For the wise—or pixilated—Grandpa, the song reminds him that, in the time he has left, he must pause to respect, appreciate, and fear nature. The song hints at something that Zoey, the daughter, is too young to fully grasp. And the song lures the sexually frustrated mother, and eventually, her husband, into danger…Carré experimented with nib pens and brushes while drawing this black-and-white graphic novel, giving the art a different feel from her previous, Eisner-and-Harvey-Award-nominated story, Tales of Woodsman Pete. The Lagoon was influenced by the films Creature from the Black Lagoon and Night of the Hunter, but reads more like the gothic, family narratives of Flannery O’Connor or Carson McCullers. Rhythms—Grandpa’s taps, the ticking of a metronome—are punctuated by silences that pace this “sound”-driven story. Older teen and adult readers are invited to imagine the enigmatic creature’s haunting, ever-shifting tune as it reverberates through weedy waters, eventually escaping the lagoon to creep into windows at night.

    Set in a medieval Europe-inspired dark fantasy world, the story centers on the characters of Guts, a lone mercenary, and Griffith, the leader of a mercenary band called the "Band of The Hawk". Themes of isolation, camaraderie, and the question of whether humanity is fundamentally good or evil pervade the story, as it explores both the best and worst of human nature.

    People keep dying mysteriously, local band The Crotchmen rock the nights away, teenage palm readers have lines out the door, and Ben Schiller is doing her best to get through all the weirdness until... what?

    Over time, this fascination deepened until it triggered a journey around the world in search of ruined places. Now, in this genre-smashing graphic memoir, she leads us through deserted cities in the American Midwest, an Icelandic town buried in volcanic ash, islands in the Philippines, New York City, and the delicate passageways of the human heart. Along the way, we learn about her family and a rare genetic heart disease that has been passed down through generations, and revisit tragic events in America's past.A narrative that is at once narrative and factual, historical and personal, Radtke's stunning illustrations and piercing text never shy away from the big questions: Why are we here, and what will we leave behind?(With black-and-white illustrations throughout; part of the Pantheon Graphic Novel series)

    Harleen Quinzel has a theory: mental illness is a survival mechanism. As she seeks to help the broken souls of Gotham City piece together their sanity she will become the one thing she fears the most: one of them. A bold new retelling of the tragic origin of Harley Quinn told through the eyes of the only person who knows her better than anyone: Harleen.A young psychiatrist with a potential cure for the madness that haunts Gotham City, Dr. Harleen Quinzel must prove her revolutionary theory to a skeptical establishment by delving into the disturbed minds of Arkham Asylum's deadliest inmates. But the more time she spends with her criminally insane subjects, the closer she is drawn to one patient in particular--and the further she falls away from reality. The birth of legendary antihero Harley Quinn and the shocking origins of her twisted romance with the Joker are revealed in Harleen, a stunning new tale of love and obsession written and illustrated by renowned comics storyteller Stjepan Sejic (Aquaman: Underworld, Sunstone).Collects: Harleen #1-3.

    Collects MONSTRESS #1-6

    She’s a teenager, so she REALLY should have grown out of it by now, right? But something weird is happening in her small town. Zadie could swear the shadows are coming to life. Watching her. Trying to KILL her. But how do you fight something you can’t even touch? And how does all of this tie into her FAMILY, of all things?From the creative team that brought you the Eisner-nominated SKYWARD, writer JOE HENDERSON (showrunner of Netflix’s Lucifer) and artist LEE GARBETT (Captain Marvel). Join Zadie Lu as she ventures into the shadows to face her fears and discovers a legacy she never knew she had.

    The Joker has been mysteriously released from Arkham Asylum, and he's none to happy about what's happened to his Gotham City rackets while he's been "away." What follows is a harrowing night of revenge, murder and manic crime as only The Joker can deliver it, as he brutally takes back his stolen assets from The Penguin, The Riddler, Two-Face, Killer Croc and others. Brian Azzarello brings to THE JOKER all the visceral intensity and criminal insight that has made his Vertigo graphic novel series 100 BULLETS one of the most critically-acclaimed and award-winning series in all of comics.

