With comprehensive entries that outline each character’s name, roles, related symbols, and foundational myths, you can get to know the roots of these personas and better understand the stories they inspire today. With this character-focused, handy reference, you will never be confused about Ancient Greece!

    and the youthful Gordianus has just turned eighteen, and is about to embark on the adventure of a lifetime: a far-flung journey to see the Seven Wonders of the World. Gordianus is not yet called “the Finder”—but at each of the Seven Wonders, the wide-eyed young Roman encounters a mystery to challenge his powers of deduction.Accompanying Gordianus on his travels is his tutor, Antipater of Sidon, the world’s most celebrated poet. But there is more to the apparently harmless old poet than meets the eye. Before they leave home, Antipater fakes his own death and travels under an assumed identity. Looming in the background are the first rumblings of a political upheaval that will shake the entire Roman world.Teacher and pupil journey to the fabled cities of Greece and Asia Minor, and then to Babylon and Egypt. They attend the Olympic Games, take part in exotic festivals, and marvel at the most spectacular constructions ever devised by mankind. Along the way they encounter murder, witchcraft and ghostly hauntings. Traveling the world for the first time, Gordianus discovers that amorous exploration goes hand-in-hand with crime-solving. The mysteries of love are the true wonders of the world, and at the end of the journey, an Eighth Wonder awaits him in Alexandria. Her name is Bethesda.

    Homer's poems occupy, as Adam Nicolson writes "a third space" in the way we relate to the past: not as memory, which lasts no more than three generations, nor as the objective accounts of history, but as epic, invented after memory but before history, poetry which aims "to bind the wounds that time inflicts."The Homeric poems are among the oldest stories we have, drawing on deep roots in the Eurasian steppes beyond the Black Sea, but emerging at a time around 2000 B.C. when the people who would become the Greeks came south and both clashed and fused with the more sophisticated inhabitants of the Eastern Mediterranean.The poems, which ask the eternal questions about the individual and the community, honor and service, love and war, tell us how we became who we are.

    This comprehensive companion takes these fragments and weaves them into an accessible and enjoyable narrative, guiding the reader through the basic stories of classical myth.Philip Matyszak explains the sequences of events and introduces the major plots and characters, from the origins of the world and the labors of Hercules to the Trojan War and the voyages of Odysseus and Aeneas. He brings to life an exotic cast of heroes and monsters, wronged women and frighteningly arbitrary yet powerful gods. He also shows how the stories have survived and greatly influenced later art and culture, from Renaissance painting and sculpture to modern opera, literature, movies, and everyday products.

    The Achanians is a plea for peace set against the background of the long war with Sparta. In Lysistrata a band of women tap into the awesome power of sex in order to end a war. The darker comedy of The Clouds satirizes Athenian philosophers, Socrates in particular, and reflects the uncertainties of a generation in which all traditional religious and ethical beliefs were being challenged.For this edition Alan Sommerstein has completely revised his translation of these three plays, bringing out the full nuances of Aristophanes’ ribald humour and intricate word play, with a new introduction explaining the historical and cultural background to the plays.

    In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

    Troy lies in ashes. The black ships of the Greek war-host set sail for home but for King Odysseus of Ithaca, the return voyage holds hazards far greater than any he faced in the Trojan War.For this dramatic sequel to Black Ships Before Troy, Rosemary Sutcliff has transformed Homer’s magnificent but complex epic poem The Odyssey into an enthralling traveler's tale, with a spectacular cast of men, magicians and monsters. Alan Lee evokes a golden age of mythical Greece in his portrayal of the greatest voyage of all time.

    He was nothing but an enemy cub, adopted into one of the clans, but not accepted, never for real. To fit in was difficult, to run away – impossible. To get into trouble, more often than not, was the only available option. They did not expect anything else from him, anyway.However, when a meaningless row during a ballgame grew out of proportion, resulting in a fight, Tekeni has found himself in a truly grave trouble. Neither he nor anyone else could have foreseen the chain of events the consequences of this fight would release, when the highly esteemed but controversial Two Rivers decided to help Tekeni out. Two Rivers was a strange person with unacceptable notions and ideas. He maintained that to war on and on was a mistake of disastrous consequences. He went as far as suggesting a negotiation of peace with some of the neighboring nations. Even Tekeni, the despised enemy, thought such ideas to be far-fetched and wild. And yet…With their trouble mounting and the revengefulness of some people around them growing, both Tekeni and Two Rivers find themselves pushed beyond limits.

