There’s Ralph, her fourteen-year old son, and Winnie the young maid, a homely, goodhearted country girl, and the lodgers, of course, a curious but necessary burden. They include blind Alwyne Flyte, communist and cynic, victim of a gas attack in the trenches. When the dreaded telegram arrives at the house, things turn from difficult to desperate for the two young women.Then along comes the butcher, Neville Turk, big handsome ladies’ man, irresistible for his meat, money and brutish confidence, who throws flighty Eithne into a turmoil but has sinister plans of his own. Winnie and the blind lodger, meanwhile, conduct a strange, erotic liaison of their own. And young Ralph, ignored by his mother, looks on, feeling the undercurrents of desire, seeing more than he should. All the strands come together in a shocking denouement that turns a coward into a hero and young Ralph into a man.They’re all in the dark with their dreams, secrets and fantasies, and electric light, new to their world, may be a boon but it reveals both grime and secrets. Life is tough on the home front and they’re all working the system in different ways, sometimes comic sometimes tragic, always human.

    Another woman took him in, at risk to herself. Viviane Renaud is a young mother living on the French Riviera in the Second World War. Times are hard but she is not the sort to be dismayed by circumstances. One day her life changes forever. A young Jewish woman, fleeing from the authorities, begs her to take care of her four year old boy, David. Almost without thinking, Viviane agrees. Viviane’s life is never the same again. She fabricates a story to explain how David came to be with her and must tip-toe around the suspicions of her neighbours, her friends and most of all her mother and sister. She and her husband, Alain, find allies in unlikely places, particularly an American woman, Dorothy Pine. But then, the world crashes around them. Threatened by Allied military success, Hitler sends the German army to occupy the south of France. With them come the SS and the Gestapo. The peril for Jews and for those, like Viviane, who hide them, appears overwhelming. The challenge for them now is to survive.

    From the Booker Prizewinning author of ‘Offshore’ and ‘The Blue Flower’; a funny, touching, authentic story of life at Broadcasting House during the Blitz.The human voices of Penelope Fitzgerald’s novel are those of the BBC in the first years of the World War II, the time when the Concert Hall was turned into a dormitory for both sexes, the whole building became a target for enemy bombers, and in the BBC – as elsewhere – some had to fail and some had to die, but where the Nine O’Clock News was always delivered, in impeccable accents, to the waiting nation.

    It's why Eva was closest to her grandfather: a charismatic painter - and a keeper of secrets. So when he dies, she's hit by a greater loss - of the questions he never answered, and the past he never shared.It's then she finds the letter from the Jewish Museum in Berlin. They have uncovered the testimony he gave after his forced labour service in Hungary, which took him to the death camps and then to England as a refugee. This is how he survived.But there is a deeper story that Eva will unravel - of how her grandfather learnt to live afterwards. As she confronts the lies that have haunted her family, their identity shifts and her own takes shape. The testament is in her hands.Kim Sherwood's extraordinary first novel is a powerful statement of intent. Beautifully written, moving and hopeful, it crosses the tidemark where the third generation meets the first, finding a new language to express love, legacy and our place within history.

    Beautiful but shy Judy Melton, daughter of a naval war hero, her determinedly feckless friend, the social butterfly Meggie Gore-Stewart, seemingly demure Mathilda Eastcott, and Corrie Hogarth, the tomboy daughter of the owner of the local boatyard, are all in their very individual ways determined to play an active part in the defence of their country. Knitting socks and bomb-dodging is not what they have in mind for themselves while their husbands and brothers, fathers and lovers are away fighting.But attitudes to women's roles in a warring world are difficult to change, and at first all four find it impossible to settle for the traditional kind of work that their families envisage. However, it is not just the young women of Bexham who are determined to find new roles for themselves - so are their mothers. In this manner the little Sussex village, facing as it does the coastline of Nazi-invaded France, finds its closely sewn social fabric gradually unstitch, inch by little inch.Under the tree on the green the women of Bexham meet to look back on a landscape that has changed irrevocably, and which they have in their own ways helped to alter. None of them are the same, and yet, with the men returning from war, they are expected to slip back into their simple roles of mother, daughter, grandmother. This, more than anything perhaps, is their greatest sacrifice. Having been freed by war, they have now to relinquish that very independence that gave them the liberty for which they once fought.Only the chestnut tree planted by Corrie at the edge of the village flourishes in the accepted manner, finally becoming the uniting symbol of all that has passed forever.

