She's given up on writing her novel and is working a dull office job at the local council – now it feels like the only interesting thing about her is that she's Owen's girlfriend. But he's slipping away from her, and Allison has no idea who she'll be without him.Panicking, she absorbs him...Soon Allison begins taking on Owen's best qualities, becoming the person she always thought she should be. But is Owen all she needs to complete herself? Will Allison ever be a whole person?Absorbed is the original and timely debut novel from Kylie Whitehead; a darkly comic story of female insecurity, body horror and modern relationships.

    He wakes one morning to find that something has attacked one of his beehives, brutally killing every inhabitant. Heartbroken, he soon learns that a mysterious swarm of vicious hornets committed the mass murder—but where did they come from, and how can he stop them? If he is going to unravel this mystery and save his bees from annihilation, Sidi must venture out into the village and then brave the big city and beyond in search of answers.Along the way, he discovers a country and a people turned upside down by their new post–Arab Spring reality as Islamic fundamentalists seek to influence votes any way they can on the eve of the country’s first democratic elections. To succeed in his quest, and find a glimmer of hope to protect all that he holds dear, Sidi will have to look further than he ever imagined.In this brilliantly accessible modern-day parable, Yamen Manai uses a masterful blend of humor and drama to reveal what happens in a country shaken by revolutionary change after the world stops watching.

    Here, in the dizzying heat of August 1939, five cousins have gathered at their aunt's house for their annual ritual of a holiday. For most of them it is the last summer of their youth, with the heady exhilarations and freedoms of lost innocence, as well as the fears of the coming war.The Camomile Lawn moves from Cornwall to London and back again, over the years, telling the stories of the cousins, their family and their friends, united by shared losses and lovers, by family ties and the absurd conditions imposed by war as their paths cross and recross over the years. Mary Wesley presents an extraordinarily vivid and lively picture of wartime London: the rationing, imaginatively circumvented; the fallen houses; the parties, the new-found comforts of sex, the desperate humour of survival - all of it evoked with warmth, clarity and stunning wit. And through it all, the cousins and their friends try to hold on to the part of themselves that laughed and played dangerous games on that camomile lawn.

    His only desire: collect a little beer money and enjoy his final summer before college. So he lands a job as a laborer on a construction crew. Working alongside two Vietnam vets, one suffering from PTSD, Vincent gets the education of a lifetime. Now forty years later, with his own son leaving for college, the lessons of that summer—Vincent’s last taste of innocence and first taste of real life—dramatically unfold in a novel about breaking away, shaping a life, and seeking one’s own destiny.

    It’s 2008 and things are falling apart: Bear Stearns and Lehman Brothers are going under, and the residents of Pepys Road, London—a banker and his shopaholic wife, an old woman dying of a brain tumor and her graffiti-artist grandson, Pakistani shop owners and a shadowy refugee who works as the meter maid, the young soccer star from Senegal and his minder—are receiving anonymous postcards reading “We Want What You Have.” Who is behind it? What do they want? Epic in scope yet intimate, capturing the ordinary dramas of very different lives, this is a novel of love and suspicion, of financial collapse and terrorist threat, of property values going up and fortunes going down, and of a city at a moment of extraordinary tension.

    The photograph is in an envelope marked "DON'T OPEN - DESTROY." But Kath's husband does not heed the warning, embarking on a journey of discovery that reveals a tight web of secrets: within marriages, between sisters, and at the heart of an affair. Kath, with her mesmerizing looks and casual ways, moves like a ghost through the memories of everyone who knew her - and a portrait emerges of a woman whose life cannot be understood without plumbing the emotional depths of the people she touched.Propelled by the author's signature mastery of narrative and psychology, The Photograph is Lively at her very best, the dazzling climax to all she has written before.

    On the ten-hour sail west from the Hebrides to the islands of St. Kilda, everything lies ahead for Lizzie and Neil McKenzie. Neil is to become the minister to the small community of islanders, and Lizzie, his new wife, is pregnant with their first child. Neil's journey is evangelical: a testing and strengthening of his own faith against the old pagan ways of the St. Kildans, but it is also a passage to atonement. For Lizzie -- bright, beautiful, and devoted -- this is an adventure, a voyage into the unknown. She is sure only of her loyalty and love for her husband, but everything that happens from now on will challenge all her certainties.As the two adjust to life on an exposed archipelago on the edge of civilization, where the natives live in squalor and subsist on a diet of seabirds, and babies perish mysteriously in their first week, their marriage -- and their sanity -- is threatened. Is Lizzie a willful temptress drawing him away from his faith? Is Neil's zealous Christianity unhinging into madness? And who, or what, is haunting the moors and cliff-tops?Exquisitely written and profoundly moving, Island of Wings is more than just an account of a marriage in peril -- it is also a richly imagined novel about two people struggling to keep their love, and their family, alive in a place of terrible hardship and tumultuous beauty.

