This biography reveals the highs and lows of his music career. It reflects on his life married to Katie Price.

    Two years later she walks out again and into the nearest house. The girl, known as Joy in the Cotswold village which adopts her, grows into a young woman at the advent of war and at last the mystery of her past begins to unravel.

    A jilted lover dresses as a robot to win back the heart of an ex-girlfriend. A man builds a time machine to embrace the identity he always denied. Playful and empathic, these misadventures feature lonely hearts failing terribly to make a connection.

    He died at the age of 43, one of the oldest people with the disease. The physical pain of his childhood suffering was principally alleviated by masturbation and sexual experimentation, where pain and pleasure became inextricably linked, resulting in his lifelong practice of extreme masochism. In deeply confessional interviews, Bob details his sexual practices and his extraordinary relationship with long-term partner and Mistress, photographer Sheree Rose. Through his insider's perspective on the Sado-Masochist community, we learn firsthand about branding, piercing, whipping, bondage, and endurance trials. These extreme narratives are infused with humor, honesty, and self-reflective irony.

    Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan’s most successful film, and one of the top-grossing ‘foreign language’ films ever released.  Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal.  It tells the story of a listless little girl who stumbles into a magical world where gods relax in a palatial bathhouse; where there are giant babies and hard-working soot sprites, and where a train runs across the sea. Andrew Osmond’s insightful study describes how Miyazaki wrote, storyboarded and directed Spirited Away with a degree of creative control undreamt of in most popular cinema, using the film’s delightful, freewheeling visual ideas to explore issues ranging from personal agency and responsibility to what Miyazaki sees as the lamentable state of modern Japan.  Osmond unpacks the film’s visual language, which many Western (and some Japanese) audiences find both beautiful and sometimes bewildering.  He traces connections between Spirited Away and Miyazaki’s prior body of work, and provides an account of the film’s production and the creative differences between Miyazaki and his collaborators, arguing that Spirited Away uses the cartoon medium to create a compellingly immersive drawn world.

    BUT CHARLIE OWNED THE CLOCK! One morning there was nothing but hot, thick jungle and steaming swamp. And the Viet Cong. The next morning there were three hundred sweating, groaning men chopping and chain sawing a hole in that particular hunk of hell. And that's where Captain Mack Gerber and his Scorpion Squad were going to set up shop. Right in the VC's backyard. Gerber's orders were simple: Let the VC know they didn't own the delta anymore; let them know they were in a lastditch fight; and make sure it was the last thing they'd ever know. But Victor Charlie had their own plans. A clock was ticking. Soon all hell would break loose and there wouldn't be enough survivors left to do a ... body count.

    “When I first got into the adult industry, I decided to take my photography much more seriously. I started taking a camera with me to capture my experiences on set, so it was a moment in time, a memory for myself—not the video that would be seen by thousands of people. On days where I was physically unable to capture an image, Ian, my fiancé, became my third arm. He understands my aesthetic, or lack thereof. Ian is a photographer, yet the work in this book is quite different from his usual style. When you are so close with someone, there is a shorthand and true understanding of what the other person is trying to accomplish. If there’s something I am physically unable to photograph, I can say one word and Ian can assist me with my vision. Ian can capture intimate moments with me that nobody can fabricate, because of our relationship. The strong sense of familiarity eliminates all boundaries between the subject and the photographer. “Documenting myself has almost become a necessity.  “There are so many photos of me, taken by other people, that aesthetically I have no control over. Documenting myself allows me to reflect on the day, on the feelings I am having at that second. When you work in the entertainment industry, there are always surprises; there certainly isn’t one day that is similar to the last. Personally, it’s important to embrace this and appreciate it every day. “Still images vividly capture emotion, a second in time that can be left open for interpretation by the viewer and the creator. I am inspired by the work of Cindy Sherman and Nan Goldin. Sherman’s work continues to inspire me to develop certain characters. I figured if I am on set I might as well take advantage of my surroundings, and document my life in an exciting, untraditional manner. I look back at photos, and see how much I’ve grown, how my opinions have changed, and how they will continue to change.” —Sasha Grey

    The three long poems in Eye Against Eye convey the wrought particulars of intimate human relations, perceptions of the landscape, and the historical moment, tense with political exigencies. Mayan ruins invoke the collapsing Twin Towers, love between parents and child blister with tension, and a bicycle thief shatters the narcotic illusion of a private accord. Also contained is Late Summer Entry, a series of poetic commentaries on Sally Mann's landscape photographs. Eye Against Eye, Forrest Gander's third book with New Directions, cries out an ethical concern for the ways we see each other and the world, the potential to share a vision that acknowledges our commonality. As always with Gander's poetry, suspensions and repetitions drive toward a complex emotional experience, evoking the multifaceted, multi-vocal surge of our present.