    As more of Venom's twisted off spring make their presence known, Carnage strikes - and all hell breaks loose! As if things weren't bad enough, it turns out there's much more to Dylan than Eddie, Carnage or even the alternate-reality Reed Richards known as the Maker understand - and once they learn the truth, nothing will ever be the same! Then, in the aftermath of Carnage's assault, Eddie fi nds himself back on the ominous Island of Bones - where every living thing is out to get him! Venom will be tested like never before! COLLECTING: VENOM (2018) 16-25

    This first massive volume begins at the beginning--The Origin, a "faithful" adaptation of creator Joss Whedon's original screenplay for the film that started it all. The newly chosen Slayer's road to Sunnydale continues in Viva Las Buffy and Slayer, Interrupted. Next, Sunnydale, the Scoobies, and an English librarian lead the way into Season 1 continuity. Plus, "The Goon" creator Eric Powell provides pencils to All's Fair, featuring Spike and Drusilla at the 1933 World's Fair. The smash TV hit Buffy the Vampire Slayer led to nearly a decade of comics at Dark Horse--including multiple specials, one-shots, and guest miniseries. This omnibus series is the ultimate compilation of the Buffy comics Dark Horse has published, and runs along the TV series' timeline. A fitting companion to Whedon's comics-based relaunch of the show.

    Perfectly Clear brings back into print stories that Hornschemeier published prior to his Three Paradoxes Fantagraphics debut from a variety of sources—his own self-published Forlorn Funnies, as well as strips that originally appeared in independent magazines and papers—none of which has been available to the book trade.The book is designed as a "flip book" in the tradition of the old Ace paperbacks, with one side featuring comedic work (or as comedic as Hornschemeier's mind allows), and the other decidedly more morose. With almost every page, we see a new style, a new direction; with the resultant effect being that of an anthology by creators of vastly contrasting sensibilities.On the "funny" menu, we are treated to Dr. Rodentia (an unfortunate-looking fellow with only apathy as his weapon), a detailed artist's catalogue exploring such modern masterpieces as "Accidental Late-Night Sex With a Radiator," musings on the cancerous nature of civilization as observed by a deceased cat and a cotton-based airbus, the scatological "Feelings Check," the ever pathetic Vanderbilt Millions and his fantasies of self-worth, and the multi-narrative story that started the Forlorn Funnies comics series: "The Men and Women of the Television."Clearly, there is a fine line in the Hornschemeier lexicon between funny and morose.On our "forlorn" plate we are served the cold examination of the dyslexic narcoleptic and his bungled plans of murder, a sea creature's balancing of morality and sustenance, the Western romance "Wanted," a metal man's self-destructive search for meaning, and the story the alternative website Ain't It Cool News describes as delivering "a complicated mixture of disgust and pity."Let Us Be Perfectly Clear demonstrates Paul Hornschemeier's versatility and breadth in an elegantly produced book that will appeal to connoisseurs of contemporary, cutting-edge cartoons and graphic novels.

    Penned by the ancient Chinese philosopher and military general Sun Tzu, it reveals how to succeed in any conflict. This graphic version from SmarterComics brings Sun Tzu's message to life in dynamic illustrated form."

    MAXWELL PRINCE brings his signature style of one-shot storytelling to the world of clowns—and he’s invited SOME OF THE COMIC INDUSTRY’S BEST ARTISTS to join him for the ride.HAHA is a genre-jumping, throat-lumping look at the sad, scary, hilarious life of those who get paid to play the fool—but these ain’t your typical jokers.With issues drawn by VANESA DEL REY (REDLANDS), GABRIEL WALTA (Vision), ROGER LANGRIDGE (Thor), and more, HAHA peeks under the big top, over the rainbow, and even inside a balloon to tell a wide-ranging slew of stories about “funny” men and women, proving that some things are so sad you just have to laugh.

    But when she buys a mysterious old cat costume, she and Kim find themselves in wholly new territory: the lost world of Alias the Cat who, in 1915, appeared not only in a comic strip and film serial, but in real life as a freedom-fighting superhero.When Kim begins to research this forgotten figure, he uncovers one almost unbelievable story after another: about the Furries, a tiny subculture of people who dress up as cartoon animals in order to have sex; about Keller and Frankie, two seamen stranded on a Pacific island, forced to make cat toys to appease the natives; about the secret lover of Alias’s alter ego, Malek Janochek; and, of course, about Deitch’s own Waldo the Cat, the common thread weaving the stories together as Kim and Pam move toward a fateful showdown in Midgetville...New Jersey, of course.Alias the Cat is Kim Deitch at his eye-catching, mind-bending best.

    David B.'s tribulations with his brother's epilepsy, the way in which the illness determined the author's artistic vocation, with, as a backdrop, a sharply delienated parade of the chimera of the 70s, from the promise of communal living to the infatuation with macrobiotics, all combine to make of this graphic novel one of the most distinctive autobiographical works of contemporary comics.