    The war is over, but for some the fight for survival is only just beginning. Alix, the aristocratic daughter of a German resistance fighter, is alone and desperate to flee before the Reds come. But when a ferocious snowstorm descends she must return to the shelter of her abandoned ancestral home. There, she is shocked to find her childhood sweetheart Gregor. As old passions are rekindled, a couple break into the house to hide - the man, dressed in Gestapo uniform, is a stranger, but his companion is altogether more familiar.By morning, the blizzard has died down but the Reds are back. The woman and her Nazi escort are dead, and Gregor has vanished. Alone and terrified, Alix runs for her life, and embarks upon an extraordinary and heartbreaking journey. It will take sixty years and the fall of another empire - Communism - before the riddles of that fateful night can be deciphered. "Restitution" is a memorable novel about love and betrayal, hatred and heroism - a reminder that, even in the worst of times, the most courageous acts of kindness are possible.

    Initially, Paul lives with his mother–a secular, assimilated schoolteacher, who he adores until she “betrays” him by marrying the gentile André. He is then sent to live with his father–once an admired avant-garde artist, but now reviled by the critics as a “decadent Jew,” who drowns his anger, pain, and humiliation in drink. Paul searches in vain for stability and meaning in a world that is collapsing around him, but his love for the earthy peasant girl who briefly takes care of him, the strange pull he feels towards the Jews praying in the synagogue near his home, and the fascination with which he observes Eastern Orthodox church rituals merely give him tantalizing glimpses into worlds of which he can never be a part.The fates that Paul’s parents will meet with Paul as terrified witness–his mother, deserted by her new husband and dying of typhus; his father, gunned down while trying to stop the robbery of a Jewish-owned shop–and his own fate as an orphaned Jewish child alone in Europe in 1938 are rendered with extraordinary subtlety and power, as they foreshadow, in the heart-wrenching story of three individuals, the cataclysm that is about to engulf all of European Jewry.

    Two children watch as their parents become immersed in the puzzling mechanisms of power. Siggi lives in the affluent ignorance of middle-class Berlin, her father a censor who excises prohibited words (“promise”, “love”, “mercy”) from books. Erich is an only child living a lush rural life near Leipzig, tending beehives, aware that he is shadowed by strange, unanswered questions.Drawn together as Germany’s hope for a glorious future begins to collapse, the children find temporary refuge in an abandoned theater amid the rubble of Berlin. Outside, white bedsheets hang from windows; all over the city people are talking of surrender. The days Siggi and Erich spend together will shape the rest of their lives.Watching over Siggi and Erich is the wish child, the mysterious narrator of their story. He sees what they see, he feels what they feel, yet his is a voice that comes from deep inside the wreckage of a nation’s dream.

    It is goodbye to a Berlin wild, wicked, breathtaking, decadent beyond belief and already -- in the years between the wars -- welcoming death in through the door, though more with a wink than a whimper.~from the back cover

    Captain Sean O'Sullivan distinguishes himself as a courageous soldier in the closing days of World War II, but what comes next tests his deepest reserves of strength and conviction. Sent to oversee the rebuilding of Berlin, O'Sullivan is exposed to the horrific truths of the Holocaust, a shattered and defeated society, and the new threat of Soviet power as the Iron Curtain begins to shadow the city. When Soviet forces blockade Berlin and the airlift begins, O'Sullivan is faced with profound moral dilemmas in an increasingly complicated world. Armageddon is one of the great fictional portrayals of Europe in the earliest days of the Cold War."Magnificent. The great drama of the Berlin airlift . . ." -The Columbus Dispatch"A vast panorama of people and places . . . dramatic moment after dramatic moment in a throbbing tempo." -New York Herald TribuneLeon Uris (1924-2003) was an author of fiction, nonfiction, and screenplays whose works include numerous best-selling novels. His epic Exodus (1958) has been translated into over fifty languages. Uris's work is notable for its focus on dramatic moments in contemporary history, including World War II and its aftermath, the birth of modern Israel, and the Cold War. Through the massive success of his novels and his skill as a storyteller, Uris has had enormous influence on popular understanding of twentieth-century history.

