She is addicted to the feeling of being on stage, looking out at expectant, up-turned mouths, waiting for the first laugh to hit. A first laugh that will not happen unless she creates it. But Brenda is clueless. The on-off girlfriend of a prolific comedian, it is only after she realises his best stage material consists of recycled versions of her own restless, smart-arsed energy that she begins to wonder whether she might be better off keeping her jokes for herself - and so she finds herself making her very first walk to the mark on stage in front of a bare brick wall, with just a spotlight and a PA system for cover, wondering what we all wonder from time to time: am I funny? A book as much about the thrill of performance as it is about what goes on when the microphone is switched off, Brenda Monk is Funny is a blackly humourous and devastatingly candid snapshot of the reality, the brutality and fragility of the comedy industry from an exciting new voice in fiction.

    Having covered the war in Iraq and moved to Mexico City with two babies in nappies, he and his wife Diana thought they understood something about the subject.But when they arrived in Sydney so that Cave could establish The New York Times's Australia Bureau, life near the ocean confronted them with new ideas and questions, at odds with their American mindset that risk was a matter of individual choices. Surf-lifesaving and Nippers showed that perhaps it could be managed together, by communities. And instead of being either eliminated or romanticised, it might instead be respected and even embraced.And so Cave set out to understand how our current attitude to risk developed - and why it's not necessarily good for us.Into the Rip is partly the story of this New York family learning to live better by living with the sea and it is partly the story of how humans manage the idea of risk. Interviewing experts and everyday heroes, Cave asks critical questions like: Is safety overrated? Why do we miscalculate risk so often and how can we improve? Is it selfish to take risks or can more exposure make for stronger families, citizens and nations? And how do we factor in legitimate fears and major disasters like Cave has covered in his time here: the Black Summer fires; the Christchurch massacre; and, of course, Covid?The result is Grit meets Phosphorescence and Any Ordinary Day - a book that will change the way you and your family think about facing the world's hazards.

    The book starts with Adam living openly with his voluptuous half-caste lover on his desert station in the outback, and gradually the fates of succeeding generations intertwine in this Australian family saga.

    every morning, feverishly hot, her heart racing and mind whirring with every worst-case scenario imaginable. She's snappy, exhausted and has developed an alarming inability to remember simple nouns.When a friend has the audacity to suggest that forty-five-year-old landscape gardener Eliza Hamilton is hurtling toward menopause, she is naturally appalled. Menopause is something that happens to other women, older women.As Eliza tries to negotiate this new and confusing landscape, she also embarks on the biggest challenge of her career so far. But she soon discovers that juggling erratic mood swings with motherhood, demanding family members and domestic drudgery is far from the harmonious scenario she'd envisaged.If Eliza wants to embrace midlife without the crisis, she must first make some grown up choices and face some uncomfortable truths.Hilarious, gritty and brutally honest, Overgrown will have you laughing, crying and rooting for its quirky yet relatable characters. A much-needed novel every woman approaching midlife should read.

    He and his wife Jane are still trying for a baby after seven years. His neighbours have their quirks to be navigated. And his job as a high school teacher, while satisfying, comes with its challenges.Every day is much like the one before that is, until Casper makes a discovery that threatens everything he knows... As Casper 's fears grows into obsessions, his world starts to unravel.Just Another Week in Suburbia is a story about love, trust, and insecurity, and the question of whether you can ever really know another person.

    But this farmer isn’t looking for a wife — his first love ended in tragedy, and he will never put his heart on the line again. The land is his love, and he’s happy that way.Sasha Hepworth has goals and ambitions and she has worked very hard for her success. She’s just forgotten how to enjoy herself. So a weekend fling with a gorgeous cowboy is just what she needs — after all, it can’t go any further. She’d never leave the conveniences and beauty of the city for a dusty outback town.But a weekend of fine dining and spectacular sights isn’t enough for Blake and Sasha, and the growing feelings that neither can deny make them question everything about their lives. When a city girl meets a country boy, will they find middle ground?

    . .This summer is different because there's a new girl in town. It's different because she's Tanika Bell - occasional bus driver, regular optimist and, it turns out, woman of the world.But expecting life to play by the rules is like making laws for clouds. Kane's whole family has never worked by the rules. His dad ran off years ago, his mother's still chafing and drinking, and she's really bad on her bad days. Summer sets in, hot and humid, and Kane works the road verges. But he's got lofty ambitions, he's got Tanika on his mind and he's going to make this summer count, whatever it takes.Once again Nick Earls is poignant, sharp, very funny and sometimes achingly sad. Making Laws for Clouds gives us the good times, shows us the bad, and - just like Kane - looks to making something hopeful for the future.

