the ancient world was torn apart by a conflict that was as dramatic, divisive, and destructive as the world wars of the twentieth century: the Peloponnesian War. Donald Kagan, one of the world’s most respected classical, political, and military historians, here presents a new account of this vicious war of Greek against Greek, Athenian against Spartan. The Peloponnesian War is a magisterial work of history written for general readers, offering a fresh examination of a pivotal moment in Western civilization. With a lively, readable narrative that conveys a richlydetailed portrait of a vanished world while honoring its timeless relevance, The Peloponnesian War is a chronicle of the rise and fall of a great empire and of a dark time whose lessons still resonate today.

    Sallust adopts the usually accepted view of Catiline, and describes him as the deliberate foe of law, order and morality, and does not give a comprehensive explanation of his views and intentions. Catiline had supported the party of Sulla, to which Sallust was opposed. Sallust's "Jugurthine War" is a valuable and interesting monograph. We may assume that Sallust collected materials and put together notes for it during his governorship of Numidia. Here, too, he dwells upon the feebleness of the senate and aristocracy.

    E. Lendon surveys a millennium of warfare to discover how militaries change—and don’t change—and how an army’s greatness depends on its use of the past. Noting this was an age that witnessed few technological advances, J. E. Lendon shows us that the most successful armies were those that made the most effective use of cultural tradition. Ancient combat moved forward by looking backward for inspiration—the Greeks, to Homer; the Romans, to the Greeks and to their own heroic past. The best ancient armies recruited soldiers from societies with strong competitive traditions; and the best ancient leaders, from Alexander to Julius Caesar, called upon those traditions to encourage ferocious competition at every rank.Ranging from the Battle of Champions between Sparta and Argos in 550 B.C. through Julian’s invasion of Persia in A.D. 363, Soldiers and Ghosts brings to life the most decisive military contests of ancient Greece and Rome. Lendon places these battles, and the methods by which they were fought, in a sweeping narrative of ancient military history. On every battlefield, living soldiers fought alongside the ghosts of tradition—ghosts that would inspire greatness for almost a millennium before ultimately coming to stifle it.

    In his capital at Constantinople he built the world's most beautiful building, married its most powerful empress, and wrote its most enduring legal code, seemingly restoring Rome's fortunes for the next five hundred years. Then, in the summer of 542, he encountered a flea. The ensuing outbreak of bubonic plague killed five thousand people a day in Constantinople and nearly killed Justinian himself. In Justinian's Flea, William Rosen tells the story of history's first pandemic plague seven centuries before the Black Death that killed tens of millions, devastated the empires of Persia and Rome, left a path of victims from Ireland to Iraq, and opened the way for the armies of Islam. Weaving together evolutionary microbiology, economics, military strategy, ecology, and ancient and modern medicine, Rosen offers a sweeping narrative of one of the great hinge moments in history, one that will appeal to readers of John Kelly's The Great Mortality, John Barry's The Great Influenza, and Jared Diamond's Collapse .

    After Caesar, the Gauls exchanged their tribal quarrels for Roman values and acquired the paraphernalia of civilized urban life. The Romans also left behind a legacy of language, literature, law, government, religion, architecture, and industry.Each chapter of Caesar's Footprints is dedicated to a specific journey of exploration through Roman Gaul. From the amphitheatres of Arles and Nîmes to the battlefield of Châlons (where Flavius Aetius defeated Attila the Hun) Bijan Omani—an exciting and authoritative new voice in Roman history—explores archaeological sites, artifacts, and landscapes to reveal how the imprint of Roman culture shaped Celtic France—and thereby helped to create modern Europe.

    Drawing on original texts, including first-person accounts by Roman historians, and filled with visuals of Roman and Hun artifacts, historian Christopher Kelly creates a novel and quite different portrait of this remarkable man.

     The influence of ancient Greece and Rome can be seen in every aspect of our lives. From calendars to democracy to the very languages we speak, Western civilization owes a debt to these classical societies. Yet the Greeks and Romans did not emerge fully formed; their culture grew from an active engagement with a deeper past, drawing on ancient myths and figures to shape vibrant civilizations. In "The Birth of Classical Europe," the latest entry in the Penguin History of Europe, historians Simon Price and Peter Thonemann present a fresh perspective on classical culture in a book full of revelations about civilizations we thought we knew. In this impeccably researched and immensely readable history we see the ancient world unfold before us, with its grand cast of characters stretching from the great Greeks of myth to the world-shaping Caesars. A landmark achievement, "The Birth of Classical Europe" provides insight into an epoch that is both incredibly foreign and surprisingly familiar.

    59 BC-AD 17) dedicated most of his life to writing some 142 volumes of history, the first five of which comprise The Early History of Rome. With stylistic brilliance, he chronicles nearly 400 years of history, from the founding of Rome (traditionally dated to 757 BC) to the Gallic invasion in 386 BC - an era which witnessed the reign of seven kings, the establishment of the Republic, civil strife and brutal conflict. Bringing compelling characters to life, and re-presenting familiar tales - including the tragedy of Coriolanus and the story of Romulus and Remus - The Early History is a truly epic work, and a passionate warning that Rome should learn from its history.

