Folklorist Helene Adeline Guerber brings to life the gods and goddesses, giants and dwarves, and warriors and monsters of these stories in Tales of Norse Mythology. Ranging from the comic to the tragic, these leghends tell of passion, love, friendship, pride, courage, strength, loyalty, and betrayal.

    Hers was the "face that launched a thousand ships", started a ten-year war and brought about Troy's destruction. But Helen had a sister.In a world where women were submissive, she ruled.In a world where women were loyal, she was unfaithful.In a world where honour and blood feuds abound, she exacted the ultimate revenge.Born into the Royal House of Sparta, her courageous spirit, passionate love and lust for life make her a unique heroine. Her character and her choices have fascinated people for centuries. Her story is one of betrayal, murder, adultery and revenge, set in ancient Greece at the time of the Trojan war.She is Clytemnestra, High Queen of Mycenae.

    She's a shy and talented pianist; he's a newly minted soldier with dreams of becoming an architect. When they fall in love, it's immediate and deep--and cut short when James is shipped off to the killing fields.Aubrey Edwards is also headed toward the trenches. A gifted musician who's played Carnegie Hall, he's a member of the 15th New York Infantry, an all-African-American regiment being sent to Europe to help end the Great War. Love is the last thing on his mind. But that's before he meets Colette Fournier, a Belgian chanteuse who's already survived unspeakable tragedy at the hands of the Germans.Thirty years after these four lovers' fates collide, the Greek goddess Aphrodite tells their stories to her husband, Hephaestus, and her lover, Ares, in a luxe Manhattan hotel room at the height of World War II. She seeks to answer the age-old question: Why are Love and War eternally drawn to one another? But her quest for a conclusion that will satisfy her jealous husband uncovers a multi-threaded tale of prejudice, trauma, and music and reveals that War is no match for the power of Love.A sweeping, multi-layered romance with a divine twist, by the Printz Honor-winning author of The Passion of Dolssa, set in the perilous days of World Wars I and II.

    A time when cities burn, and in their ashes, empires rise.Alexander, Macedonia’s sixteen-year-old heir, is on the brink of discovering his fated role in conquering the known world but finds himself drawn to a newcomer…Katerina must navigate the dark secrets of court life while hiding her own mission: kill the Queen. But she doesn’t account for her first love…Jacob will go to unthinkable lengths to win Katerina, even if it means having to compete for her heart with Hephaestion, a murderer sheltered by the prince.And far across the sea, Zofia, a Persian princess and Alexander’s unmet betrothed, wants to alter her destiny by seeking the famed and deadly Spirit Eaters.Weaving fantasy with the shocking details of real history, New York Times bestselling author of Sex with Kings Eleanor Herman reimagines the greatest emperor the world has ever known, Alexander the Great, in the first book of the Blood of Gods and Royals series.

    Paris, Helen of Troy, Achilles, Hector, Ulysses, the Amazons and the Wooden Horse all figure in this magical introduction to one of the greatest legends ever told.Also included in this book are the adventures of Theseus and his dramatic battle with the Minotaur with the help of Ariadne, and the quest of Jason for the Golden Fleece with the help of the Princess Medea.

    Angrboda's story begins where most witches' tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love. Their union produces three unusual children, each with a secret destiny, who Angrboda is keen to raise at the edge of the world, safely hidden from Odin's all-seeing eye. But as Angrboda slowly recovers her prophetic powers, she learns that her blissful life—and possibly all of existence—is in danger. With help from the fierce huntress Skadi, with whom she shares a growing bond, Angrboda must choose whether she’ll accept the fate that she's foreseen for her beloved family…or rise to remake their future. From the most ancient of tales this novel forges a story of love, loss, and hope for the modern age.

    But when the Pharaoh dies without an heir, she is given instead as Great Royal Wife to the new king - a soldier of common birth. For Ahmose is god-chosen, gifted with the ability to read dreams, and it is her connection to the gods which ensures the new Pharaoh his right to rule.Ahmose's elder sister Mutnofret has been raised to expect the privileged station of Great Royal Wife; her rage at being displaced cannot be soothed. As Ahmose fights the currents of Egypt's politics and Mutnofret's vengeful anger, her youth and inexperience carry her beyond her depth and into the realm of sacrilege.To right her wrongs and save Egypt from the gods' wrath, Ahmose must face her most visceral fear: bearing an heir. But the gods of Egypt are exacting, and even her sacrifice may not be enough to restore the Two Lands to safety.

    As an orphaned Japanese American struggling to make a life in the aftermath of an event in history not often referred to — the internment of Japanese Americans during World War II and the removal of children from orphanages for having "one drop of Japanese blood in them" — things are finally looking up. He has his hideout in an abandoned subway tunnel, a job, and his gang of Lost Boys.Desperate to run away, the world outside her oppressive brownstone calls to naive, eighteen-year-old Nora — the privileged daughter of a controlling and violent civil rights lawyer who is building a compensation case for the interned Japanese Americans. But she is trapped, enduring abuse to protect her younger sister Frankie and wishing on the stars every night for things to change.For months, they've lived side by side, their paths crossing yet never meeting. But when Nora is nearly killed and her sister taken away, their worlds collide as Kettle, grief stricken at the loss of a friend, angrily pulls Nora from her window.In her honeyed eyes, Kettle sees sadness and suffering. In his, Nora sees the chance to take to the window and fly away.Set in 1953, Nora & Kettle explores the collision of two teenagers facing extraordinary hardship. Their meeting is inevitable, devastating, and ultimately healing. Their stories a collection of events, are each on their own harmless. But together, one after the other, they change the world.

