It is considered second only to the Tao Te Ching, but the two books coundn't be more different. Where the Tao Te Ching is distant and proverbial in style, the Chuang Tze buzzes with life and with insights, often with considerable humour behind them.

    It was followed in 1932 by a sequel Aparajito, which was later also adapted into a film of the same name by Satyajit Ray.

    In Urdu, basti means any space, from the most intimate to the most universal, in which groups of people come together to try to live together, and the universal question at the heart of the book is how to constitute a common world. What brings people together? What tears them apart? “When the world was still all new, when the sky was fresh and the earth not yet soiled, when trees breathed through centuries and ages spoke around in the voices of birds, how astonished he was that everything was so new and yet looked so old”—so the book begins, with a mythic, even mystic, vision of harmony, as the hero, Zakir, looks back on his childhood in a subcontinent that had not yet been divided between Muslims and Hindus. But Zakir is abruptly evicted from this paradise—real or imagined—into the maelstrom of history. The new country of Pakistan is born, separating him once and for all from the woman he loves, and in a jagged and jarring sequence of scenes we witness a nation and a psyche torn into existence only to be torn apart again and again by political, religious, economic, linguistic, personal, and sexual conflicts—in effect, a world of loneliness. Zakir, whose name means “remember,” serves as the historian of this troubled place, while the ties he maintains across the years with old friends—friends who run into one another in cafés and on corners and the odd other places where history takes a time-out—suggest that the possibility of reconciliation is not simply a dream. The characters wait for a sign that minds and hearts may still meet. In the meantime, the dazzling artistry of Basti itself gives us reason to hope against hope.

    Ashbery himself had just returned to America from ten years abroad working as an art critic in France, and "Rivers and Mountains," his third published collection of poems, is now considered by many critics to represent a pivotal transition point in his artistic career. The poet who would gain widespread acclaim with his multiple-award-winning "Self-Portrait in a Convex Mirror" (1975) is, in this collection, still very much engaged in the intimate, personal project of taking his poetry apart and putting it back together again, interrogating not just the act of writing but poetry itself--its purpose, its composition, its fundamental parts. Nominated for a National Book Award by a panel of judges that included W. H. Auden and James Dickey, "Rivers and Mountains" includes two of Ashbery's most studied and admired works. "Clepsydra," which takes its name from an ancient device for measuring the passage of time, echoes both the physical form and the philosophical weight of a water clock in its contemplation of the experience of time as it passes. "The Skaters," the long poem that closes the collection, was immediately praised as a masterpiece of modern American poetry, and is the work that perhaps most clearly introduces the voice for which Ashbery is now well known and loved: generous, restless, wide-ranging, and human.

    His thousands of extemporaneously composed songs communicate complex ideas in a simple, lucid style. This volume features the best and most highly esteemed of the religious leader's songs of love and compassion that include lessons on the negative aspects of ambition and the importance of finding inner peace. In addition, he stresses the briefness of life: ". . . so apply yourself to meditation. Avoid doing evil, and acquire merit, to the best of your ability, even at the cost of life itself. In short: Act so that you have no cause to be ashamed of yourselves and hold fast to this rule."

    The author has simplified the subject to serve the needs of the non-specialists. This work will be a significant addition to the text books available on Islamic jurisprudence in English.

    As Emperor Go-Daigo fended off a challenge from the usurping Hojo family, and Japan stood at the brink of a dark political era, Kenkō held fast to his Buddhist beliefs and took refuge in the pleasures of solitude. Written between 1330 and 1332, Essays in Idleness reflects the congenial priest's thoughts on a variety of subjects. His brief writings, some no more than a few sentences long and ranging in focus from politics and ethics to nature and mythology, mark the crystallization of a distinct Japanese principle: that beauty is to be celebrated, though it will ultimately perish. Through his appreciation of the world around him and his keen understanding of historical events, Kenkō conveys the essence of Buddhist philosophy and its subtle teachings for all readers. Insisting on the uncertainty of this world, Kenkō asks that we waste no time in following the way of Buddha.In this fresh edition, Donald Keene's critically acclaimed translation is joined by a new preface, in which Keene himself looks back at the ripples created by Kenkō's musings, especially for modern readers.

    Fireflies in the Mist is Hyder's capstone to her astonishing River of Fire, which was hailed by The New York Review of Books as "magisterial with a technical resourcefulness rarely seen before in Urdu fiction."Fireflies follows the creation of modern day Bangladesh -- from Indian province, to Partition, to the emergence of statehood -- as told through the impassioned voice of Deepali Sarkar and others around her who live through the turbulence. Hyder perceptively and majestically follows the trajectory of Sarkar's life -- from her secluded upbringing in Dhaka to becoming a socialist rebel and to her ultimate transformation as a diasporic Bengali cosmopolitan -- in the way that many of yesterday's revolutionaries are slowly but surely ensnared within a net of class and luxury dangled in front of them.

    Written in exquisite Persian verse, the 'Zafarnama' or 'Epistle of Victory' was a defiant message composed by Guru Gobind Singh, the tenth Sikh Guru, and addressed to the Mughal emperor Aurangzeb.In this brilliant new translation, Navtej Sarna brings to life the valiant voice of Guru Gobind Singh and the power of his poetic genius in a passionate disavowal of tyranny that remains ever relevant.

    The End of Imagination also includes her nonfiction works Power Politics, War Talk, Public Power in the Age of Empire, and An Ordinary Person’s Guide to Empire, which include her widely circulated and inspiring writings on the U.S. invasions of Afghanistan and Iraq, the need to confront corporate power, and the hollowing out of democratic institutions globally.

    While focusing on the words from the project, new photography launches each section which speaks to the reader's journey through the world: Love Found, Being In Love, Love Lost, Hope, Despair, Living and Dying.