    Only one man was determined to kill the killers. From the spring of 44 BC through one of the most dramatic and influential periods in history, Caesar's adopted son, Octavian, the future Emperor Augustus, exacted vengeance on the assassins of the Ides of March, not only on Brutus and Cassius, immortalized by Shakespeare, but all the others too, each with his own individual story.The last assassin left alive was one of the lesser-known: Cassius Parmensis was a poet and sailor who chose every side in the dying Republic's civil wars except the winning one, a playwright whose work was said to have been stolen and published by the man sent to kill him. Parmensis was in the back row of the plotters, many of them Caesar's friends, who killed for reasons of the highest political principles and lowest personal piques. For fourteen years he was the most successful at evading his hunters but has been barely a historical foot note--until now.The Last Assassin dazzlingly charts an epic turn of history through the eyes of an unheralded man. It is a history of a hunt that an emperor wanted to hide, of torture and terror, politics and poetry, of ideas and their consequences, a gripping story of fear, revenge, and survival.

    In The Assassination of Julius Caesar, Michael Parenti presents us with a story of popular resistance against entrenched power and wealth. As he carefully weighs the evidence concerning the murder of Caesar, Parenti sketches in the background to the crime with fascinating detail about wider Roman society. The result is an entirely new perspective on a much-studied era.

    His is a truly household name, but what do we really know about the man himself, his position in history and the world in which he lived? This riveting biography reveals the man behind the myth.In the years 434-454AD the fate of Europe hung upon the actions of one man, Attila, king of the Huns. The decaying Roman empire still stood astride the Western World, from its twin capitals of Rome and Constantinople, but it was threatened by a new force, the much-feared Barbarian hordes. It was Attila who united the Barbarian tribes into a single, amazingly-effective army. He launched two violent attacks against the eastern and western halves of the Roman empire, attacks which earned him his reputation for mindless devastation, and brought an end to Rome's pre-eminence in Europe.Attila was coarse, capricious, arrogant, ruthless and brilliant. An illiterate and predatory tribal chief, he had no interest in administration, but was a wily politician, who, from his base in the grasslands of Hungary, used secretaries and ambassadors to bring him intelligence on his enemies. He was a leader whose unique qualities made him supreme among tribal leaders, but whose weaknesses ensured the collapse of his empire after his death.

    A murderer, and the most wicked woman in history.She kicked her way into the male spaces of politics and demanded to be recognized as an equal and a leader. For her audacity, she was murdered by her son and reviled by history.She was the sister, niece, wife, and mother of Emperors. She was an Empress in her own right, and she was a nuanced, fearless trail-blazer in the Roman world.The story of Agrippina -- the first Empress of Rome is the story of an empire at its bloody, extravagant, chaotic, ruthless height.

    It is the single greatest event in all human history. Discover the fascinating origin of Rome and its mysterious Etruscan connections, its first faltering steps toward republican government, and its methodical subjugation of surrounding tribes. Slowly, the puritanical Roman Republic asserts control over all of Italy and in the process forges a political unity which proves enduring. That unity is sorely tested as Rome comes into conflict with Carthage and Hannibal, a horrifying ordeal which alters world history for all time. A resurgent Rome is next drawn into the intrigues of the eastern Mediterranean, finally conquering the Greek speaking world...only to end up surrendering itself to a seductive, decadent Hellenistic culture. A century of politcal tension and civil strife ensues. Follow the rise of powerful men like the brothers Tiberius and Caius Gracchus, Marius, Sulla, Pompey, Cicero and the greatest Roman of them all - Julius Caesar. With Caesar's assassination comes renewed civil war. The aristocratic senatorial faction is defeated and the Republican form of government is replaced by dictatorship. Caesar's adopted nephew, Augustus, comes to power as the first Roman Emperor and puts into place the most extraordinary experiment in imperial government ever attempted. In the process, he paves the way for a long period of peace, a golden age, the likes of which has never before been seen. The Empire is ruled by one dynasty after another - some good, some bad - until it reaches its apogee during the age of the brilliant Antonine emperors. But chaos follows with a series of corrupt rulers, and only the strong leadership of Diocletion 85 years later brings stability. Shortly afterward, Constantine's rule promotes the new faith of Christianity and makes it the official religion of the empire. But the downward spiral of decay cannot be reversed. Economic disruptions, plague and barbarian invasions prove too much for Rome, and the western half of the empire descends into a maelstrom of ignorance, dispair and random violence from which it will not emerge for many centuries.

    Even his face became more than usually familiar: the imperial coinage displayed his portrait for over 40 years, from the clean-shaven young heir of Antonius to the war-weary, heavily bearded ruler who died at his post in his late fifties.His correspondence with his tutor Fronto, and even more the private notebook he kept for his last ten years, the Meditations, provides a unique series of vivid and revealing glimpses into the character and peoccupations of this emporer who spent many years in terrible wars against northern tribes.In this accessible and scholarly study, Professor Birley paints a portrait of an emporer who was human and just - an embodiment of the pagan virtues of Rome.

    It was a period marked by lavish displays of wealth, a dazzling cultural mix, and the advent of Christianity. The splendor and squalor of the city, the spectacles, and the day’s routines are reconstructed from an immense fund of archaeological evidence and from vivid descriptions by ancient poets, satirists, letter-writers, and novelists—from Petronius to Pliny the Younger. In a new Introduction, the eminent classicist Mary Beard appraises the book’s enduring—and sometimes surprising—influence and its value for general readers and students. She also provides an up-to-date bibliographic essay. “Carcopino’s pledge to his readers was to open up to them some traces of the world that lay underneath the grandeur that remains the public face of ancient Rome. . . . No one has ever done it better.”—Mary Beard, from the Introduction