This brilliant collection, often cited as the first of its kind, explores fundamental questions about ourselves and our treatment of the universe (and other beings) around us and ultimately what it means to be human.Contents: * Cordwainer Smith: The Shaper of Myths (1975) • essay by John J. Pierce [as by J. J. Pierce] * The Instrumentality of Mankind (timeline) (1975) • essay by John J. Pierce * Scanners Live in Vain [The Instrumentality of Mankind] (1950) / novelette by Cordwainer Smith: meet Martel, a human altered to be part machine-a scanner-to be able withstand the trauma space travel has on the body. Despite the stigma placed on him and his kind, he is able to regrasp his humanity to save another; Fantasy Book #6 ’50 * The Lady Who Sailed The Soul [The Instrumentality of Mankind] (1960) / novelette by Cordwainer Smith, Genevieve Linebarger; Galaxy Apr ’60 * The Game of Rat and Dragon [The Instrumentality of Mankind] (1955) / short story by Cordwainer Smith; Galaxy Oct ’55 * The Burning of the Brain [The Instrumentality of Mankind] (1958) / short story by Cordwainer Smith; If Oct ’58 * Golden the Ship Was - Oh! Oh! Oh! [The Instrumentality of Mankind] (1959) / short story by Cordwainer Smith, Genevieve Linebarger; Amazing Apr ’59 * The Crime and the Glory of Commander Suzdal [The Instrumentality of Mankind] (1964) / short story by Cordwainer Smith; Amazing May ’64 * The Dead Lady of Clown Town [The Instrumentality of Mankind] (1964) / novella by Cordwainer Smith: get to know the underpeople-animals genetically altered to exist in human form, to better serve their human owners-and meet D'Joan, a dog-woman who will make readers question who is more human: the animals who simply want to be recognized as having the same right to life, or the people who created them to be inferior; Galaxy Aug ’64 * Under Old Earth [The Instrumentality of Mankind] (1966) / novelette by Cordwainer Smith; Galaxy Feb ’66 * Mother Hitton's Littul Kittons [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith; Galaxy Jun ’61 * Alpha Ralpha Boulevard [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith; Galaxy Jun ’61 * The Ballad of Lost C'mell [The Instrumentality of Mankind] (1962) / novelette by Cordwainer Smith: the notion of love being the most important equalizer there is, is put into action when an underperson, C'mell, falls in love with Lord Jestocost. Who is to say her love for him is not as valid as any true-born human? She might be of cat descent, but she is all woman!; Galaxy Oct ’62 * A Planet Named Shayol [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith: it is an underperson of bull descent, and beings so mutilated and deformed from their original human condition to be now considered demons of a hellish land, who retain and display the most humanity when Mankind commits the most inhumane action of all; Galaxy Oct ’61aka: Paul M. A. Linebarger, Paul Myron Anthony Linebarger, Paul Linebarger, Felix C. Forrest, Carmichael Smith, Kordvejner Smit..

    In "Exhalation," an alien scientist makes a shocking discovery with ramifications that are literally universal. In "Anxiety Is the Dizziness of Freedom," the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will.Including stories being published for the first time as well as some of his rare and classic uncollected work, Exhalation is Ted Chiang at his best: profound, sympathetic—revelatory.

