Near Checkpoint Zulu, one hundred miles from the Kuwaiti border, Thomas Benton meets Arwood Hobbes. Benton is a British journalist who reports from war zones in part to avoid his lackluster marriage and a daughter he loves but cannot connect with; Arwood is a mid-western American private who might be an insufferable ignoramus, or might be a genuine lunatic with a death wish--it's hard to tell. Desert Storm is over, peace has been declared, but as they argue about whether it makes sense to cross the nearest border in search of an ice cream, they become embroiled in a horrific attack in which a young local girl in a green dress is killed as they are trying to protect her. The two men walk away into their respective lives. But something has cracked for them both. Twenty-two years later, in another place, in another war, they meet again and are offered an unlikely opportunity to redeem themselves when that same girl in green is found alive and in need of salvation. Or is she?

    That’s right, he is a Beefeater (they really do live there). It’s no easy job living and working in the tourist attraction in present-day London. Among the eccentric characters who call the Tower’s maze of ancient buildings and spiral staircases home are the Tower’s Rack & Ruin barmaid, Ruby Dore, who just found out she’s pregnant; portly Valerie Jennings, who is falling for ticket inspector Arthur Catnip; the lifelong bachelor Reverend Septimus Drew, who secretly pens a series of principled erot­ica; and the philandering Ravenmaster, aiming to avenge the death of one of his insufferable ravens. When Balthazar is tasked with setting up an elaborate menagerie within the Tower walls to house the many exotic animals gifted to the Queen, life at the Tower gets all the more interest­ing. Penguins escape, giraffes are stolen, and the Komodo dragon sends innocent people running for their lives. Balthazar is in charge and things are not exactly running smoothly. Then Hebe decides to leave him and his beloved tortoise “runs” away. Filled with the humor and heart that calls to mind the delight­ful novels of Alexander McCall Smith, and the charm and beauty of The Guernsey Literary and Potato Peel Pie Society, The Tower, the Zoo, and the Tortoise is a magical, wholly origi­nal novel whose irresistible characters will stay with you long after you turn the stunning last page. Published in the UK in August 2010 as Balthazar Jones and the Tower of London Zoo.

     Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

    Candles flicker, a gramophone scratches out a tune as guests dance and sip champagne— for one night Hartgrove Hall relives better days. Harry Fox-Talbot and his brothers have returned from the war determined to save their once grand home from ruin. But the arrival of beautiful wartime singer Edie Rose tangles the threads of love and duty, and leads to a devastating betrayal.   Fifty years later, now a celebrated composer, Fox reels from the death of his adored wife, Edie. Until his connection with his four-year old grandson - a piano prodigy – propels him back into life, and ultimately to confront his past. An enthralling novel about love and treachery, joy after grief, and a man forced to ask: is it ever too late to seek forgiveness?

    When Edward Schuyler, a modest and bookish sixty-two-year-old science teacher, is widowed, he finds himself ambushed by female attention. There are plenty of unattached women around, but a healthy, handsome, available man is a rare and desirable creature. Edward receives phone calls from widows seeking love, or at least lunch, while well-meaning friends try to set him up at dinner parties. Even an attractive married neighbor offers herself to him.The problem is that Edward doesn’t feel available. He’s still mourning his beloved wife, Bee, and prefers solitude and the familiar routine of work, gardening, and bird-watching. But then his stepchildren surprise him by placing a personal ad in The New York Review of Books on his behalf. Soon the letters flood in, and Edward is torn between his loyalty to Bee’s memory and his growing longing for connection. Gradually, reluctantly, he begins dating (“dating after death,” as one correspondent puts it), and his encounters are variously startling, comical, and sad. Just when Edward thinks he has the game figured out, a chance meeting proves that love always arrives when it’s least expected.With wit, warmth, and a keen understanding of the heart, An Available Man explores aspects of loneliness and togetherness, and the difference in the options open to men and women of a certain age. Most of all, the novel celebrates the endurance of love, and its thrilling capacity to bloom anew.

    Nora Eldridge, a thirty-seven-year-old elementary school teacher in Cambridge, Massachusetts, who long ago abandoned her ambition to be a successful artist, has become the "woman upstairs," a reliable friend and tidy neighbor always on the fringe of others' achievements. Then into her classroom walks Reza Shahid, a child who enchants as if from a fairy tale. He and his parents--dashing Skandar, a Lebanese scholar and professor at the École Normale Supérleure; and Sirena, an effortlessly glamorous Italian artist--have come to Boston for Skandar to take up a fellowship at Harvard. When Reza is attacked by schoolyard bullies who call him a "terrorist," Nora is drawn into the complex world of the Shahid family: she finds herself falling in love with them, separately and together. Nora's happiness explodes her boundaries, until Sirena's careless ambition leads to a shattering betrayal. Told with urgency, intimacy, and piercing emotion, this story of obsession and artistic fulfillment explores the thrill--and the devastating cost--of giving in to one's passions.

