This collection of stories cuts through the hype of modern living, travelling inward to the elusive terrain of dreams and nightmares.

    K. Narayan’s centennialIntroducing this collection of stories, R. K. Narayan describes how in India “the writer has only to look out of the window to pick up a character and thereby a story.” Composed of powerful, magical portraits of all kinds of people, and comprising stories written over almost forty years, Malgudi Days presents Narayan’s imaginary city in full color, revealing the essence of India and of human experience. This edition includes an introduction by Pulitzer Prize- winning author Jhumpa Lahiri. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    Within its pages, note such sights as: a study of the motives and strategies used by the participants in the game of Clue, including the seduction of Miss Scarlet by Colonel Mustard; the Barnum Museum, a fantastic, monstrous landmark so compelling that an entire town finds its citizens gradually and inexorably disappearing into it; a bored dilettante who constructs an imaginary woman - and loses her to an imaginary man! - and a legendary magician so skilled at sleight-of-hand that he is pursued by police for the crime of erasing the line between the real and the conjured.

    A fair selection of the master's short story output. Roger Colet has written the introduction for the Penguin Classic edition..

    Volume One contains the following 48 short stories:- The Dead Past- The Foundation of S. F. Success- Franchise- Gimmicks Three- Kid Stuff- The Watery Place- Living Space- The Message- Satisfaction Guaranteed- Hell-Fire- The Last Trump- The Fun They Had- Jokester- The Immortal Bard- Someday- The Author's Ordeal- Dreaming Is a Private Thing- Profession- The Feeling of Power- The Dying Night- I'm in Marsport Without Hilda- The Gentle Vultures- All the Troubles of the World- Spell My Name with an S- The Last Question- The Ugly Little Boy- Nightfall- Green Patches- Hostess- Breeds There a Man…?- C-Chute- In a Good Cause—- What If—- Sally- Flies- Nobody Here But—- It's Such a Beautiful Day- Strikebreaker- Insert Knob A in Hole B- The Up-to-Date Sorcerer- Unto the Fourth Generation- What Is This Thing Called Love?- The Machine That Won the War- My Son, the Physicist- Eyes Do More Than See- Segregationist- I Just Make Them Up, See!- Rejection Slips.

    They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.

    One is the main course of dinner, another the porn star contracted to copulate in space for a reality TV show. They become futuristic ant farms, get knocked up by the star high school quarterback and have secret abortions, use parakeets to reverse amputations, make love to garden gnomes, go into air conditioning ducts to confront their mother’s ghost, and do so in settings that range from Hell to the local white-supremacist bowling alley.

    Contents:The Infinite Assassin (1991)The Hundred Light-Year Diary (1992)Eugene (1990)The Caress (1990)Blood Sisters (1991)Axiomatic (1990)The Safe-Deposit Box (1990)Seeing (1995)A Kidnapping (1995)Learning to Be Me (1990)The Moat (1991)The Walk (1992)The Cutie (1989)Into Darkness (1992)Appropriate Love (1991)The Moral Virologist (1990)Closer (1992)Unstable Orbits in the Space of Lies (1992)

    It's something of an underground classic, rediscovered by each new generation. Most recently, the Icelandic pop singer Björk Guðdmundsdóttir cites Story of the Eye as a major inspiration: she made a music video that alludes to Bataille's erotic uses of eggs, and she plans to read an excerpt for an album.Warning: Story of the Eye is graphically sexual, and is only suited for adults who are not easily offended.

    Whether through the falsified historical record of the uniquely weird Swedish creature known as the “Pyret” or the title story, “Jagannath,” about a biological ark in the far future, Tidbeck’s unique imagination will enthrall, amuse, and unsettle you. How else to describe a collection that includes “Cloudberry Jam,” a story that opens with the line “I made you in a tin can”? Marvels, quirky character studies, and outright surreal monstrosities await you in what is likely to be one of the most talked-about short story collections of the year.Tidbeck is a rising star in her native country, having published a collection there in Swedish, won a prestigious literary grant, and just sold her first novel to Sweden’s largest publisher. A graduate of the iconic Clarion Writer’s Workshop at the University of California, San Diego, in 2010, her publication history includes Weird Tales, Shimmer Magazine, Unstuck Annual and the anthology Odd.

    Noah disembarks from his ark but he and his Voyage are not forgotten: they are revisited in on other centuries and other climes - by a Victorian spinster mourning her father, by an American astronaut on an obsessive personal mission. We journey to the Titanic, to the Amazon, to the raft of the Medusa, and to an ecclesiastical court in medieval France where a bizarre case is about to begin...This is no ordinary history, but something stranger, a challenge and a delight for the reader's imagination. Ambitious yet accessible, witty and playfully serious, this is the work of a brilliant novelist.

    Using a range of approaches from bitter realism to demented fantasy, Irvine Welsh is able to evoke the essential humanity, well hidden as it is, of his generally depraved, lazy, manipulative, and vicious characters. He specializes particularly in cosmic reversals--God turns a hapless footballer into a fly; an acid head and a newborn infant exchange consciousnesses with sardonically unexpected results--always displaying a corrosive wit and a telling accuracy of language and detail. Irvine Welsh is one hilariously dangerous writer and he is bound to create a sensation. Includes the following stories: "The Shooter""Eurotrash""Stoke Newington Blues""Vat '96""A Soft Touch""The Last Resort on the Adriatic""Sexual Disaster Quartet""Snuff""A Blockage in the System""Wayne Foster""Where the Debris Meets the Sea""Granny's Old Junk""The House of John Deaf""Across the Hall""Lisa's Mum Meets the Queen Mum""The Two Philosophers""Disnae Matter""The Granton Star Cause""Snowman Building Parts for Rico the Squirrel""Sport for All""The Acid House"A Smart Cunt: a novella

    Pure Drivel is a collection of pieces, most of them written for the New Yorker, that demonstrate Martin's playful way with words and his unerring ability to create a feeling of serendipitous improvisation even on the printed page. Here's a passage from a piece that announces a shortage of periods in the Times Roman font: "Most vulnerable are writers who work in short, choppy sentences," said a spokesperson for Times Roman, who continued, "We are trying to remedy the situation and have suggested alternatives, like umlauts, since we have plenty of umlauts--and, in fact, have more umlauts than we could possibly use in a lifetime! Don't forget, umlauts can really spice up a page with their delicate symmetry--resting often midway in a word, letters spilling on either side--and not only indicate the pronunciation of a word but also contribute to a writer's greater glory because they're fancy, not to mention that they even look like periods, indeed, are indistinguishable from periods, and will lead casual readers to believe that the article actually contains periods!" Although some of these pieces flirted with topicality when they first appeared, Martin is most successful when he leaves the real world behind and gives his wit free rein. This collection preserves the best (so far) of his glorious improvisations. --Simon Leake

    Years later, the writer’s stepson reflects upon his stepmother and the strange stories she used to tell him. Meanwhile, a surgeon’s lover vows to kill him if he does not leave his wife. Before she can follow-through on her crime of passion, though, the surgeon will cross paths with another remarkable woman, a cabaret singer whose heart beats delicately outside of her body. But when the surgeon promises to repair her condition, he sparks the jealousy of another man who would like to preserve the heart in a custom tailored bag. Murderers and mourners, mothers and children, lovers and innocent bystanders—their fates converge in a darkly beautiful web that they are each powerless to escape.Macabre, fiendishly clever, and with a touch of the supernatural, Yoko Ogawa’s Revenge creates a haunting tapestry of death—and the afterlife of the living.