    Dick, Larry Niven, Fritz Leiber, Poul Anderson, Damon Knight, J.G. Ballard, John Brunner, Frederik Pohl, Roger Zelazny and Samuel Delany.Contentsxi • Foreword: Year 2002 (Dangerous Visions 35th Anniversary Edition) • (2002) • essay by Michael Moorcockxiii • Introduction: Year 2002 (Dangerous Visions 35th Anniversary Edition • (2002) • essay by Harlan Ellisonxxiii • Foreword 1-The Second Revolution • (1967) • essay by Isaac Asimovxxxiii • Introduction: Thirty-Two Soothsayers • (1967) • essay by Harlan Ellison (variant of Thirty-Two Soothsayers)xxxix • Foreword 2-Harlan and I • (1967) • essay by Isaac Asimov1 • Evensong • (1967) • shortstory by Lester del Rey9 • Flies • (1967) • shortstory by Robert Silverberg21 • The Day After the Day the Martians Came • (1967) • shortstory by Frederik Pohl (variant of The Day the Martians Came)30 • Riders of the Purple Wage • (1967) • novella by Philip José Farmer105 • The Malley System • (1967) • shortstory by Miriam Allen deFord115 • A Toy for Juliette • (1967) • shortstory by Robert Bloch128 • The Prowler in the City at the Edge of the World • (1967) • novelette by Harlan Ellison154 • The Night That All Time Broke Out • (1967) • shortstory by Brian W. Aldiss169 • The Man Who Went to the Moon - Twice • (1967) • shortstory by Howard Rodman181 • Faith of Our Fathers • (1967) • novelette by Philip K. Dick216 • The Jigsaw Man • [Known Space] • (1967) • shortstory by Larry Niven231 • Gonna Roll the Bones • (1967) • novelette by Fritz Leiber256 • Lord Randy, My Son • (1967) • shortstory by Joe L. Hensley272 • Eutopia • (1967) • novelette by Poul Anderson295 • Incident in Moderan • [Moderan] • (1967) • shortstory by David R. Bunch299 • The Escaping • (1967) • shortstory by David R. Bunch305 • The Doll-House • (1967) • shortstory by James Cross326 • Sex and/or Mr. Morrison • (1967) • shortstory by Carol Emshwiller338 • Shall the Dust Praise Thee? • (1967) • shortstory by Damon Knight344 • If All Men Were Brothers, Would You Let One Marry Your Sister? • (1967) • novella by Theodore Sturgeon390 • What Happened to Auguste Clarot? • (1967) • shortstory by Larry Eisenberg396 • Ersatz • (1967) • shortstory by Henry Slesar404 • Go, Go, Go, Said the Bird • (1967) • shortstory by Sonya Dorman412 • The Happy Breed • (1967) • shortstory by John Sladek [as by John T. Sladek ]433 • Encounter with a Hick • (1967) • shortstory by Jonathan Brand439 • From the Government Printing Office • (1967) • shortstory by Kris Neville447 • Land of the Great Horses • (1967) • shortstory by R. A. Lafferty458 • The Recognition • (1967) • shortstory by J. G. Ballard472 • Judas • (1967) • shortstory by John Brunner483 • Test to Destruction • (1967) • novelette by Keith Laumer510 • Carcinoma Angels • (1967) • shortstory by Norman Spinrad523 • Auto-da-Fé • (1967) • shortstory by Roger Zelazny532 • Aye, and Gomorrah . . . • (1967) • shortstory by Samuel R. Delany

    Social criticism, political parable, and environmental advocacy lie at the center of Paolo's work. Each of the stories herein is at once a warning, and a celebration of the tragic comedy of the human experience.The eleven stories in Pump Six represent the best Paolo's work, including the Hugo nominee "Yellow Card Man," the nebula and Hugo nominated story "The People of Sand and Slag," and the Sturgeon Award-winning story "The Calorie Man."

    The Stars My Destination is a classic of technological prophecy and timeless narrative enchantment by an acknowledged master of science fiction.

    Now, with the entire city corrupted -from the people to the very buildings they inhabit- only the most wretched sort of existence remains. For security operative Tanner Mirabel, it is the landscape of nightmares through which he searches for a low-life postmortal killer. But the stakes are raised when his search brings him face to face with a centuries-old atrocity that history would rather forget.

    The radioactivity acts as a catalyst for the bug spray, causing his body to shrink at a rate of approximately 1/7 of an inch per day. A few weeks later, Carey can no longer deny the truth: not only is he losing weight, he is also shorter than he was and deduces, to his dismay, that his body will continue to shrink.

    When famous adventurer Sir Richard Francis Burton dies, the last thing he expects to do is awaken naked on a foreign planet along the shores of a seemingly endless river. But that's where Burton and billions of other humans (plus a few nonhumans) find themselves as the epic Riverworld saga begins. It seems that all of Earthly humanity has been resurrected on the planet, each with an indestructible container that provides three meals a day, cigarettes, alcoholic beverages, a lighter, and the odd tube of lipstick. But why? And by whom? That's what Burton and a handful of fellow adventurers are determined to discover as they construct a boat and set out in search of the river's source, thought to be millions of miles away. Although there are many hardships during the journey--including an encounter with the infamous Hermann Goring--Burton's resolve to complete his quest is strengthened by a visit from the Mysterious Stranger, a being who claims to be a renegade within the very group that created the Riverworld. The stranger tells Burton that he must make it to the river's headwaters, along with a dozen others the Stranger has selected, to help stop an evil experiment at the end of which humanity will simply be allowed to die. --Craig E. Engler

