Exhausted Salarymen are pushed beyond the brink. Blood, sweat and screams of 'FUCK YOU!' pour out of the characters within The Pits of Hell, and yet a sense of humour always shines through. Bold, absurd and all too real, Ebisu Yoshikazu's work feels distinctly underground, almost punk. The Pits of Hell collects eight classic stories by Ebisu Yoshikazu, originally published between 1969 and 1981. The collection features a foreword by Minami Shinbo and an essay by Ryan Holmberg placing Ebisu Yoshikazu and his work into context.

    Their lives suddenly change with the arrival at their doorstep of a hulking, affable Canadian named Mike Flanagan, who declares himself the widower of Yaichi's estranged gay twin, Ryoji. Mike is on a quest to explore Ryoji's past, and the family reluctantly but dutifully takes him in. What follows is an unprecedented and heartbreaking look at the state of a largely still-closeted Japanese gay culture: how it's been affected by the West, and how the next generation can change the preconceptions about it and prejudices against it.(Please note: This book is a traditional work of manga, and reads back to front and right to left.)

    In 7 Billion Needles, two lives share one heart as they race to protect each other and what they most cherish.Modern day Japan is the stage for a new form of hard science-fiction, as author Nobuaki Tadano revisits one of the  genre's Grand Masters, Hal Clement, in his debut work 7 Billion Needles.  Loosely inspired by Clement's golden age title Needle, 7 Billion Needles follows the life of a teenage girl whose quiet boring days are dramatically changed when her body is possessed by an alien life form caught up in an intergalactic manhunt.On a clear calm night, while on a class trip to the beach, Hikaru Takabe decides to go for a walk to escape the shackles of school and peer pressure.  While observing the stars above a calm dark sea in an instant she is disintegrated when struck by a meteor.Flash forward one page, and Hikaru awakes, from what seems like a horrible daydream of sorts, sitting amongst classmates in school without a scratch on her.  The meteor dream seemed so real she cannot believe she's alive, but given her relative aloof nature, she soon shrugs off the events and moves on with life.  However, one thing she cannot shake off is the strange buzzing she hears coming from her new pair of headphones...

    It also includes in-depth notes and story analysis about the subtext of the story. Circle of Blood recounts the origins of the government operative known as Kabuki who works in Japan's near future, It's an exploration of the relationship between Japan's government and organized crime on a truly epic scale!

    This striking collection presents the most remarkable short works of Junji Ito’s career, featuring an adaptation of Rampo Edogawa’s classic horror story “The Human Chair” and fan favorite “The Enigma of Amigara Fault.” With a deluxe presentation—including special color pages, and showcasing illustrations from his acclaimed long-form manga No Longer Human—each chilling tale invites readers to revel in a world of terror.

    Reads R to L (Japanese Style). Ian, a young man with a fractured family history, travels from Australia to England to America in the hope of realizing his dreams and reuniting with his beloved sister. His story unfolds backwards through the framing narrative of Jim, a reporter driven to capture Ian’s experiences in a novel: not simple. A story within a story, a book within a book, a tale about the search for family, for an emotional home.

    The girl and the beast should never have met, but when they do, a quiet fairytale begins. This is a story of two people--one human, one inhuman--who linger in the hazy twilight that separates night from day.

    Both the standard edition includes the complete collection of Critical Role: Vox Machina Origins #1–#6, as well as bonus content including annotated cover process pieces, preliminary character sketches, and character descriptions and stats. The standard edition features cover art by Stjepan Šejić with a spot gloss treatment.With over 160 pages of magical storytelling and bonus content, Vox Machina Origins brings together Critical Role: Vox Machina Origins #1–#6 in a single volume, following six would-be heroes as they uncover a plot to destroy the small coastal town of Stilben. The comic series is written by Matthew Colville (Evolve, Priest, Thief) with interior art by Olivia Samson, a member of the Critical Role fan community, and coloring and lettering by Chris Northrop.Critical Role: Vox Machina Origins #1–#6Annotated cover process pieces, preliminary character sketches, and character descriptions and statsCover art by Stjepan Šejić with spot gloss treatment.Published by Dark Horse Books, a division of Dark Horse Comics, Inc.

    Though she spends many years of happiness with her two vampire fathers, she gradually grows discontent with their insistence upon treating her like a little girl, even though she has lived as long as any mortal man...and her lust to kill is certainly no less than theirs...

    She's been called an inimitable and masterful stylist, a kind of Edward Gorey who draws out the whimsical side of body-horror, and indeed, the spirit of Gorey's grotesques breathes through French's creations. In H Day, her first graphic novel in four years, French explores, through metaphor and in pictures, her struggles with migraine headaches, marshaling troops of insects, beasts and humanoids to envision the processes that result in such hideous sensations. A sweeping, often tense narrative of invasion, repulsion and liberation, H Day can be read both as an oblique autobiography and as a suspenseful fantasy story. This volume makes clear the qualities that led Myla Goldberg, author of Bee Season, to call Renee French "that rare gift among artists--one whose work finds its way into the most guarded corners of our psyches and allows us to revel in all that is awkward, embarrassing or sticky about being alive."