    One, Alec, a journalist in exile, the other, Lorna, a charismatic literature professor. Starting out under the flat grey skies of an east Anglian university campus and ending up on an idyllic Mediterranean island, The Truants is about a group of clever and eccentric misfits who yearn to break the rules. As Jess’ experience of infatuation and betrayal, disappearance and loss gives way to a breathless search for the truth, she finds herself detective in a twisted crime of the heart. Unsettling, challenging, surprisingly funny and beautifully written, The Truants is a compulsively readable literary debut with a twist – and a dead body to boot.

    But the death of her doting guardian leaves Gemma under the care of her resentful aunt, and it soon becomes clear that she is nothing more than an unwelcome guest at Yew House. When she receives a scholarship to a private school, ten-year-old Gemma believes she's found the perfect solution and eagerly sets out again to a new home. However, at Claypoole she finds herself treated as an unpaid servant.To Gemma's delight, the school goes bankrupt, and she takes a job as an au pair on the Orkney Islands. The remote Blackbird Hall belongs to Mr. Sinclair, a London businessman; his eight-year-old niece is Gemma's charge. Even before their first meeting, Gemma is, like everyone on the island, intrigued by Mr. Sinclair. Rich (by Gemma's standards), single, flying in from London when he pleases, Hugh Sinclair fills the house with life. An unlikely couple, the two are drawn to each other, but Gemma's biggest trial is about to begin: a journey of passion and betrayal, redemption and discovery, that will lead her to a life of which she's never dreamed.Set in Scotland and Iceland in the 1950s and '60s, The Flight of Gemma Hardy--a captivating homage to Charlotte Brontë's Jane Eyre--is a sweeping saga that resurrects the timeless themes of the original but is destined to become a classic all its own.

    Three days later, he’s found with a bullet in his head and a gun in his hand—a discovery that sends tremors through this conservative community, already unnerved by growing rumors of Satanic worship in the region.In the wake of this incident, bright but lonely Hannah Dexter is befriended by Lacey Champlain, a dark-eyed, Cobain-worshiping bad influence in lip gloss and Doc Martens. The charismatic, seductive Lacey forges a fast, intimate bond with the impressionable Dex, making her over in her own image and unleashing a fierce defiance that neither girl expected. But as Lacey gradually lures Dex away from her safe life into a feverish spiral of obsession, rebellion, and ever greater risk, an unwelcome figure appears on the horizon—and Lacey’s secret history collides with Dex’s worst nightmare.By turns a shocking story of love and violence and an addictive portrait of the intoxication of female friendship, set against the unsettled backdrop of a town gripped by moral panic, Girls on Fire is an unflinching and unforgettable snapshot of girlhood: girls lost and found, girls strong and weak, girls who burn bright and brighter—and some who flicker away.

    . . a hidden cache of coded clues . . . a story written by a phantom author . . . an unsolved murder in a gritty urban park-- all collide memorably in Emily Arsenault's magnificent debut, at once a teasing literary puzzle, an ingenious suspense novel, and an exploration of definitions: of words, of who we are, and of the stories we choose to define us. In the maze of cubicles at Samuelson Company, editors toil away in silence, studying the English language, poring over new expressions and freshly coined words-- all in preparation for the next new edition of the Samuelson Dictionary. Among them is editorial assistant Billy Webb, just out of college, struggling to stay awake and appear competent. But there are a few distractions. His intriguing coworker Mona Minot may or may not be flirting with him. And he's starting to sense something suspicious going on beneath this company's academic facade.Mona has just made a startling discovery: a trove of puzzling citations, all taken from the same book, The Broken Teaglass. Billy and Mona soon learn that no such book exists. And the quotations from it are far too long, twisting, and bizarre for any dictionary. They read like a confessional, coyly hinting at a hidden identity, a secret liaison, a crime. As Billy and Mona ransack the office files, a chilling story begins to emerge: a story about a lonely young woman, a long-unsolved mystery, a moment of shattering violence. And as they piece together its fragments, the puzzle begins to take on bigger personal meaning for both of them, compelling them to redefine their notions of themselves and each other.Charged with wit and intelligence, set against a sweetly cautious love story, The Broken Teaglass is a tale that will delight lovers of words, lovers of mysteries, and fans of smart, funny, brilliantly inventive fiction.

