This collection suggests that a person is like a world, full of mysteries and wonders–and equally in need of an encyclopedia, a compendium of everything known. The long title sequence offers entries such as “The Sun” (“There is one mind in all of us, one soul, / who parches the soil in some nations / but in others hides perpetually behind a veil”), “The Elephant” (“How to explain my heroic courtesy?”), “The Pigeon” (“Once startled, you shall feel hours of weird sadness / afterwards”), and “Randall Jarrell” (“If language hurts you, make the damage real”). The mysteriously emotional individual poems coalesce as a group to suggest that our natural world is populated not just by fascinating creatures–who, in any case, are metaphors for the human as Chiasson considers them– but also by literature, by the ghosts of past poetries, by our personal ghosts. Toward the end of the sequence, one poem asks simply, “Which Species on Earth Is Saddest?” a question this book seems poised to answer. But Chiasson is not finally defeated by the sorrows and disappointments that maturity brings. Combining a classic, often heartbreaking musical line with a playful, fresh attack on the standard materials of poetry, he makes even our sadness beguiling and beautiful.

    Hejinian's characteristic linguistic intensity and philosophical approach are present in this book- length poem. "Reading Lyn Hejinian's HAPPILY can make one imagine a second, somewhat happier Stein telling stories in single long or short lines that are aware of one another as they go about their own affairs."--Bob Perelman "HAPPILY"...is a series of aphoristic statements interrogating 'hap' or, more prosaically, one's lot in life, one's fortune. This notion of chance as it is expressed through its root form, as in to happen, happenstance, happenings, haphazard, happenchance, happily, and happy happiness, becomes the generator that enlivens this ontological exploration of language's relationship to experience."--Claudia Rankine

    Wells Collection, which has been designed and formatted specifically for your Amazon Kindle. Unlike other e-book editions, the text and chapters are perfectly set up to match the layout and feel of a physical copy, rather than being haphazardly thrown together for a quick release. This edition also comes with a linked Table of Contents for both the list of included books and their respective chapters. Navigation couldn't be easier.Purchase this H.G. Wells Collection and treat yourself to the following list of works created by this classic author: Novels:The Time Machine (1895)The Wonderful Visit (1895)The Island of Doctor Moreau (1896)The Wheels of Chance (1896)The Invisible Man (1897)The War of the Worlds (1898)Love and Mr. Lewisham (1900)The First Men in the Moon (1901)The Sea Lady (1902)The Food of the Gods and How It Came to Earth (1904)Kipps (1905)A Modern Utopia (1905)In the Days of the Comet (1906)The War in the Air (1908)Tono-Bungay (1909)Ann Veronica (1909)The History of Mr. Polly (1910)The Sleeper Awakes (1910)The New Machiavelli (1911)Marriage (1912)The Passionate Friends (1913)The Wife of Sir Isaac Harman (1914)The World Set Free (1914)The Research Magnificent (1915)Mr. Britling Sees It Through (1916)The Soul of a Bishop (1917)The Secret Places of the Heart (1922)Non-fiction:Certain Personal Matters (1897)Anticipations of the Reactions of Mechanical andScientific Progress upon Human Life and Thought (1901)Mankind in the Making (1903)New Worlds for Old (1908)First and Last Things (1908)Floor Games (1911)Little Wars (1913)An Englishman Looks at the World (1914)What is Coming? (1916)God the Invisible King (1917)War and the Future (aka Italy, France and Britain atWar) (1917)In the Fourth Year (1918)The Salvaging of Civilization (1921)A Short History of the World (1922)Short Stories:Select Conversations with an Uncle (Now Extinct) andTwo Other Reminscences (1895)The Stolen Bacillus and Other Incidents (1895)Tales of Space and Time (1899)Twelve Stories and a Dream (1903)Other Short Stories

    "Brains before bullets" - ancient and modern wisdom for "mechanics and motorcycle enthusiasts"Essential reading for fans of the show, this book takes readers deeper into the Sons of Anarchy Motorcycle Club, the Teller-Morrow family, and the ethics that surround their lives and activities.Provides fascinating moral insights into Sons of Anarchy, its key characters, plot lines and ideas Investigates compelling philosophical issues centering on loyalty, duty, the ethics of war, authority, religion and whether the ends justify the means Teaches complex philosophical ideas in a way that's accessible to the general interest reader in order to inspire them to further reading of the great philosophers Authors use their deep knowledge of the show to illuminate themes that are not always apparent even to die-hard fans

    

    One of the fiercest foes in this battle dwells within our own hearts: the enemy of indwelling sin. The Scriptures command us to put sin to death. This is what pastors and theologians of another generation called the mortificationof sin. But how do we mortify sin? And what role does the gospel play in this effort to apply lethal force against sin? How can we avoid falling into legalism while still maintaining a passion for holiness? And what kinds of strategies actually work in the daily battle? Brian Hedges answers these questions and more in this biblical and practical guide for waging war against sin in the power of the gospel and dependence on the Spirit.

    Each year, this series presents essential American verse and the poets who create it. Truly the “best” American poetry has appeared in this venerable collection for over twenty-five years. A poet of decided brilliance since his 1981 debut collection, For the Sleepwalkers, Edward Hirsch curates a thoughtful selection of poetry for 2016 and an Introduction to be savored. Jumpha Lahiri said of Hirsch, “The trademarks of his poems are…to be intimate but restrained, to be tender without being sentimental, to witness life without flinching, and above all, to isolate and preserve those details of our existence so often overlooked, so easily forgotten, so essential to our souls.” Hirsch’s choices for this collection reflect the soul of poetry in America. As ever, series editor David Lehman opens this year’s edition with an insider’s guide and a thoughtful contemplation of poetry today.

    Her command of the poetic language is unparalleled and sets her apart from other contemporary poets.” —Alicia Cook, Bestselling author of Stuff I’ve Been Feeling Lately“It’s going to hit you below the belt. You’re going to reach for the closest stand-in lover you can find & you’re going to make a home in their body & you’re going to pretend your childhood memories are hung in his chest & you skinned your knee tripping over the curve of his arm & you have always been here.”In Exits, Desires, & Slow Fires Goodreads Choice Nominated poet J.R. Rogue shines bright. With heartbreaking language, the bestselling author revisits unreturned love like only she can. Unforgiving pain, wanting, longing, fierce betrayal, and sweet lies feel like a second skin in this collection about love and loss.

    Likewise Swensen’s lyrics, which, with elliptical phrasing and play between visual and aural, change the act of seeing—and reading—offering glimpses of the spirit (or ghost) that enters a poem where the rational process breaks down.From “The Invention of Streetlights”Certain cells, it’s said, can generate light on their own.There are organisms that could fit on the head of a pin.and light entire rooms. .Throughout the Middle Ages, you could hire a man.on any corner with a torch to light you home. were lamps made of horn.and from above a loom of moving flares, we watched.Notre Dame seem small. .Now the streets stand still. .By 1890, it took a pound of powdered magnesium.to photograph a midnight ball.“Goest, sonorous with a hovering ‘ghost’ which shimmers at the root of all things, is a stunning meditation—even initiation—on the act of seeing, proprioception, and the alchemical properties of light as it exists naturally and inside the human realm of history, lore, invention and the ‘whites’ of painting. Light becomes the true mistress and possibly the underlying language of all invention. Swensen’s poetry documents a penetrating ‘intellectus’—light of the mind—by turns fragile, incandescent, transcendent.”—Anne Waldman