They fall in love and set out across the United States, pursued by a private investigator who eventually blackmails Carol into a choice between her daughter and her lover. With this reissue, The Price of Salt may finally be recognized as a major twentieth-century American novel.

    In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

    Frances makes Anne her confidante, sweeping her into a glamorous and extravagant world, riven with bitter rivalry. As the women grow closer, each hopes to change her circumstances. Frances is trapped in a miserable marriage while loving another, and newly widowed Anne struggles to keep herself and her six children alive as she waits for a promised proposal. A desperate plan to change their fortunes is hatched--but navigating the Jacobean court is a dangerous game and one misstep could cost them everything.

    The taunts of his now-deceased father ringing in his ears, Binh answers an ad for a live-in cook at a Parisian household, and soon finds himself employed by Gertrude Stein and Alice B. Toklas.Toklas and Stein hold court in their literary salon, for which the devoted yet acerbic Binh serves as chef, and as a keen observer of his "Mesdames" and their distinguished guests. But when the enigmatic literary ladies decide to journey back to America, Binh is faced with a monumental choice: will he, the self-imposed "exile," accompany them to yet another new country, return to his native Vietnam, or make Paris his home?

    Unfolding in a series of snapshots, Tessa Hadley’s moving novel follows Stella from the shallows of childhood, growing up with a single mother in a Bristol bedsit in the 1960s, into the murky waters of middle age.Clever Girl is a story vivid in its immediacy and rich in drama—violent deaths, failed affairs, broken dreams, missed chances. Yet it is Hadley’s observations of everyday life, her keen skill at capturing the ways men and women think and feel and relate to one another, that dazzles.

    With stunningly resonant prose, “The Master is unquestionably the work of a first-rate novelist: artful, moving, and very beautiful” (The New York Times Book Review). The emotional intensity of this portrait is riveting.

    Formally audacious, daring in its intellectual inquiry and unwaveringly humane, Will Eaves’s new novel is a rare achievement.

    Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the twentieth century as seen through the eyes of an English girl determined to learn about her family and its secrets.

    And then one day this closest of friendships grows into something more.But then we fast forward a decade or so, to find that Ellis is married to Annie, and Michael is nowhere in sight. Which leads to the question, what happened in the years between?This is almost a love story. But it's not as simple as that.

    He is back from the war, homeless and without family. Behind him lie the mud, barbed-wire entanglements and terror of the trenches. Behind him is also the most intense relationship of his life.Daniel has survived, but the horror and passion of the past seem more real than the quiet fields around him. He is about to step into the unknown. But will he ever be able to escape the terrible, unforeseen consequences of a lie?

    Now Megan Mayhew Bergman, author of Birds of a Lesser Paradise, resurrects these women, lets them live in the reader's imagination, so we can explore their difficult choices. Nearly every story in this dazzling collection is based on a woman who attained some celebrity—she raced speed boats or was a conjoined twin in show business; a reclusive painter of renown; a member of the first all-female, integrated swing band. We see Lord Byron's illegitimate daughter, Allegra; Oscar Wilde's troubled niece, Dolly; West With the Night author Beryl Markham; Edna St. Vincent Millay's sister, Norma. These extraordinary stories travel the world, explore the past (and delve into the future), and portray fiercely independent women defined by their acts of bravery, creative impulses, and sometimes reckless decisions.The world hasn't always been kind to unusual women, but through Megan Mayhew Bergman's alluring depictions they finally receive the attention they deserve. Almost Famous Women is a gorgeous collection from an "accomplished writer of short fiction" (Booklist).

    The eccentric Margaret wrote and published volumes of poems, philosophy, feminist plays, and utopian science fiction at a time when “being a writer” was not an option open to women. As one of the Queen’s attendants and the daughter of prominent Royalists, she was exiled to France when King Charles I was overthrown. As the English Civil War raged on, Margaret met and married William Cavendish, who encouraged her writing and her desire for a career. After the War, her work earned her both fame and infamy in England: at the dawn of daily newspapers, she was “Mad Madge,” an original tabloid celebrity. Yet Margaret was also the first woman to be invited to the Royal Society of London—a mainstay of the Scientific Revolution—and the last for another two hundred years.Margaret the First is very much a contemporary novel set in the past, rather than “historical fiction.” Written with lucid precision and sharp cuts through narrative time, it is a gorgeous and wholly new narrative approach to imagining the life of a historical woman.

    But whispers from her past slowly begin to poison her new life and both she and Rebekah are lured into the most sinister of investigations.Hester and Rebekah find themselves crossing every boundary they've ever known in pursuit of truth, redemption and passion. But their trust in each other will be tested as a web of deceit begins to unspool, dragging them into the blackest heart of a city where something more depraved than either of them could ever imagine is lurking . . .

    Stevie is a bookworm, yet she longs to fit in with the cool crowd. Fighting her mother every step of the way, she begins to experiment with talkin' trash, "kicking butt," and boys.With the assassination of Dr. King she gains a new political awareness, which makes her decide to wear her hair in a 'fro instead of straightened, to refuse to use skin bleach, and to confront the prejudice she observes in blacks as well as whites. April Sinclair writes frankly about a young black woman's sexuality, and about the confusion Stevie faces when she realizes she's more attracted to the school nurse—who is white—than her teenage boyfriend. As readers follow Stevie's at times harrowing, at times hilarious story, they will learn what it was like to be black before black was beautiful.

    Even at age two, Elizabeth is keenly aware that people in the court of her father, King Henry VIII, have stopped referring to her as "Lady Princess" and now call her "the Lady Elizabeth." Before she is three, she learns of the tragic fate that has befallen her mother, the enigmatic and seductive Anne Boleyn, and that she herself has been declared illegitimate, an injustice that will haunt her.