The implications and challenges associated with this fact are enormous. But how did we get here?From the origins of urbanization in Mesopotamia to the global metropolises of today, great cities have marked the development of human civilization. The Great Cities in History tells their stories, starting with the earliest, from Uruk and Memphis to Jerusalem and Alexandria. Next come the fabulous cities of the first millennium: Damascus and Baghdad, Teotihuacan and Tikal, and Chang’an, capital of Tang Dynasty China. The medieval world saw the rise of powerful cities such as Palermo and Paris in Europe, Benin in Africa, and Angkor in southeast Asia. The last two sections bring us from the early modern world, with Isfahan, Agra, and Amsterdam, to the contemporary city: London and New York, Tokyo and Barcelona, Los Angeles and Sao Paulo.The distinguished contributors, including Jan Morris, Michael D. Coe, Simon Schama, Orlando Figes, Felipe Fernandez-Armesto, Misha Glenny, Susan Toby Evans, and A. N. Wilson, evoke the character of each place—people, art and architecture, government—and explain the reasons for its success.

    One book above all others has transfixed connoisseurs for four centuries—a book sold for shillings in the streets of London, whisked to Manhattan for millions, and stored deep within the vaults of Tokyo. The book: William Shakespeare's First Folio of 1623. Paul Collins, lover of odd books and author of the national bestseller Sixpence House, takes up the strange quest for this white whale of precious books.Broken down into five acts, each tied to a different location and century, The Book of William's travelogue follows the trail of the Folio's curious rise: a dizzying S otheby's auction on a pristine copy preserved since the seventeenth century, the Fleet Street machinations of the eighteenth century, the nineteenth century quests for lost Folios, obsessive acquisitions by twentieth century oilmen, and the high-tech hoards of twenty-first century Japan. Finally, Collins speculates on Shakespeare's cross-cultural future as Asian buyers enter their Folios into the electronic ether, and recounts the book's remarkable journey as it is found in attics, gets lost in oceans and fires, is bought and sold, and ultimately becomes immortal.

    A study of Arthurian romance and legend which draws together the different strands of Arthurian myth, from sources as diverse as Geoffrey of Monmouth, Malory, Chretien de Troyes, the Mabinogion, and the English Gawain cycles.

    These tales cover the range of Greek mythology, including the creation story of Deucalion and Pyrrha, the heroic adventures of Perseus, the fall of Icarus, Cupid and Psyche's tale of love, and the tragic history of Oedipus and Thebes. Men and Gods is an essential and delightful book with which to discover some of the key stories of world literature.

    Over the next three decades, this mosaic of cultures was modernized and homogenized out of existence by the ruling might of the Soviet Union, then Nazi Germany, and finally, Polish and Ukrainian nationalism. By the 1950s, this no place emerged as a Ukrainian heartland, and the fertile mix of peoples that defined the region was destroyed.Brown's study is grounded in the life of the village and shtetl, in the personalities and small histories of everyday life in this area. In impressive detail, she documents how these regimes, bureaucratically and then violently, separated, named, and regimented this intricate community into distinct ethnic groups.Drawing on recently opened archives, ethnography, and oral interviews that were unavailable a decade ago, A Biography of No Place reveals Stalinist and Nazi history from the perspective of the remote borderlands, thus bringing the periphery to the center of history.We are given, in short, an intimate portrait of the ethnic purification that has marked all of Europe, as well as a glimpse at the margins of twentieth-century progress.

    Franklin J. Hildy contributes his scholarship and experience throughout the book and, in particular, to a discussion of English Theatre/Shakespeare (Ch. 5). Reorganized with more uniform chapter lengths and a clearer chronology, the ninth edition continues to provide the most thorough and accurate assessment of theatre history available. For anyone involved with, or interested in, the theatre.