    What could possibly go wrong? For fans of Nick Hornby, David Nicholls and Jonathan Tropper.Jaded music journalist Rick McLennan knows his life is going south when he loses his job, his apartment and his long-term girlfriend all on the same day. But then he is thrown a lifeline - a commission to write the story of his ex-rock-star brother, Stevie, and drive him from Austin, Texas, to New York to play one final gig. One small problem: the brothers haven't spoken in thirty years.Rick knows it's a bad idea. But he's out of choices. So he gets behind the wheel of a beaten-up 1985 Nissan Stanza and drives towards his destiny. He's about to find everything he didn't know he was missing. It's September 2001.From award-winning journalist and author Barry Divola comes a glorious, music-infused, rollicking road-trip novel - think High Fidelity meets The Big Lebowski meets The Darjeeling Limited. A smart, funny and wholly endearing story about how, though we may at times lose ourselves along the way, the road always leads back to family and the things that bring us joy.'Of course this road trip comes with a top-quality mix-tape - it's by Barry Divola - but it's the layers to this story, and its humour and its heart, that make this journey irresistible.' - Nick Earls'This book is the super f∗∗∗ing gnarly lead break of rock-lit novels.' - John Birmingham'Driving Stevie Fracasso reads as great as the fifth Replacements album sounds. It's a New York-centric, music-obsessive tale of humour and poignancy, the literary equivalent of hanging with folks who think going to church is finding a record fair. A+' - Stuart CoupeAn interpreter of the listening experience forced to listen to experience? This novel will be read in between flippin' records. Go for the ride. You'll be spent, you'll be grateful.' - Tim Rogers'If I could go back in time and take a different fork in the road, I would have lived like Barry Divola. But poor choices can't be unmade, and if Driving Stevie Fracasso is the only ride available I'll take it. Damn you, Barry Divola, you've been having everyone else's fun.' - Malcolm Knox

    The fall of Malaya and Singapore and the bombing of Darwin—what looked like the invasion of Australia—ebb and crash over a man’s long search to find a home and a woman’s determination to keep hers, connected by old memories and new betrayals. It is a thriller and a romance, a story of earth and water, air and metal—an unforgettable ride through the most precarious time in our region's recent history. Garry Disher writes: ‘Past the Headlands came from the same World War 2 research as The Stencil Man. I was struck by the power of two documents. The first was a letter written by a woman alone on a cattle station near Broome in 1942, at the time the Japanese were overrunning Malaya and Singapore and bombing areas of northern Australia. One day she found herself giving shelter to Dutch colonial officers and their families, who were fleeing Sumatra and Java ahead of the Japanese advance (many people like them lost their lives when Japanese planes shot up their waiting seaplanes in Broome Harbour in March, 1942). This woman stuck in my head (the isolation, the danger, the efforts to communicate, her bravery, etc). The second document was a war diary written by an Australian army surgeon who escaped Singapore ahead of the Japanese and was stuck in Sumatra, trying to get out. Here he treated many of the civilians (and Australian Army deserters) fleeing from Singapore. He was captured by the Japanese, but survived the war. But his last few diary entries detail how he and a mate were waiting for a plane or a ship to take them out, then one day he wrote, “Davis [his mate] left last night without telling me”. So much for mateship. I spent years trying to find my way into their stories. At one stage I spent a year writing 40,000 words before realising it wouldn’t work. I put it aside, then realised one subplot didn’t belong, so extracted it and turned it into a separate novel The Divine Wind, which has sold 100,000 copies around the world, won a major award and been published as both a young adult and a general market novel. But cutting it out like that freed me up to write about the woman and the man betrayed by his mate, in Past the Headlands.’

    Sally De Rooze is almost thirty. She survived the accident that killed her father and brothers. Her mother never forgave her for that. But she survived her mother too. Surviving is what she does best. Farmer Ross Bertram, who offers her his acres and safety, is the answer for a while. Until he starts pushing for a wedding. Sally wants ... wants more. Wants to know great love. Wants to find herself. One year. That's what she wants. One year of freedom in the big, bad city. Her survival skills are tested in the urban sprawl and she discovers more about herself than she had ever dared to imagined.

    But Rosie is adamant. Four couples, each hosting a dinner party on a different night of the week, with a prize at the end for the best one. It'll be a good laugh, won't it? And a great way for everyone to get to know each other. What could possibly go wrong?What Rosie doesn't anticipate are the lengths her fellow hosts might be prepared to go to in order to claim the prize -- outlandish recipes, rare ingredients sourced from abroad, and a chocolate tart that looks just too good to be homemade… But perhaps she should be more worried about the mounting tension between the guests, as backbiting breaks out over the appetisers and a glass of wine too many leads to indiscreet flirtation. As the pressure in the kitchen rises, relationships begin to crack under strain, high-minded principles collide and the oven gloves come off… But that's all part of the fun. Isn't it?

    She has a brand-new sister, and her family has moved to a small town, leaving behind everything she knows. She is sure that she will be miserable – but a mysterious old lady, a curious boy and an amazing garden prove her wrong. A story about friendship, hope, and the healing power of nature and art.

    Could any novel be ruder than IS HARRY ON THE BOAT? Possibly this sequel to that brilliantly funny cult novel about holiday reps in Ibiza.

    Great grades, perfect career, husband, house and hairdo. She'd learnt image was everything so she refused to look below the surface of her life. When not at work her minutes were filled with causes, chairing boards and dining at fabulous restaurants with her equally fabulous husband, David. She kept up the Botox, blow-dries and worked hard. It wasn't enough, but whenever doubt crept in she'd head to a pilates class or plan a renovation on her trophy house.Then she turned 45. Olivia wasn't prepared for David to leave. The fact that they hadn't had sex for two years should have triggered warning bells ... it didn't.In an attempt to fix her broken marriage Olivia exposed herself like never before. But when her confession goes viral, the husband, house and job disappear. The woman who once offered glamorous reassurance and a steady gaze is labelled a princess of perversion. Humiliated, defeated, facing fifty shades of failure, she's left wondering who the hell she really is? Stripped bare, she abandons perfection ... and something remarkable happens.Olivia Law just might get her sass back (and this time, it's the real thing). The brilliant new novel from J.D. Barrett about breakups, breakdowns and breakthroughs. Batteries not included.

    Along the way he falls in love, drinks a lot of beer, eats too many sweets, ponders the meaning of life on the dole, and gets admitted to hospital for a painful condition.