    But some say that Helen was never in Troy, that she had been conveyed by Zeus to Egypt, and that Greeks and Trojans alike fought for an illusion. A fifty-line fragment by the poet Stesichorus of Sicily (c. 640-555 B.C.), what survives of his Pallinode, tells us almost all we know of this other Helen, and from it H. D. wove her book-length poem. Yet Helen in Egypt is not a simple retelling of the Egyptian legend but a recreation of the many myths surrounding Helen, Paris, Achilles, Theseus, and other figures of Greek tradition, fused with the mysteries of Egyptian hermeticism.

    Anaxandra has adjusted to her new life when, six years later, Siphnos is sacked by pirates, and she is the sole survivor. When a fleet of ships stops on the island to investigate, she assumes the identity of Princess Callisto to survive. The ships belong to Menelaus, king of Sparta, and he takes her back to Sparta with him. But Helen, wife ofMenelaus, does not believe that this child is Princess Callisto. Anaxandra manages to stay out of harm’s way—until Paris and Aeneas arrive. When Menelaus and his men depart to attend his grandfather’s funeral, Paris and Helen’s passionate affair plunges Sparta and Troy into war.

    Tolkien composed his own version, now published for the first time, of the great legend of Northern antiquity, in two closely related poems to which he gave the titles The New Lay of the Völsungs and The New Lay of Gudrún.In the "Lay of the Völsungs" is told the ancestry of the great hero Sigurd, the slayer of Fáfnir most celebrated of dragons, whose treasure he took for his own; of his awakening of the Valkyrie Brynhild, who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In that court there sprang great love but also great hate, brought about by the power of the enchantress of the Niflungs, skilled in the arts of magic, of shape-changing and potions of forgetfulness.In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy, and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd at the hands of his blood-brothers, the suicide of Brynhild, and the despair of Gudrún. In the "Lay of Gudrún" her fate after the death of Sigurd is told, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers the Niflung lords, and her hideous revenge.Deriving his version primarily from his close study of the ancient poetry of Norway and Iceland known as the Poetic Edda (and where no old poetry exists, from the later prose work Völsunga Saga), J.R.R. Tolkien employed a verse-form of short stanzas whose lines embody in English the exacting alliterative rhythms and the concentrated energy of the poems of the Edda.

    Written by Annette Giesecke, PhD, Professor of Classics and Chair of Ancient Greek and Roman Studies at the University of Delaware, this brilliant reference offers clear explanations of every character and locale, and captures the essence of these timeless tales.From the gods and goddesses of Mount Olympus and the heroes of the Trojan War to the nymphs, monsters, and other mythical creatures that populate these ancient stories, Giesecke recounts, with clarity and energy, the details of more than 700 characters and places. Each definition includes cross-references to related characters, locations, and myths, as well their equivalent in Roman mythology and cult.In addition to being an important standalone work, Classical Mythology A-to-Z is also written, designed, and illustrated to serve as an essential companion to the bestselling illustrated 75th-anniversary edition of Mythology by Edith Hamilton, including 10 full-color plates and 2-color illustrations throughout by artist Jim Tierney.

    Under Olivia Coolidge’s skillful pen, the landscape of early Greece and its famous legends bloom with vigor and are perfectly suited to the adventure-seeking reader.

    Oxford lecturer Diana Morgan is an expert on Greek mythology. Her obsession with the Amazons started in childhood when her eccentric grandmother claimed to be one herself—before vanishing without a trace. Diana’s colleagues shake their heads at her Amazon fixation. But then a mysterious, well-financed foundation makes Diana an offer she cannot refuse. Traveling to North Africa, Diana teams up with Nick Barran, an enigmatic Middle Eastern guide, and begins deciphering an unusual inscription on the wall of a recently unearthed temple. There she discovers the name of the first Amazon queen, Myrina, who crossed the Mediterranean in a heroic attempt to liberate her kidnapped sisters from Greek pirates, only to become embroiled in the most famous conflict of the ancient world—the Trojan War. Taking their cue from the inscription, Diana and Nick set out to find the fabled treasure that Myrina and her Amazon sisters salvaged from the embattled city of Troy so long ago. Diana doesn’t know the nature of the treasure, but she does know that someone is shadowing her, and that Nick has a sinister agenda of his own. With danger lurking at every turn, and unsure of whom to trust, Diana finds herself on a daring and dangerous quest for truth that will forever change her world. Sweeping from England to North Africa to Greece and the ruins of ancient Troy, and navigating between present and past, The Lost Sisterhood is a breathtaking, passionate adventure of two women on parallel journeys, separated by time, who must fight to keep the lives and legacy of the Amazons from being lost forever.

    Now Menedemos and Sostratos plan their largest, most audacious trading voyage yet, which will take them from the shores of Asia Minor all the way to the coasts of faraway Italy, and to confrontations with the barbarians of an obscure town called Rome. Along the way they will buy and sell wine, silks, and even to the astonishment of all, peacocks.