Here is Richard McGuire's unique graphic novel based on the legendary 1989 comic strip of the same name.Richard McGuire's groundbreaking comic strip Here was published under Art Spiegelman's editorship at RAW in 1989.Built in six pages of interlocking panels, dated by year, it collapsed time and space to tell the story of the corner of a room - and its inhabitants - between the years 500,957,406,073 BC and 2313 AD.The strip remains one of the most influential and widely discussed contributions to the medium, and it has now been developed, expanded and reimagined by the artist into this full-length, full-colour graphic novel - a must for any fan of the genre.

    In this dark rendition, a greedy Geppetto builds Pinocchio as a metallic weapon of war, while Jiminy Cockroach is a homeless squatter living the good life in Pinocchio's skull. Critically acclaimed, Pinocchio won the Grand Prize at France's Angouleme comics festival in 2009. Exquisite drawings by celebrated cartoonist Winshluss bring to life a rich tale of greedy fools, lust, sadness, redemption, and hope. Teamed with brilliant colorist Cizo, Winshluss creates an epic adventure through a lush world. As we follow Pinocchio along the way, the stories and vinettes intertwine, offering subtle political critiques and send ups of popular culture. We meet seven sleazy dwarves, follow Jiminy's struggles as a novelist, watch a blind tramp find God, and see the innocent, yet powerful Pinocchio encircled by those who would use him for their own ends. Winshluss has perfected the wordless comic. Each page is perfectly composed - not a panel is wasted. The artwork is primarily done in pen and ink, and watercolor but switches to paint for larger splash panels. The art also references a terrific range of illustrative styles and history in the story from late 18th century pen and ink, to early French film pioneer Georges Melies, through early Disney, and underground comix. Born in 1970, Winshluss is the creator of numerous comics and graphic novels that have garnered awards and acclaim across Europe. Winshluss is the pen name of Vincent Parronnaud, perhaps best known as co-director of the animated film Persepolis (with Marjane Satrapi), which won the Jury Prize at Cannes and was nominated for numerous awards, including the Academy Award, Golden Globe and Cannes' Palm d'Or. Currently, he and Satrapi are teaming up again to adapt Satrapi's 2006 book "Chicken with Plums.""

    Laxman’s Brushing Up The Years: A Cartoonist's History Of India: 1947 To The Present deals with the author’s cartoons that were regularly published in the Times of India. His cartoons were not just humorous but provided satirical comments on the political scenario of India during his time.Summary Of The BookBrushing Up The Years: A Cartoonist’s History Of India 1947 To The Present by R.K. Laxman is a compilation of cartoons by the author published over sixty years. These cartoons provide Laxman’s own satirical and comical perspective of the Indian common man, the politicians, and the state of the country.These cartoons were part of every Indian man’s morning ritual with the newspaper. The subjects of his cartoons ranged from common marital problems to complex issues like social injustice, corruption, financial crisis, and political power plays. Brushing Up The Years: A Cartoonist’s History Of India 1947 To The Present display cartoons that refer to specific events such as the wars between Pakistan and China, Indira Gandhi and the state of Emergency, Nehru’s Five Year Plan, and more. He even provides comments, through his cartoons, about the rise and fall of the Congress and the BJP.Laxman’s cartoons were philosophical and mischievous at the same time.

    This paperback edition has been fully revised and updated to include Vince Cable’s latest assessment of the recession.

    Since then, critics and scholars have largely ignored him. Wyeth, however, who is age 88 at the date of publication, has continued to paint, to the delight of his admirers, collectors, and the art-loving public. Now, in association with the High Museum exhibition, Andrew Wyeth: Memory & Magic takes a fresh look at the work of one of America's most beloved artists.In examining his entire oeuvre, the book celebrates the artist's ongoing love affair with everyday life-domestic, natural, and architectural. Found throughout Wyeth's work, these objects form patterns that illuminate core themes and reveal the artist wrestling with issues of memory, temporality, embodiment, and the metaphysical. Organized chronologically and thematically, the book explores how the artist's approach to these subjects was formed in his early career, and has been revisited in new and surprising ways in recent years.Andrew Wyeth: Memory & Magic comprises 150 tempera paintings and 50 drawings and watercolors-including his most-famous works, but also many published here for the first time.

    Since Maurice Garin's inaugural victory in 1903, hundreds of thousands of kilometers have been covered in pursuit of the yellow jersey and few of them have been without incident or drama. Here are the Tour's legends: Eugene Christophe welding his bicycle back together at the foot of the Pyrenees in 1913; Bartali V Coppi, 1949; Poulidor shoulder-to-shoulder with Anquetil on the Puy de Dome, 1964; Tommy Simpson's death on Ventoux, 1967; Lance Armstrong's domination and disgrace; finishing with Bradley Wiggins' and Chris Froome's back-to-back victories for Britain in 2012 and 2013.

    Stephen (The 101 Best Graphic Novels) Weiner takes us on a historical tour of this format with a bit of background on comics as a whole.

    But Kyle Baker's comic book version of King David renders that classic confrontation in 17 wordless pages, comprising one of the freshest, most suspenseful and thrilling descriptions of its subject that you are likely to find. King David is a biblically accurate, freewheeling, color-saturated biography of the boy who rose to become king of Israel. David begins the book as a scruffyDennis-the-Menace-like kid and ends the book as a vain, hunky womanizer; King Saul is a glam-rock tyrant; his son Jonathan is a skinny punk rebel. (When he asks to borrow Saul's chariot and the king asks, "Where are you going, Jonathan?" he shoots back, "Out.") Many parents will deem the book's bloody battle scenes inappropriate for young readers. King David's candor, however, is a virtue. This is real religious literature: it describes David's relationship with God in a style that's fully alive for readers today. --Paul Power

    Dick robot, which Mr. Ellis confesses to swiping off the back of a plane.) Take a look at the world of graphic storytelling through its hazy android eyes, a rattling ghost-train ride through the history of comics. David Bowie, the CIA, mad architects, Will Eisner, Frank Zappa, Tintin, the designer of Skylab, a train station in Paris, Arthur C. Clarke, the circus, the Black Panther Party, and William S. Burroughs: all of these things are connected by Jack Kirby, all part of the secret history of comics, and all illustrating the special nature of this exciting medium as the place where you can do anything.

    A charismatic, funny, articulate, and formidably intelligent man, Cassady was also a compulsive womanizer who lived life on the edge. His naturalistic, conversational writing style inspired Kerouac, who lifted a number of passages verbatim and uncredited from Cassady’s letters for significant episodes in On the Road. Drawing on a wealth of new research and with full cooperation from central figures in his life—including Carolyn Cassady and Ken Kesey—this account captures Cassady’s unique blend of inspired lunacy and deep spirituality.

    This collection of the cartoonist's mini-comics, zines, anthology work, and more, is a follow up to the award-winning Very Casual, and shows the artist at the height of his occasionally fever-induced powers.A prolific artist who is constantly producing work in a variety of media, DeForge is a designer and storyboard artist on the Emmy Award-winning show Adventure Time. One can see hints of that show's house style filtered through the Lynchian landscapes and otherworldly vistas of DeForge's vision.