    Some of the dozen artists included in this anthology will be familiar to followers of manga; others make their American debut in these pages. The richly imaginative stories in this volume show a great range of graphic style, from painstakingly detailed craftsmanship to exuberant, maniacal renderings. At the heart of each work in this anthology is a unique personal vision and a fierce artistic compulsion–these manga artists are the misfits of the art form, and they are its visionaries.Included stories are:1. "Hell's Angel" by Yoshikaze Ebisu2. "It's All Right if Yiu Don't Understand" by Yoshikaze Ebisu3. "Steel Pipe Melancholia" by Masakazu Toma4. "Future Sperm Brazil" by Takashi Nemoto5. "A Love Like Lemons" by Carol Shimoda6. "Selfish Carol's Summer Vacation" by Carol Shimoda7. "Mercy Flesh (Jiniku)" by Kazuichi Hanawa8. "Don Quixote #1 & #2" by Yasuji Tanioka9. "Planet of the Jap" by Suehiro Maruo10. "Mary’s Asshole" by Hanako Yamada11. "Volvox" by Pan Migawa12. "Bigger and Better" by Muddy Wehara13. "Laughing Ball" by Hideshi Hino14. "Cat Noodle Soup" by Hajime Yamano & Nekojiro

    The science fiction tale set in 2019 in Tokyo after the city was destroyed by World War III, follows the lives of two teenage friends, Tetsuo and Kaneda, who have a consuming fear of a monstrous power known as Akira.

    Mark Beyer was breathing delirious, heartbreaking, otherworldly life into it by means of Amy and Jordan. Obviously, you weren’t reading New York Press. But I sure was. Voraciously. Back in 1989, when I discovered that Beyer’s strips were appearing regularly in this new “alternative weekly” paper, I quickly became hooked, and a thought seized me: I had to clip and save them–they were exquisite poems of urban despair, dreamy and nightmarish. I was already a fan of Beyer’s talent based on his book Agony (Pantheon, 1988), but these new strips revealed, week by week, a whole new dimension to his work–an ingenious reinvention of panel-design that redefined what a comic strip could be. As with Peanuts, it helps to try and picture these in the context which they first appeared in order to appreciate just how profoundly they emerged from anything else on the newspaper page. Even the “outré” NYP ads and listings which often ran alongside them were hopelessly dull by comparison. One of its most impressive aspects was the way Form served the Content–no matter how eccentric the layout got, it somehow never confused the narrative. And what narrative: it was as if Candide had been transported to the East Village and split in two like an amoeba and holed up in a squat on Avenue C. Along with giant bugs from outer space. So I did clip and save them, and put them into an envelope, which was then placed in a shoebox with a lot of other envelopes (receipts, receipts!), which was shoved to the back of the closet of my sixth-floor walk-up studio apartment, which I moved out of three years later and in the process I unwittingly threw them all away. Which frankly is just the sort of thing that Amy and Jordan would do. Drat. “Oh well,” I thought, once I’d realized it, “at some point someone will collect and publish them, and I’ll get them back that way.” And that was that. Fast forward more than ten years, to the spring of 2002. During a panel of cartoonists I was chairing in Philadelphia, a member of the audience asked what Mark was working on and where he was. No one seemed to know. The discussion was transcribed and published in The Comics Journal that summer, and in the fall Mark contacted me with the best possible news: He’d read the panel transcript and wanted to publish again. And the Amy and Jordan strips had never been comprehensively collected. So now, as an editor, I was able to grant my own wish. Amy and Jordan ran from 1988 through early 1996. After that, Beyer put cartooning aside to pursue other projects. This book signals his return to the realm of comics, which he says he wants to start making again. We can only hope he does. For now, I’m just thankful I finally have my Amy and Jordan collection back. –Chip Kidd, NYC, 10/03

    Times Book Prizes Finalist (Graphic Novel/Comics) 2016A collection of two new stories from cartoonist and Adventure Time contributor Sam Alden. In "Household," a brother and sister deal with divergent memories of their father and grow closer than ever. In "Backyard," vegans and anarchists share a house, small dramas and bizarre transformations (featuring a new, never before published ending). Designed as a companion volume for the critically acclaimed It Never Happened Again, New Construction cements Sam Alden's reputation as one of the best cartoonists of his generation.Sam Alden Sam Alden is the author of It Never Happened Again, Wicked Chicken Queen, and Lydian, among others. He is a two-time Ignatz winner and four-time nominee, and works full-time as a writer and storyboarder on Cartoon Network's Adventure Time.Praise for Sam Alden's It Never Happened Again:"Alden's natural sense of framing and pace, his willingness to use silent panels to tell stories, and his beautiful (yes, beautiful) pencil images combined to open my eyes to a new idea of what a great comic can be. It helps that he's also an excellent writer—both stories sketch out lonely, lost characters efficiently, and put them each through very different quests for meaning."—Dan Kois, Slate"Two thematically divergent, but devastatingly human portraits from an emerging cartoonist displaying the sort of storytelling and artistic restraint that often only comes after years of toiling away at the drawing board. Alden is a talent to watch."—Publishers Weekly

    After a night of heavy rain, the woman came across a ditch she had never seen before. In the ditch, laid the dead bodies of several young women. The woman had no idea who would do such a thing. It couldn't have been her mother, father or cousin because they're all dead already.