    Once your quarry is in hand, you’ll apply an alteration dictated solely by chance: create a funny character, make it into a building, conceal it, add polkadots, remove a section, add stripes, scribble on top, fold, turn into an article of clothing, make it “pretty,” and so on.The results: you’ll be forced out of habitual ways of thinking or acting, discover new connections, and try things you might not have done on your own, creating a version of The Pocket Scavenger that is unique, dependent on time, place, experience, and you.

    A young nurse fresh out of school, Kerstin has been hired for a position with the Cosway family, residents of the Hall for generations. She is soon introduced to her "charge" John Cosway, a thirty-nine-year-old man whose strange behavior is vaguely explained by his mother and sisters as part of the madness that runs in the family. Weeks go by at Lydstep with little to mark the passage of time beyond John's daily walks and the amusingly provincial happenings that engross the Cosway women, and Kerstin occupies her many free hours at the Hall reading or making entries into her diary. Meanwhile, bitter wrangling among Julia Cosway and her four grown daughters becomes increasingly evident. But this is just the most obvious of the tensions that charge the old remote estate, with its sealed rooms full of mystery. Soon Kerstin will find herself in possession of knowledge she will wish she'd never attained, secrets that will propel the occupants of Lydstep Old Hall headlong into sexual obsession, betrayal, and, finally, murder.

    Now, in this funny and necessary book, he turns round to look at men with a clear eye and ask, what sort of men would make the world a better place, for everyone?What would happen if we rethought the old, macho, outdated version of manhood, and embraced a different idea of what makes a man? Apart from giving up the coronary-inducing stress of always being 'right' and the vast new wardrobe options, the real benefit might be that a newly fitted masculinity will allow men to have better relationships - and that's happiness, right?Grayson Perry admits he's not immune from the stereotypes himself - as the psychoanalysts say, 'if you spot it, you've got it' - and his thoughts on everything from power to physical appearance, from emotions to a brand new Manifesto for Men, are shot through with honesty, tenderness and the belief that, for everyone to benefit, upgrading masculinity has to be something men decide to do themselves. They have nothing to lose but their hang-ups.

    Today, porn is everywhere, but where is it art? 25,000 Years of Erotic Freedom surveys the history of pornography and argues that the success and vibrancy of a society relates to its permissiveness in sexual matters.This history of erotic art brings together some of the most provocative illustrations ever published, showcasing the evolution of pornography over diverse cultures from prehistoric to modern times. Beginning with the Venus of Willendorf, created between 24,000-22,000 bce, and book-ended by contemporary photography, it also contains a timeline covering major erotic works in several cultures. 25,000 Years of Erotic Freedom ably captures the ancient and insuppressible creative drive of the sexual spirit, making this book a treatise on erotic art.

    What I Hate is an A to Z of epic horrors and daily unpleasantries, including but by no means limited to rabies, abduction, tunnels, and the triple-layered terror of Jell-O 1-2-3. With never-before-published, full-page cartoons for every letter, and supplemental text to make sure the proper fear is instilled in every heart, Chast's alphabetical compendium will resonate with anyone well-versed in the art of avoidance- and make an instructive gift for anyone who might be approaching life with unhealthy unconcern.

    I am proud to call her my friend, and unashamed to admit she’s my idol.” — Lily Burana, author of Strip City: A Stripper's Farewell Journey Across AmericaFrom one of the stars of the New Burlesque scene, Jo Weldon, comes a definitive, easy-to-use, and indispensable guide to the art form, with a foreword by superstar comedian and burlesque enthusiast Margaret Cho. Fans of Dita Von Teese—as well as performers of every stripe—will love the helpful advice and feisty attitude of The Burlesque Handbook.

    Auden, Maya Angelou, Billy Collins, Louise Gluck, Gwendolyn MacEwen, Rita Dove, and hundreds more-Staying Alive is a unique anthology that illuminates the vital force of our humanity, the passion of our aspirations, the power of our spirituality. From the enigma of death to the sweetness of friendship, these poems speak to life's mysteries and consolations and help us navigate the most trying times in recent memory. Staying Alive is already an astonishing best-seller in the United Kingdom, where it has gained a wide-ranging audience. This new edition, specially revised for its American readership, reconnects acionados and newcomers alike to the force of poetry, helping us stay alive to the world and stay true to ourselves.