Alexis de Tocqueville, a young French aristocrat, came to the young nation to investigate the functioning of American democracy & the social, political & economic life of its citizens, publishing his observations in 1835 & 1840. Brilliantly written, vividly illustrated with vignettes & portraits, Democracy in America is far more than a trenchant analysis of one society at a particular point in time. What will most intrigue modern readers is how many of the observations still hold true: on the mixed advantages of a free press, the strained relations among the races & the threats posed to democracies by consumerism & corruption. So uncanny is Tocqueville’s insight & so accurate are his predictions, that it seems as tho he were not merely describing the American identity but actually helping to create it.

    A gathering of twenty-two interviews with Atwood by other writers, including Graeme Gibson, Joyce Carol Oates, Geoff Hancock.

    Introduces the sub-fields of linguistics: the sounds of language, grammar, semantics, language change, psycholinguistics, sociolinguistics, language and culture.

    By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC that lists all the chapters and sub-chapters of that specific work.This 1st volume of “100 Books You Must Read Before You Die” contains the following 50 works, arranged alphabetically by authors’ last names:Alcott, Louisa May: Little WomenAusten, Jane: Pride and PrejudiceAusten, Jane: EmmaBalzac, Honoré de: Father GoriotBarbusse, Henri: The InfernoBrontë, Anne: The Tenant of Wildfell HallBrontë, Charlotte: Jane EyreBrontë, Emily: Wuthering HeightsBurroughs, Edgar Rice: Tarzan of the ApesButler, Samuel: The Way of All FleshCarroll, Lewis: Alice’s Adventures in WonderlandCather, Willa: My ÁntoniaCervantes, Miguel de: Don QuixoteChopin, Kate: The AwakeningCleland, John: Fanny HillCollins, Wilkie: The MoonstoneConrad, Joseph: Heart of DarknessConrad, Joseph: NostromoCooper, James Fenimore: The Last of the MohicansCrane, Stephen: The Red Badge of CourageCummings, E. E.: The Enormous RoomDefoe, Daniel: Robinson CrusoeDefoe, Daniel: Moll FlandersDickens, Charles: Bleak HouseDickens, Charles: Great ExpectationsDostoyevsky, Fyodor: Crime and PunishmentDostoyevsky, Fyodor: The IdiotDoyle, Arthur Conan: The Hound of the BaskervillesDreiser, Theodore: Sister CarrieDumas, Alexandre: The Three MusketeersDumas, Alexandre: The Count of Monte CristoEliot, George: MiddlemarchFielding, Henry: Tom JonesFlaubert, Gustave: Madame BovaryFlaubert, Gustave: Sentimental EducationFord, Ford Madox: The Good SoldierForster, E. M.: A Room With a ViewForster, E. M.: Howards EndGaskell, Elizabeth: North and SouthGoethe, Johann Wolfgang von: The Sorrows of Young WertherGogol, Nikolai: Dead SoulsGorky, Maxim: The MotherHaggard, H. Rider: King Solomon’s MinesHardy, Thomas: Tess of the D’UrbervillesHawthorne, Nathaniel: The Scarlet LetterHomer: The OdysseyHugo, Victor: The Hunchback of Notre DameHugo, Victor: Les MisérablesHuxley, Aldous: Crome YellowJames, Henry: The Portrait of a LadyIn the 2nd volume of “100 Books

    We have a postmodern architecture, a postmodern dance, perhaps even a postmodern philosophy and a postmodern condition. But do we have a postmodern fiction?In this trenchant and lively study Brian McHale undertakes to construct a version of postmodernist fiction which encompasses forms as wide-ranging as North American metafiction, Latin American magic realism, the French New New Novel, concrete prose and science fiction. Considering a variety of theoretical approaches including those of Ingarden, Eco, Doležel, Pavel, and Hrushovski, McHale shows that the common denominator is postmodernist fictin’s ability to thrust its own ontological status into the foreground and to raise questions about the world (or worlds) in which we live. Far from being, as unsympathetic critics have sometimes complained, about nothing but itself — or even about nothing at all — postmodernist fiction in McHale’s construction of it proves to be about (among other things) those handy literary perennials, Love and Death.

    Particularly suitable for students of secondary-school level, it is also a handy dictionary for the home and office. It covers all the words you need for everyday use, and has excellent coverage of curriculum vocabulary. For the new edition the definitions are clearer than ever before and there is lots of help with those aspects of the language (such as spelling, pronunciation, and usage) which cause most difficulties.In particular, there are hundreds of new spelling notes to help with tricky words that are commonly misspelled, extra usage notes giving advice on good English, and more help with pronunciations of difficult words. A new open design ensures that this dictionary is even more accessible and easier to use than ever before.

    Icky" "Jemina"

    She invites us behind the scenes of novel-writing, sharing her own habits and spilling the secrets of her craft. And she offers priceless advice to aspiring authors. As she works her way through one hundred novels–from classics such as the thousand-year-old Tale of Genji to recent fiction by Zadie Smith and Alice Munro–she infects us anew with the passion for reading that is the governing spirit of this gift to book lovers everywhere.

      Alternating between site visits and brief historical narratives, this guide tells the story of Washington, DC, from its origins to current times. From George Washington’s Mount Vernon to the Kennedy Center, trek through each era of the federal district, on a tour of America’s most beloved sites. Go inside the White House, the only executive home in the world regularly open to the public. Travel to President Lincoln’s Cottage and see where he wrote the Emancipation Proclamation. And visit lesser-known sites, such as the grave of Pierre L’Enfant, the city’s Botanical Gardens, the Old Post Office, and a host of historical homes throughout the capital. This is the only guide you’ll need to curate an unforgettable expedition to our shining city on a hill.