    After thousands of years of other people's tellings, of all these different bridges, of words gotten wrong, I'll tell it myself.Seductresses and she-monsters, nymphs and demi-goddesses, populate the famous myths of Ovid's Metamorphoses. But what happens when the story of the chase comes in the voice of the woman fleeing her rape? When the beloved coolly returns the seducer's gaze? When tales of monstrous transfiguration are sung by those transformed? In voices both mythic and modern, Wake, Siren revisits each account of love, loss, rape, revenge, and change. It lays bare the violence that undergirds and lurks in the heart of Ovid's narratives, stories that helped build and perpetuate the distorted portrayal of women across centuries of art and literature.Drawing on the rhythms of epic poetry and alt rock, of everyday speech and folk song, of fireside whisperings and therapy sessions, Nina MacLaughlin, the acclaimed author of Hammer Head, recovers what is lost when the stories of women are told and translated by men. She breathes new life into these fraught and well-loved myths.

    This is the  tale of Lukka, the Hittite soldier who traveled across Greece in search  of the vicious slave traders who  kidnapped his wife and sons.  He tracks them all the way to war-torn Troy.  There  he proves himself a warrior to rank with noble Hector and swift Achilles.  Lukka is the man who built  the Trojan horse for crafty Odysseus, who toppled the walls of Jericho for the Israelites, who stole beautiful Helen--the legendary face that launched a thousand ships--from her husband Menelaus after the fall of Troy and fought his way across half the known world to bring her safely to Egypt.

    But Sofia has never spoken of it. All she admits to is growing up in a small Cretan village before moving to London. When Alexis decides to visit Crete, however, Sofia gives her daughter a letter to take to an old friend, and promises that through her she will learn more.Arriving in Plaka, Alexis is astonished to see that it lies a stone's throw from the tiny, deserted island of Spinalonga - Greece's former leper colony. Then she finds Fotini, and at last hears the story that Sofia has buried all her life: the tale of her great-grandmother Eleni and her daughters and a family rent by tragedy, war and passion. She discovers how intimately she is connected with the island, and how secrecy holds them all in its powerful grip...

    A tough, bloodthirsty warrior, Robin is more feared than any man in the country. And he becomes a mentor for Alan; with his fellow outlaws, Robin teaches Alan how to fight - and how to win.But Robin is a ruthless man - and although he is Alan's protector, if Alan displeases him, he could also just as easily become his murderer ...

     Helen, at age twelve, is not prepared to deal with her famous beauty: to have the face that will launch a thousand ships, kill fifty thousand men, and cause the fall of the world's greatest city. But when she is kidnapped by Theseus of Athens, she begins her journey into womanhood and finds passion strong enough to start the Trojan War. Cassandra has the gift, or curse, to predict the future. When she forsees the ruin of her family and city that Helen's arrival in Troy will cause, she is outraged. Yet she cannot help being drawn to Helen. As the war rages around them, Helen, the woman who started the conflict, and Cassandra, the one who foresaw it, develop a deep friendship. And through their eyes we see the Trojan War in a fascinating new way.

    But what makes The Pillars of the Earth extraordinary is the time the twelfth century; the place feudal England; and the subject the building of a glorious cathedral. Follett has re-created the crude, flamboyant England of the Middle Ages in every detail. The vast forests, the walled towns, the castles, and the monasteries become a familiar landscape. Against this richly imagined and intricately interwoven backdrop, filled with the ravages of war and the rhythms of daily life, the master storyteller draws the reader irresistibly into the intertwined lives of his characters into their dreams, their labors, and their loves: Tom, the master builder; Aliena, the ravishingly beautiful noblewoman; Philip, the prior of Kingsbridge; Jack, the artist in stone; and Ellen, the woman of the forest who casts a terrifying curse. From humble stonemason to imperious monarch, each character is brought vividly to life.The building of the cathedral, with the almost eerie artistry of the unschooled stonemasons, is the center of the drama. Around the site of the construction, Follett weaves a story of betrayal, revenge, and love, which begins with the public hanging of an innocent man and ends with the humiliation of a king.For the TV tie-in edition with the same ISBN go to this Alternate Cover Edition

    “Your life at every instant up for— / Gone. / And, candidly, who gives a toss? / Your heart beats strong. Your spirit grips,” writes Christopher Logue in his original version of Homer’s Iliad, the uncanny “translation of translations” that won ecstatic and unparalleled acclaim as “the best translation of Homer since Pope’s” (The New York Review of Books).Logue’s account of Homer’s Iliad is a radical reimagining and reconfiguration of Homer’s tale of warfare, human folly, and the power of the gods in language and verse that is emphatically modern and “possessed of a very terrible beauty” (Slate). Illness prevented him from bringing his version of the Iliad to completion, but enough survives in notebooks and letters to assemble a compilation that includes the previously published volumes War Music, Kings, The Husbands, All Day Permanent Red, and Cold Calls, along with previously unpublished material, in one final illuminating volume arranged by his friend and fellow poet Christopher Reid. The result, War Music, comes as near as possible to representing the poet’s complete vision and confirms what his admirers have long known: that “Logue’s Homer is likely to endure as one of the great long poems of the twentieth century” (The Times Literary Supplement).