    One day, after winning some money from a bet, he goes back to the village where he grew up, to fish for carp in a pool he remembers from thirty years before. The pool, alas, is gone, the village has changed beyond recognition, and the principal event of his holiday is an accidental bombing by the RAF.

    Braithwaite, self-appointed queen of her English village, finds herself dethroned, despised, and dismissed following her husband’s selfish divorce petition. Never deterred, the threat of a family secret being revealed sets her hot-foot to London to find the only person she has left—her clever daughter Betty, who took work there at the first rumbles of war.   But when she arrives, Betty’s landlord, the timid Mr. Norris, informs her that Betty hasn’t been home in days--with the chaos of the bombs, there’s no telling what might have befallen her. Aghast, Mrs. Braithwaite sets her bullish determination to the task of finding her only daughter.   Storming into the London Blitz, Mrs. Braithwaite drags the reluctant Mr. Norris along as an unwitting sidekick as they piece together Betty’s unexpectedly chaotic life. As she is thrown into the midst of danger and death, Mrs. Braithwaite is forced to rethink her old-fashioned notions of status, class, and reputation, and to reconsider the question that’s been puzzling her since her world overturned: How do you measure the success of your life?

    Hal promises to find his enemy’s English girlfriend, Sam, and let her know her fiancé is alive and thinking of her. Several weeks later, Hal—now injured—is discharged from the army and goes to Stratford on Avon to fulfill his promise. But things take an unexpected turn when he meets the woman in the photo and falls in love with her himself. As their romance blossoms, Sam shares with Hal her most private confidence: Her newborn son is of German lineage, information that threatens her reputation and her job as a schoolteacher. Fearful that he will lose Sam, Hal holds tight to the secret–and the photograph–that brought them together. The scene shifts to London, where Hal becomes involved with military intelligence and is introduced to Sam’s sisters and a different kind of secrecy. Against the broader landscape of England in wartime, Gifts of War captures the era and the fates of men and women caught in the sweep of history. A vivid tale of romance, adventure, and intrigue, the novel is a remarkable narrative that explores what made War World I so tragic, so revolutionary, and so exciting. It also announces a gifted new novelist.

    Eighty years old, Ebenezer has lived his whole life on the Channel Island of Guernsey, a stony speck of a place caught between the coasts of England and France yet a world apart from either. Ebenezer himself is fiercely independent, but as he reaches the end of his life he is determined to tell his own story and the stories of those he has known. He writes of family secrets and feuds, unforgettable friendships and friendships betrayed, love glimpsed and lost. The Book of Ebenezer Le Page is a beautifully detailed chronicle of a life, but it is equally an oblique reckoning with the traumas of the twentieth century, as Ebenezer recalls both the men lost to the Great War and the German Occupation of Guernsey during World War II, and looks with despair at the encroachments of commerce and tourism on his beloved island.G. B. Edwards labored in obscurity all his life and completed The Book of Ebenezer Le Page shortly before his death. Published posthumously, the book is a triumph of the storyteller’s art that conjures up the extraordinary voice of a living man.

    But this year strange things were happening, terrifying things that had never happened before. Inexplicable sounds and smells; new, unimaginable creatures half glimpsed through the leaves. What the people didn't, and perhaps never would, know, was that the day of their people was already over.From the author of Lord of the Flies, The Inheritors is a startling recreation of the lost world of the Neanderthals, and a frightening vision of the beginning of a new age.