    Soskice

    Their history is suffused with crusading, campaigning and struggle. Feared by their enemies but respected by medieval Christendom, the knights and their Order maintained a firm hold over the Baltic and northern Germany and established a formidable regime which flourished across central Europe for 300 years. This book surveys the gripping history of the knights and relates their rise to power; their struggles against Prussian pagans; the series of wars against Poland and Lithuania; the clash with Alexander Nevsky's Russia; and the gradual stagnation of the Order in the fourteenth century. The book is replete with dramatic episodes - such as the battle on frozen Lake Peipus in 1242, or the disaster of Tannenberg - but focuses primarily on the year-after-year struggle to maintain power, fend off incursions and raiding bands, and to launch crusades against unbelieving foes. And it was the crusade, with knights demonstrating their valor, which chiefly characterized and breathed life into this militant, conquering Holy Order. The narrative charts the rise and fall of the Order, and, in an accessible and engaging style, throws light on a band of knights whose deeds and motives have long been misunderstood.

    It combines a lifetime's familiarity with Greek literature and history with the latest archeological discoveries and the author's own journeys to the main sites in the story to describe how particular Greeks of the eighth century BC travelled east and west around the Mediterranean, and how their extraordinary journeys shaped their ideas of their gods and heroes. It gathers together stories and echoes from many different ancient cultures, not just the Greek - Assyria, Egypt, the Phoenician traders - and ranges from Mesopotamia to the Rio Tinto at Huelva in modern Portugal. Its central point is the Jebel Aqra, the great mountain on the north Syrian coast which Robin Lane Fox dubs 'the southern Olympus', and around which much of the action of the book turns. Robin Lane Fox rejects the fashionable view of Homer and his near-contemporary Hesiod as poets who owed a direct debt to texts and poems from the near East, and by following the trail of the Greek travellers shows that they were, rather, in debt to their own countrymen. With characteristic flair he reveals how these travellers, progenitors of tales which have inspired writers and historians for thousands of years, understood the world before the beginnings of philosophy and western thought.

    His pages have become an almost indispensable link between the knowing of exotic and remote people with theoretical knowledge about humankind. This volume--originally published in 1922--can be considered the founding document of economic anthropology, and remains the best one to read. It emphasizes the great significance of primitive economics by singling out the notable exchange system of the Trobriand Islands for special consideration. Although the main theme is economic, constant reference is made in this milestone of anthropological research and interpretation to social organization, life and meaning, the power of magic, and to mythology and folklore.

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    Indeed, it is probably true to say that only the Bible rivals Homer for sheer depth and scope of cultural and literary influence.Professor Vandiver makes it vividly clear why, after almost 3,000 years, the Iliad remains not only among the greatest adventure stories ever told, but also one of the most compelling meditations on the human condition ever written.12 Lectures:1. Introduction to Homeric Epic2. The Homeric Question3. Glory, Honor, and the Wrath of Achilles4. Within the Walls of Troy5. The Embassy to Achilles6. The Paradox of Glory7. The Role of the Gods8. The Longest Day9. The Death of Patroklos10. Achilles Returns to Battle11. Achilles and Hektor12. Enemies' Tears—Achilles and Priam.

    It is a book on how not to write historical fiction.If you love history and you’re hard at work on your first historical novel, but you’re wondering if your medieval Irishmen would live on potatoes, if your 17th-century pirate would use a revolver, or if your hero would be able to offer Marie-Antoinette a box of chocolate bonbons...(The answer to all these is “Absolutely not!”)...then Medieval Underpants and Other Blunders is the book for you.Medieval Underpants will guide you through the factual mistakes that writers of historical fiction—-both beginners and professionals—-most often make, and show you how to avoid them. From fictional characters crossing streets that wouldn’t exist for another sixty years, to the pitfalls of the Columbian Exchange (when plants and foods native to the Americas first began to appear in Europe, Asia, and Africa, and vice versa), to 1990s slang in the mouths of 1940s characters, Susanne Alleyn exposes the often hilarious, always painful goofs that turn up most frequently in fiction set in the past.Alleyn stresses the hazards to writers of assuming too much about details of life in past centuries, providing numerous examples of mistakes that could easily have been avoided. She also explores commonly-confused topics such as the important difference between the British titles “Lord John Smith” and “John, Lord Smith” and why they’re not interchangeable, and provides simple guidelines for getting them right. In a wide assortment of chapters including Food and Plants; Travel; Dialogue, Expressions, and Slang; Guns; Money; and, of course, Underpants, she offers tips on how to avoid errors and anachronisms while continually reminding writers of the necessity of meticulous historical research.

