isn’t just looking for her father, she is looking for herself. The real question is, will she like the girl she finds?

    There are 12 pieces in all here, ranging from those first published in places like Interzone and Pulphouse to a two-page poem taken from the pages of Asimov's. Although many readers may be familiar with Hand's longer works, such as Glimmering or Waking the Moon, here she shows that she's a master of short fiction as well. Her stylish prose and keen insights make for some wonderful stories. --Craig E. EnglerContents:Last Summer at Mars Hill (1994)The Erl-King (1993)Justice (1993)Dionysus Dendrites (1993) poemThe Have-Nots (1992)In the Month of Athyr (1992)Engels Unaware (1992)The Bacchae (1991)Snow on Sugar Mountain (1991)On the Town Route (1989)The Boy in the Tree (1989)Prince of Flowers (1988)