    Emerging from London’s psychedelic scene in 1967 and fronted by folk singer Elf Holloway, guitar demigod Jasper de Zoet, and blues bassist Dean Moss, Utopia Avenue released only two LPs during its brief, blazing journey from the clubs of Soho and drafty ballrooms to Top of the Pops and the cusp of chart success, and on to glory in Amsterdam, prison in Rome, and a fateful American fortnight in the autumn of 1968.David Mitchell’s captivating new novel tells the unexpurgated story of Utopia Avenue; of riots in the streets and revolutions in the head; of drugs, thugs, madness, love, sex, death, art; of the families we choose and the ones we don’t; of fame’s Faustian pact and stardom’s wobbly ladder. Can we change the world in turbulent times, or does the world change us?

    They till the rough soil and sleep in the same bed, touched only occasionally by the advances of the twentieth century.In depicting the lives of Benjamin and Lewis and their interactions with their small local community Chatwin comments movingly on the larger questions of human experience.

    He shops every Wednesday, goes to Temple, and worries about his granddaughter, Priya, who hides in her room reading while he spends his evenings watching nature documentaries.Aleisha is a bright but anxious teenager working at the local library for the summer when she discovers a crumpled-up piece of paper in the back of To Kill a Mockingbird. It’s a list of novels that she’s never heard of before. Intrigued, and a little bored with her slow job at the checkout desk, she impulsively decides to read every book on the list, one after the other. As each story gives up its magic, the books transport Aleisha from the painful realities she’s facing at home.When Mukesh arrives at the library, desperate to forge a connection with his bookworm granddaughter, Aleisha passes along the reading list… hoping that it will be a lifeline for him too. Slowly, the shared books create a connection between two lonely souls, as fiction helps them escape their grief and everyday troubles and find joy again.

    His provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally in the intersecting spaces of our internal and external worlds.With its examination of the possibility that art can both save and destroy us, Rachel Cusk's Second Place is deeply affirming of the human soul, while grappling with its darkest demons.

    Even Emma and Andrew’s elder daughter—who is usually off saving the world—will be joining them at Weyfield Hall, their aging country estate. But Olivia, a doctor, is only coming home because she has to. Having just returned from treating an epidemic abroad, she’s been told she must stay in quarantine for a week…and so too should her family. For the next seven days, the Birches are locked down, cut off from the rest of humanity—and even decent Wi-Fi—and forced into each other’s orbits. Younger, unabashedly frivolous daughter Phoebe is fixated on her upcoming wedding, while Olivia deals with the culture shock of being immersed in first-world problems. As Andrew sequesters himself in his study writing scathing restaurant reviews and remembering his glory days as a war correspondent, Emma hides a secret that will turn the whole family upside down. In close proximity, not much can stay hidden for long, and as revelations and long-held tensions come to light, nothing is more shocking than the unexpected guest who’s about to arrive…

    Now, for example, I feel sad that we have no money. Also a little mad that a bunch of idiots seem to have it all. But sad, mostly, because I think that’s just the way things are. It’s an all-encompassing feeling, like my lungs are filled with it instead of air. You’d think it would feel better to be at one with the world. Janet works at a rundown dog shelter in the woods. She wears black, loves the Smiths, and can’t wait to get rid of her passive-aggressive boyfriend. Her brain is full of anxiety, like “one of those closets you never want to open because everything will fall out and crush you.” She has a meddlesome family, eccentric coworkers, one old friend who’s left her for Ibiza, and one new friend who’s really just a neighbor she sees in the hallway. Most of all, Janet has her sadness—a comfortable cloak she uses to insulate herself from the oppressions of the wider world.That is, until one fateful summer when word spreads about a new pill that offers even cynics like her a short-term taste of happiness . . . just long enough to make it through the holidays without wanting to stab someone with a candy cane. When her family stages an intervention, her boyfriend leaves, and the prospect of making it through Christmas alone seems like too much, Janet decides to give them what they want. What follows is life-changing for all concerned—in ways no one quite expects.Hilarious, bitterly wise, and surprisingly warm, Sad Janet is the depression comedy you never knew you needed.

    In private houses and public parks, at work and at play, these Londoners inhabit a complicated place, as beautiful as it is brutal, where the thoroughfares hide the back alleys and taking the high road can sometimes lead you to a dead end. Depicting the modern urban zone—familiar to city-dwellers everywhere—NW is a quietly devastating novel of encounters, mercurial and vital, like the city itself.

    His exams have not gone well. At home he is looking after his father, when surely it should be the other way round, and if he thinks about the future at all, it is with a kind of dread.Then Fran Fisher bursts into his life and despite himself, Charlie begins to hope.But if Charlie wants to be with Fran, he must take on a challenge that could lose him the respect of his friends and require him to become a different person. He must join the Company. And if the Company sounds like a cult, the truth is even more appalling.The price of hope, it seems, is Shakespeare.Poignant, funny, enchanting, devastating, Sweet Sorrow is a tragicomedy about the rocky path to adulthood and the confusion of family life, a celebration of the reviving power of friendship and that brief, searing explosion of first love that can only be looked at directly after it has burned out.