    The launch of Dalkey’s Best European Fiction series was nothing short of phenomenal, with wide-ranging coverage in international media such as Time magazine, the New York Times, Wall Street Journal, Chicago Tribune, Financial Times, and the Guardian; glowing reviews and interviews in print and online magazines such as the Believer, Bookslut, Paste, and the Huffington Post; radio interviews with editor Aleksandar Hemon on NPR stations in the US and BBC Radio 3 and 4 in the UK; and a terrific response from booksellers, who made Best European Fiction 2010 an “Indie Next” pick and created table displays and special promotions throughout the US and UK.For 2011, Aleksandar Hemon is back as editor, along with a new preface by Colum McCann, and with a whole new cast of authors and stories, including work from countries not included in Best European Fiction 2010.UK, WALES: Wiliam Owen Roberts, The ProfessionalsUK, ENGLAND: Hilary Mantel, The Hearts Fails without WarningTURKEY: Ersan Üldes, Professional BehaviorSWITZERLAND: Verena Stefan, Doe a DeerSPAIN (Catalan): Mercè Ibarz, Nela and the VirginsSPAIN (Castilian): Enrique Vila-Matas, Far From HereSLOVENIA: Drago Jančar, The ProphecySERBIA: Vladimir Arsenijević, One Minute: Dumbo’s DeathRUSSIA: Andrei Gelasimov, The Evil EyeROMANIA: Lucian Dan Teodorovici, Goose ChasePORTUGAL: Gonçalo Manuel Tavares, Six TalesPOLAND: Olga Tokarczuk, The Ugliest Woman in the WorldNORWAY: Frode Grytten, Hotel by a RailroadNETHERLANDS: Manon Uphoff, DesireMONTENEGRO: Ognjen Spahić, Raymond is No Longer with Us—Carver is DeadMOLDOVA: Iulian Ciocan, Auntie FroseaMACEDONIA: Blaže Minevski, Academician Sisoye’s Inaugural SpeechLITHUANIA: Danutė Kalinauskaitė, Just ThingsLIECHTENSTEIN: Stefan Sprenger, DustLATVIA: Nora Ikstena, Elza Kuga’s Old-Age DementiaITALY: Marco Candida, Dream DiaryIRELAND (Irish): Éilís Ní Dhuibhne, TrespassesIRELAND (English): Kevin Barry, Doctor SotICELAND: Kristín Eiríksdóttir, Holes in PeopleHUNGARY: László Krasznahorkai, The BillGERMANY: Ingo Schulze, Oranges and AngelGEORGIA: Zurab Lezhava, Sex for FridgeFRANCE: Eric Laurrent, American DiaryFINLAND: Anita Konkka, The ClownESTONIA: Toomas Vint, Beyond the Window a Park is DimmingDENMARK: Peter Adolphsen, Fourteen Small StoriesCZECH REPULIC: Michal Ajvaz, The Wire BookCYPRUS: Nora Nadjarian, ExhibitionCROATIA: Mimi Simić, My GirlfriendBULGARIA: Alek Popov, PlumbersBOSNIA & HERZEGOVINA: Goran Samardžić, VarneeshBELGIUM: François Emmanuel, Lou DancingBELARUS: Victor Martinovich, TabooAUSTRIA: Dieter Sperl, Random WalkerALBANIA: Arian Leka, Brothers of the Blade

    Lovecraft's life have long been known, but before this book the only account of his life worth having was L. Sprague de Camp's 1975 biography, which was lively but sketchy, giving a fragmented view of Lovecraft's life and work. S.T. Joshi has delivered the goods. This is not only the finest and most definitive biography of Lovecraft, it is likely to remain so for many decades into the future. While at nearly 700 pages, it's not necessarily a book every Lovecraft fan will sit down and read cover to cover, it's almost as compulsively readable as it is compulsively detailed. Joshi is sympathetic toward his subject but doesn't pull any punches: he includes Lovecraft's less flattering qualities, such as his "contemptible" racism and his "shabby" treatment of his wife. Best of all, perhaps, for fans of Lovecraft's fiction, are the accounts of how the stories came to be written, concise plot summaries, and well-chosen historical-critical remarks