In 1774, at the age of seventeen, Georgiana achieved immediate celebrity by marrying one of England's richest and most influential aristocrats, the Duke of Devonshire. Launched into a world of wealth and power, she quickly became the queen of fashionable society, adored by the Prince of Wales, a dear friend of Marie-Antoinette, and leader of the most important salon of her time. Not content with the role of society hostess, she used her connections to enter politics, eventually becoming more influential than most of the men who held office. Her good works and social exploits made her loved by the multitudes, but Georgiana's public success, like Diana's, concealed a personal life that was fraught with suffering. The Duke of Devonshire was unimpressed by his wife's legendary charms, preferring instead those of her closest friend, a woman with whom Georgiana herself was rumored to be on intimate terms. For over twenty years, the three lived together in a jealous and uneasy ménage à trois, during which time both women bore the Duke's children—as well as those of other men.Foreman's descriptions of Georgiana's uncontrollable gambling, all-night drinking, drug taking, and love affairs with the leading politicians of the day give us fascinating insight into the lives of the British aristocracy in the era of the madness of King George III, the American and French revolutions, and the defeat of Napoleon. A gifted young historian whom critics are already likening to Antonia Fraser, Amanda Foreman draws on a wealth of fresh research and writes colorfully and penetratingly about the fascinating Georgiana, whose struggle against her own weaknesses, whose great beauty and flamboyance, and whose determination to play a part in the affairs of the world make her a vibrant, astonishingly contemporary figure.

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    Born in obscurity in Putney, he became a fixer for Cardinal Wolsey in the 1520s. After Wolsey's fall, Henry VIII promoted him to a series of ever greater offices, such that in the 1530s he was effectively running the country for the King. That decade was one of the most momentous in English history: it saw a religious break with the Pope, unprecedented use of parliament, the dissolution of all monasteries, and the coming of the Protestantism. Cromwell was central to all this, but establishing his role with precision has been notoriously difficult.Diarmaid MacCulloch's biography is the most complete life ever written of this elusive figure, making connections not previously seen and revealing the channels through which power in early Tudor England flowed. It overturns many received interpretations, for example that Cromwell and Anne Boleyn were allies because of their common religious sympathies, showing how he in fact destroyed her. It introduces the many different personalities contributing to these foundational years, all worrying about what MacCulloch calls the 'terrifyingly unpredictable' Henry VIII, and allows readers to feel that they are immersed in all this, that it is going on around them. For a time, the self-made 'ruffian', as he described himself - ruthless, adept in the exercise of power, quietly determined in religious revolution - was master of events. MacCulloch's biography for the first time reveals his true place in the making of modern England and Ireland, for good and ill.

    

    Philippa Gregory and two historians, leading experts in their field who helped Philippa to research the novels, tell the extraordinary 'true' stories of the life of these women who until now have been largely forgotten by history, their background and times, highlighting questions which are raised in the fiction and illuminating the novels. With a foreword by Philippa Gregory - in which Philippa writes revealingly about the differences between history and fiction and examines the gaps in the historical record - and beautifully illustrated with rare portraits, The Women of the Cousins' War is an exciting new addition to the Philippa Gregory oeuvre.

    That, of course, is a matter of opinion. And there are other layers to the story.With a combination of novelistic flair and historical accuracy, Kate Williams begins by relating the heartbreaking story of Princess Charlotte, the Queen who never was, and her impact on the young Victoria. Our perception of Victoria the Queen is coloured by portraits of her older, widowed self - her dour expression embodying the repressive morality propagated in her time. But Becoming Queen reveals an energetic and vibrant woman, determined to battle for power. It also documents the Byzantine machinations behind Victoria's quest to occupy the throne, and shows how her struggles did not end when finally the crown was placed on her head.In the late eighteenth century, monarchies were in crisis across Europe. Discontented with their mad King, George III, and his spendthrift offspring, the English pinned their hopes on the only legitimate grandchild: Princess Charlotte, daughter of George, Prince of Wales. But Charlotte died at the age of twenty-two, a few hours after giving birth to a stillborn son. A grieving nation immediately began venerating her as someone who would have made an ideal Queen while Charlotte's rackety uncles embarked on a race to produce the next heir.No one thought that little Victoria, daughter of the Duke of Kent, would ascend the throne. She, in turn, became increasingly determined to take control of her own destiny, and clashed constantly not only with her hugely ambitious mother but with her protégé and household comptroller, the Irish adventurer, John Conroy. After she became Queen, ministers, even her beloved Prince Albert, still attempted to steal power away from her.Revealing how Charlotte's death shaped Victoria's reign and laying bare the passions that swirled around the throne, Becoming Queen is an absorbingly dramatic tale of secrets, sexual repression and endless conflict. After her lauded biography of Emma Hamilton, England's Mistress, Kate Williams has produced a most original and intimate portrait of Great Britain's longest reigning monarch.

    She was both manipulator and pawn, a complex, misunderstood mélange of subtlety and fire. Her name was Anne Boleyn.In The Queen of Subtleties, Suzannah Dunn reimagines the rise and fall of the tragic queen through two alternating voices: that of Anne herself, who is penning a letter to her young daughter on the eve of her execution, and Lucy Cornwallis, the king’s confectioner. An employee of the highest status, Lucy is responsible for creating the sculpted sugar centerpieces that adorn each of the feasts marking Anne’s ascent in the king’s favor. They also share another link of which neither woman is aware: the lovely Mark Smeaton, wunderkind musician—the innocent on whom, ultimately, Anne’s downfall hinges.