    Unabashedly classic in the great tradition of Asimov and Clarke, Liu Cixin's science-fiction is firmly rooted in the cosmic. “[most] literature has always left me with the impression of indulging an intense anthropocentric narcissism. […] In the world of literature, the Sun exists for no other reason than to illuminate the pure, unadulterated countryside, the Moon has no other reason to shine than to cast the shadows of the seaside lovers, [but] if the universe is the Sahara, then all that makes the Earth a grain of gold within it, is that a particular bacteria called humanity clinging to its surface.” Liu Cixin uses the unique perspective of science-fiction to take us on a journey into this majestic, desolate cosmos. He gives us the chance to reacquaint ourselves with the fundamental truth that in the face of a vast universe we are no more than a speck of dust; That the Earth is just another celestial body – And an extremely vulnerable one at that. The flash of a gamma-ray burst or the blast of a nearby supernova could, at any moment, reduce our cherished home to nothing but ashes.It can be terrifying to contemplate the end of our world and stories that describe such destruction can be disturbing. At the same time however, they can leave us feeling not only entertained, but exhilarated and inspired. Maybe, they can even give us a chance to renew our love of life. Most stories found in the “The Wandering Earth” collection take us to a sci-fi vision of Earth's end. But here, there are no Hollywood aliens, descending from the depths of space to blow up our cities. In these futures, the dangers humanity faces are much stranger and whimsical than that. The unexpected calamities that befall his richly detailed worlds are only eclipsed by humanity's epic, but always plausible, attempts to escape destruction.In all this peril and doom, Liu Cixin always feels for humanity. His stories are full of a deep love for all of Earth's peoples. But even this love does not escape reflection and even ridicule when viewed through his unrelenting cosmic lens. No matter how dearly one loves the Earth, humanity and all its cultures, there is no avoiding the cold, hard truth that they mean absolutely nothing when viewed against the vastness of the universe. But even an infinite universe could not change the simple fact that we are worthy of love, that we need love. It is this twist that lies at the very heart of the stories in this collection.Table of Contents 1 The Wandering Earth 2 Mountain 3 Of Ants and Dinosaurs 4 Sun of China 5 The Wages of Humanity 6 Curse 5.0 7 The Micro-Age 8 Devourer 9 Taking Care of Gods 10 With Her Eyes 11 The Longest Fall

    There's Janie, who moves things without touching them, and there are the teleporting twins, who can travel ten feet or ten miles. There's Baby, who invented an antigravity engine while still in the cradle, and Gerry, who has everything it takes to run the world except for a conscience. Separately, they are talented freaks. Together, they compose a single organism that may represent the next step in evolution, and the final chapter in the history of the human race.In this genre-bending novel - among the first to have launched scifi into the arena of literature - one of the great imaginers of the twentieth century tells a story as mind-blowing as any controlled substance and as affecting as a glimpse into a stranger's soul. For as the protagonists of More Than Human struggle to find who they are and whether they are meant to help humanity or destroy it. Theodore Sturgeon explores questions of power and morality, individuality and belonging, with suspense, pathos, and a lyricism rarely seen in science fiction.

    NASA, NATO, and the UN sent explorers to the asteroid's surface...and discovered marvels and mysteries to drive researchers mad.For the Stone was from space--but perhaps not our space; it came from the future-but perhaps not our future; and within the hollowed asteroid was Thistledown. The remains of a vanished civilization. A human--English, Russian, and Chinese-speaking--civilization. Seven vast chambers containing forests, lakes, rivers, hanging cities...And museums describing the Death; the catastrophic war that was about to occur; the horror and the long winter that would follow. But while scientists and politicians bickered about how to use the information to stop the Death, the Stone yielded a secret that made even Earth's survival pale into insignificance.

    Contents:Frame story that follows Miles' time on Earth in Brothers in ArmsThe Mountains of Mourning (1989)Labyrinth (1989)The Borders of Infinity (1987)

    Coveted across the known universe, melange is a prize worth killing for...When House Atreides is betrayed, the destruction of Paul’s family will set the boy on a journey toward a destiny greater than he could ever have imagined. And as he evolves into the mysterious man known as Muad’Dib, he will bring to fruition humankind’s most ancient and unattainable dream.***Original, first edition from 1965 can be found here.

    Millions die as planes fall from the sky, people tumble down staircases, and cars plow into each other.But that’s the least of the survivors’ challenges. During the blackout, everyone experienced a glimpse of what his or her future holds—and the interlocking mosaic of these visions threatens to unravel the present.

    She cannot speak the Ariekei tongue, but she is an indelible part of it, having long ago been made a figure of speech, a living simile in their language.When distant political machinations deliver a new ambassador to Arieka, the fragile equilibrium between humans and aliens is violently upset. Catastrophe looms, and Avice is torn between competing loyalties—to a husband she no longer loves, to a system she no longer trusts, and to her place in a language she cannot speak yet speaks through her.