In Something Needs to Change, Platt invites readers to come along on both the adventure of the trek, as well as the adventure of seeking answers to tough questions like, "Where is God in the middle of suffering?" "What makes my religion any better than someone else's religion?" and "What do I believe about eternal suffering?" Platt has crafted an irresistible message about what it means to give your life for the gospel--to finally stop talking about faith and truly start living it.

    . . . She took God to couples counseling. In this cuttingly poignant memoir, Susan Isaacs chronicles her rocky relationship with the Almighty - from early childhood to midlife crisis - and all the churches where she and God tried to make a home: Pentecostals, Slackers for Jesus, and the über-intellectuals who turned everything, including the weekly church announcements, into a three-point sermon. Casting herself as the neglected spouse, Susan faces her inner nag and the ridiculous expectations she put on God - some her own, and some from her "crazy in-laws" at church. Originally staged as a solo show in New York and Los Angeles, Angry Conversations with God is a cheeky, heartfelt memoir that, even at its most scandalous, is still an affirmation of faith.

    L. Mayfield left her conservative Christian home to become a missionary to Somali Bantu refugees in Portland, Oregon. But after a decade proselytizing, she realized that she had not converted one single Muslim. “I am pretty much the worst missionary ever,” she despaired.Yet in her time working with these displaced people, Mayfield’s eyes were opened to something much bigger. “I started to read the Scriptures with new eyes, informed by the people who the Bible was written by and to—the people at the margins of society. And it was so much better than I could have believed. The blessings of Jesus were to be found in the most unexpected places. The kingdom is real, alive, and changing everything—liberating, setting free, healing, and preaching news that is actually truly good, in the here and now.”Assimilate or Go Home is the story of her awakening. Mayfield shows us how God’s love is transforming lives, and makes clear that instead of saving the world, we can join God’s party by loving all of our neighbors—especially those on society’s edge. With vulnerability and a touch of humor, Mayfield reflects upon how her faith was challenged, and urges all of us to reconsider our concepts of justice, love, and being a citizen of this world—and the kingdom of God.

    When she finally emerged from the coma, she recognized everyone in her life except her husband, Kim. Starting all over, they built a new love and dedicated their lives to each other all over again.

    Simultaneously encouraging and bracing, she offers a bold testimony to the ongoing power of the Gospel-a Gospel that can humble and transform even self-assured, accomplished, and secular-minded young professionals like herself.

    McCann asks his readers to constantly push the boundaries of experience, to see empathy and wonder in the stories we craft and hear.A paean to the power of language, both by argument and by example, Letters to a Young Writer is fierce and honest in its testament to the bruises delivered by writing as both a profession and a calling. It charges aspiring writers to learn the rules and even break them.These fifty-two essays are ultimately a profound challenge to a new generation to bring truth and light to a dark world through their art.

    Spanning topics from the importance of daydreaming to the necessity of writing an outline, from the fine art of showing instead of merely telling to creating believable characters who make readers care what happens to them, Brooks draws upon his own experiences, hard lessons learned, and delightful discoveries made in creating the beloved Shannara and Magic Kingdom of Landover series, The Word and The Void trilogy, and the bestselling Star Wars novel The Phantom Menace.In addition to being a writing guide, Sometimes the Magic Works is Terry Brooks’s self-portrait of the artist. “If you don’t think there is magic in writing, you probably won’t write anything magical,” says Brooks. This book offers a rare opportunity to peer into the mind of (and learn a trick or two from) one of fantasy fiction’s preeminent magicians.

    Then God slowly allowed Preston’s secure world to fall apart until every piece of what he thought was true was lost: his church, his life of study, his political leanings, his girlfriend, his best friend . . . and his God. It was the loss of God in the midst of all the godly things that changed Preston forever. One day he felt he heard God say, “It’s going to be about trust with you,” and then God was silent---and he still hasn’t spoken. At least, not in the ways Preston used to think were the only ways God spoke. No pillars of fire, no clouds, just a bit of whisper in wind. Now, Preston is a patchwork of Anglican spirituality and Baptist sensibility, with a mother who has been in chronic neurological pain for thirteen years and father still devoted to Southern Baptist ministry who reads saints’ lives on the side. He now shares his story of coming to terms with a God who is bigger than the one he thought he was worshiping---the God of a common faith, the God who makes tables in the wilderness, the God who is found in cathedrals and in forests and in the Eucharist, the God who speaks in fire and in wind, the God who is bigger than narrow understandings of his will, his desire, his plan---the God who is so big, that everything must be his.