    However, four royal women, related in family and in court ties—Joan of Navarre, Eleanor Cobham, Jacquetta of Luxembourg and Elizabeth Woodville—were accused of practicing witchcraft in order to kill or influence the king.Some of these women may have turned to the “dark arts” in order to divine the future or obtain healing potions, but the purpose of the accusations was purely political. Despite their status, these women were vulnerable because of their gender, as the men around them moved them like pawns for political gains.In Royal Witches, Gemma Hollman explores the lives and the cases of these so-called witches, placing them in the historical context of fifteenth-century England, a setting rife with political upheaval and war. In a time when the line between science and magic was blurred, these trials offer a tantalizing insight into how malicious magic would be used and would later cause such mass hysteria in centuries to come.

    Having come of age in a time of political turmoil and danger, the man who would become Henry VII spent fourteen years in exile in Brittany before returning triumphantly to the Dorset coast with a small army and decisively winning the Battle of Bosworth Field--ending the War of the Roses once and for all and launching the infamous Tudor dynasty.As Henry's claim to the throne was tenuous, his marriage to Elizabeth of York, daughter and direct heir of King Edward IV, not only served to unify the warring houses, it also helped Henry secure the throne for himself and for generations to come. And though their union was born from political necessity, it became a wonderful love story that led to seven children and twenty happy years together.Sweeping and dramatic, To Hold the Crown brings readers inside the genesis of the great Tudor empire: through Henry and Elizabeth's troubled ascensions to the throne, their marriage and rule, the heartbreak caused by the death of their son Arthur, and, ultimately, to the crowning of their younger son, King Henry VIII."Plaidy excels at blending history with romance and drama." --New York Times

    Marie Louise Bruce's account of Anne Boleyn's life and death is not very well-known nowadays but it was pre-eminent at the time it was published.It covers her childhood and time in France, the divorce and her courtship with Henry VIII, her marriage and her tragic fall.

    And on learning the truth about her lascivious and despotic father, Henry VIII, she vows never to relinquish control to any man. But this avowal doesn't prevent Elizabeth from pursuing a torrid love affair with her horsemaster, Robin Dudley -- described with near-shocking candor -- as too are Anne's graphic trysts with a very persistent and lustful Henry. Blending a historian's attention to accuracy with a novelist's artful rendering, Maxwell weaves compelling descriptions of court life and devastating portraits of actual people into her naughty, page-turning tale. The result is a masterpiece of historical fiction -- so prophetic of our time that one would think it were ripped from today's headlines.

    Paul Murray Kendall's masterful account of the life of England's King Richard III has remained the standard biography of this controversial figure.

    Was she bald? What precisely was her sex-life? What were her emotional attachments? No other biography provides such a personal study of the Queen and her court - their daily lives, concerns, topics of conversation, meals, living conditions, travels, successes and failures - but it also places them firmly within the historical context of 16th Century Britain. An authoritative history of the period enlightened by a through understanding of Elizabethan society and an intimate portrait of the Queen.

    In her sweeping historical debut, Ella March Chase explores a thrilling possibility: that the Tudor bloodline did not end with the Virgin Queen.Tucked away in the country estate of her beloved father, Lord Calverley, young Nell de Lacey feeds her hungry mind with philosophy, language, and studies of science. Her mother, once a devoted lady-in-waiting to Henry VIII’s last wife, Katherine Parr, would rather her daughter stop dabbling in the grand affairs of men and instead prepare for her eventual duties as a wife. She knows all too well what menace lurks in royal courts.But Nell’s heart yearns for something more, and a chance meeting with Princess Elizabeth, then a prisoner of the Tower of London, pushes her closer toward finding it. Now, years later, Nell’s chance arrives when she is summoned to serve as a lady-in-waiting to the newly crowned Queen Elizabeth. Nell is entranced by the splendor and pageantry of royal life, unaware of the danger and deception that swirls around the monarch and her courtiers. But a lingering rumor about nine unaccounted for months in the Virgin Queen’s past reignites when the flame-haired Nell—a mirror image of Her Majesty both physically and intellectually—arrives at court. Quickly she catches the eye not only of the cunning Elizabeth, but of those who would see the queen fail. With strong evidence to connect Elizabeth to her newest maid of honor and the politics of England in turmoil, the truth could send Nell and those she loves to the Tower to join in the wretched fates of those who’ve gone before her.Engrossing and enlightening, The Virgin Queen’s Daughter brings to life one of the greatest mysteries of one of the greatest monarchs. Ella March Chase’s vivid storytelling gives due credence to a daughter who might have been and a mother who never was.

    Together, they presided over the last years of dynastic Europe and the outbreak of the most destructive war the world had ever seen, a war that set twentieth-century Europe on course to be the most violent continent in the history of the world.Miranda Carter uses the cousins' correspondence and a host of historical sources to tell the tragicomic story of a tiny, glittering, solipsistic world that was often preposterously out of kilter with its times, struggling to stay in command of politics and world events as history overtook it. George, Nicholas and Wilhelm is a brilliant and sometimes darkly hilarious portrait of these men--damaged, egotistical Wilhelm; quiet, stubborn Nicholas; and anxious, dutiful George--and their lives, foibles and obsessions, from tantrums to uniforms to stamp collecting. It is also alive with fresh, subtle portraits of other familiar figures: Queen Victoria--grandmother to two of them, grandmother-in-law to the third--whose conservatism and bullying obsession with family left a dangerous legacy; and Edward VII, the playboy "arch-vulgarian" who turned out to have a remarkable gift for international relations and the theatrics of mass politics. At the same time, Carter weaves through their stories a riveting account of the events that led to World War I, showing how the personal and the political interacted, sometimes to devastating effect.For all three men the war would be a disaster that destroyed forever the illusion of their close family relationships, with any sense of peace and harmony shattered in a final coda of murder, betrayal and abdication.