    A rogue black bear, 300 pounds of fury, is attacking the family's campsite, pouncing on her parents as prey.At her dying mother's faint urging, Anna manages to get her brother into the family's canoe and paddle away. But when the canoe dumps the two children on the edge of the woods, and the sister and brother must battle hunger, the elements, and a dangerous wilderness, we see Anna's heartbreaking love for her family -- and her struggle to be brave when nothing in her world seems safe anymore.Told in the honest, raw voice of five-year-old Anna, this is a riveting story of love, courage, and survival.

    Feeling helpless and alone, their sorrow is compounded by anger and frustration. The local and state police haven’t uncovered any leads. Josh and Luis, the friends who were with Tommy last, may not be telling the whole truth about that night in Borderland State Park, when they were supposedly hanging out at a landmark the local teens have renamed Devil’s Rock— rumored to be cursed. Living in an all-too-real nightmare, riddled with worry, pain, and guilt, Elizabeth is wholly unprepared for the strange series of events that follow. She believes a ghostly shadow of Tommy materializes in her bedroom, while Kate and other local residents claim to see a shadow peering through their own windows in the dead of night. Then, random pages torn from Tommy’s journal begin to mysteriously appear—entries that reveal an introverted teenager obsessed with the phantasmagoric; the loss of his father, killed in a drunk-driving accident a decade earlier; a folktale involving the devil and the woods of Borderland; and a horrific incident that Tommy believed connected them all and changes everything. As the search grows more desperate, and the implications of what happened becomes more haunting and sinister, no one is prepared for the shocking truth about that night and Tommy’s disappearance at Devil’s Rock.

    Reduced to a life of exile in rural southern Ontario—accompanied only by his fantasy daughter, Miranda, who died twelve years ago—Felix devises a plan for retribution.Eventually he takes a job teaching Literacy Through Theatre to the prisoners at the nearby Burgess Correctional Institution, and is making a modest success of it when an auspicious star places his enemies within his reach. With the help of their own interpretations, digital effects, and the talents of a professional actress and choreographer, the Burgess Correctional Players prepare to video their Tempest. Not surprisingly, they view Caliban as the character with whom they have the most in common. However, Felix has another twist in mind, and his enemies are about to find themselves taking part in an interactive and illusion-ridden version of The Tempest that will change their lives forever. But how will Felix deal with his invisible Miranda’s decision to take a part in the play?

    Now in her nineties, the famously reclusive painter remains devoted to her work. She has never married, never had a family, never had a child. So when a letter arrives disclosing that she has a granddaughter living in New York, her world is turned upside down and the past is brought painfully to life.Disowned by her bourgeois family, the young Ivory had gone to interwar Paris to study art, and quickly found her true home among the avant-garde painters and poets who crowd the city's cafes. In fellow painter Tacita, she finds the sister she never had. In the Zoological Gardens, she finds a subject for her art capable of fascinating her endlessly. And in Lev, the brooding, haunted Russian 'migr' painter fleeing the Revolution and destined for greatness, she finds the love that will mark her life forever.But she loses all this, and more, when the Second World War sweeps away the life she has only just discovered. In her grief, she turns to the project she had begun in Paris, and which will consume the rest of her life: a dictionary of animal languages. Part science, part art, the dictionary strives to transcribe the wordless yearning of animals, the lonely and love-laden cries that expect no response.By nature solitary, Ivory withdraws fully into herself as she pursues her life's work. Until the discovery of one of Lev's paintings from 1940, inscribed to Ivory and now worth a fortune, brings to light a secret from her time in Paris that even Ivory could never guess. Now in her nineties, she is forced to acknowledge afresh all she has lost, and also to find meaning and beauty in a world defined by longing.Masterfully written, and emotionally charged, The Dictionary of Animal Languages is about love and grief and art and the realization that, like tragedy, the best things in life arrive out of the blue.

    They had sold their home and business in London, and said "farewell to England" with a cheerful party where all their friends had gathered to wish them well on their great adventure: setting off to begin life anew on a remote, bucolic farm in rural Sweden.But with that phone call, everything changes. Your mother's not well, his father tells him. She's been imagining things--terrible, terrible things. She's had a psychotic breakdown, and has been committed to a mental hospital.Daniel prepares to rush to Sweden, on the first available flight the next day. Before he can board the plane, his father contacts him again with even more frightening news: his mother has been released from the hospital, and he doesn't know where she is.Then, he hears from his mother:I'm sure your father has spoken to you. Everything that man has told you is a lie. I'm not mad. I don't need a doctor. I need the police. I'm about to board a flight to London. Meet me at Heathrow.Caught between his parents, and unsure of who to believe or trust, Daniel becomes his mother's unwilling judge and jury as she tells him an urgent tale of secrets, of lies, of a horrible crime and a conspiracy that implicates his own father.