    He has been laughed at—repeatedly—by large crowds of people from Halifax to Hong Kong. He fathered three children in three years, spent much of last year on airplanes built by the lowest bidder, and flipped an out-of-control ATV, which doesn’t mean he sold it for a profit. So who better than Phil Callaway to boldly accept a challenge that would make the average person run and hide?  Phil promised to tell the truth for an entire year, and he wasn’t joking. Twelve months later, his journal was crammed with successes, near-successes, and outright failures. During his year-long experiment with veracity, he made a disastrous financial investment, fielded hundreds of intrusive questions from friends and strangers, attended a thirty-year class reunion, and waded into possibly the most revealing—and hilarious—situations he has ever documented.  Find out what happens when a follower of Jesus does his level best to always tell the truth. There is no doubt you’ll be entertained. But don’t be surprised if you are left with a question: how might your life be changed if you sold out to the truth—with no exceptions?

    Dietrich Bonhoeffer was a young German pastor who was executed by the Nazis in 1945 for his part in the “officers’ plot” to assassinate Adolf Hitler.       This expanded version of Letters and Papers from Prison shifts the emphasis of earlier editions of Bonhoeffer’s theological reflections to the private sphere of his life. His letters appear in greater detail and show his daily concerns. Letters from Bonhoeffer’s parents, siblings, and other relatives have also been added, in addition to previously inaccessible letters and legal papers referring to his trial.      Acute and subtle, warm and perceptive, yet also profoundly moving, the documents collectively tell a very human story of loss, of courage, and of hope. Bonhoeffer’s story seems as vitally relevant, as politically prophetic, and as theologically significant today, as it did yesterday.

    Here, combining more than forty years of lessons from his storied career as a writer and professor, he brings us this highly anticipated nuts-and-bolts guide to writing literary nonfiction. A phenomenal master class shaped by Lopate’s informative, accessible tone and immense gift for storytelling, To Show and To Tell reads like a long walk with a favorite professor—refreshing, insightful, and encouraging in often unexpected ways.

    His reflections on daily life with the Trappists are funny, wise, and often profound--resembling Kathleen Norris's The Cloister Walk, but a bit less thematically structured and more down to earth. Nouwen's goal is simply to record what it's like to pass the time in a cloistered community. He spends part of his stay there reading Robert Pirsig's Zen and the Art of Motorcycle Maintenance, which helps awaken a hunger for a richer experience of life that he subsequently satisfies by learning to slow down. In his first week at the monastery, Nouwen writes, "I have so many ideas I want to write about, so many books I want to read, so many skills I want to learn--motorcycle maintenance is now one of them--and so many things I want to say to others now or later, that I do not SEE that God is all around me and that I am always trying to see what is ahead, overlooking him who is so close." Then, looking forward to being planted in one place among the Trappists, he writes, "Maybe I need to get stuck," to learn to see God. He does, and he does. --Michael Joseph Gross

    As a pastor and as a person with beloved family members living a gay lifestyle, Caleb had to face this issue with courage and grace. Messy Grace shows us that Jesus’s command to “love your neighbor as yourself” doesn’t have an exception clause for a gay “neighbor”—or for that matter, any other “neighbor” we might find it hard to relate to. Jesus was able to love these people and yet still hold on to his beliefs. So can you. Even when it’s messy.

    In a "continuous thread of revelation" she sketches her autobiography and tells us how her family and her surroundings contributed to the shaping not only of her personality but of her writing. Homely and commonplace sights, sounds, and objects resonate with the emotions of recollection: the striking clocks, the Victrola, her orphaned father's coverless little book saved since boyhood, the tall mountains of the West Virginia back country that become a metaphor for her mother's sturdy independence, Eudora's earliest box camera that suspended a moment forever and taught her that every feeling awaits a gesture. She has recreated this vanished world with the same subtlety and insight that mark her fiction.Even if Eudora Welty were not a major writer, her description of growing up in the South--of the interplay between black and white, between town and countryside, between dedicated schoolteachers and the public they taught--would he notable. That she is a splendid writer of fiction gives her own experience a family likeness to others in the generation of young Southerners that produced a literary renaissance. Until publication of this book, she had discouraged biographical investigations. It undoubtedly was not easy for this shy and reticent lady to undertake her own literary biography, to relive her own memories (painful as well as pleasant), to go through letters and photographs of her parents and grandparents. But we are in her debt, for the distillation of experience she offers us is a rare pleasure for her admirers, a treat to everyone who loves good writing and anyone who is interested in the seeds of creativity.

    But they never expected that, five days before Christmas, their five-year-old daughter would suddenly go to heaven after an asthma attack. How do you walk out of the ER without your daughter?Through the Eyes of a Lion will help you turn your journey into a “roar story” by guiding you to look past what you can see with the naked eye. Whether you’re currently facing adversity or want to prepare yourself for inevitable hardship, it’s time to look at the adventure of your life through Jesus’ eyes—the eyes of a Lion.