That man is Nikolai Dante lover, rogue and thief, son of a pirate-queen and altogether too cool to kill! Created by Robbie Morrison (BATMAN: GOTHAM KNIGHTS) and Simon Fraser (Lux and Alby), this collection features art by Chris Weston (THE FILTH), Charlie Adlard (THE ESTABLISHMENT) and Henry Flint (Judge Dredd/Aliens).When chance leaves him working with the Tsar's beautiful daughter Jena, Dante discovers his heritage bio-bonding with the alien Weapons Crest, which grants him astonishing abilities. But with the new enemies he's making much less the family he never knew about can Dante keep his head?

    "It must be established as a law that adventure in itself does not exist," Mac Orlan stipulates. "Adventure is in the mind of the one who pursues it, and no sooner is he able to touch it with his finger than it vanishes, to reappear much farther off in another form, at the limits of the imagination." This handbook outlines two classes of adventurer: the active adventurer (sailors, soldiers, criminals) and the passive adventurer (sedentary parasites who draw sustenance from the exploits of the former). Roaming from battlefields to pirate ships to port-town taverns, and offering advice on reading, traveling and eroticism, Mac Orlan's "Handbook" is ultimately a how-to manual for the imagination, and a formulation of the stark choice all would-be adventurers must face: to live or write.Generally known as the author of "Le Quai des brumes" (the basis for Marcel Carne's film of the same name), Pierre Mac Orlan (1882-1970) was a prolific writer of absurdist tales, adventure novels, flagellation erotica and essays, as well as the composer of a trove of songs made famous by the likes of Juliette Greco. A member of both the Academie Goncourt and the College de 'Pataphysique, Mac Orlan was admired by everyone from Raymond Queneau and Boris Vian to Andre Malraux and Guy Debord.

    He soon learns that every aspect of his life so far, including the staged deaths of his parents, has been arranged by the Senate Tribunal in an attempt to mold him into the perfect leader. Now there are only thirty candidates, including Caius, left competing to be the Emperor's heir. Success in a series of Trials will reunite him with his family and make him the most powerful man in the world, but failure will lead to a life of isolation and imprisonment hidden in the eaves of the palace. As Caius enters the trials, it becomes apparent that the tests themselves are not the problem: it is the twenty nine other candidates willing to do whatever it takes to win, including maim or kill their top competitors. Can Caius navigate the pitfalls of imperial politics and cutthroat competition, all while performing well enough to succeed in the trials fair and square?

    The list of works for the 2008 exam include: Le Cid, L'Ecole des femmes, Candide, Pierre et Jean, Moderato Cantabile, Une Tempête and La Poésie (updated for 2008 exam.)

    That is, until she meets an old man who entrusts her with a package containing a mysterious item that has unbelievable powers. It is a meeting that will change her life.

    Only one small village of indomitable Gauls still holds out against the invaders. But how much longer can Asterix, Obelix and their friends resist the mighty Roman legions of Julius Caesar? Anything is possible, with a little cunning plus the druid Getafix's magic potions! Their effects can be truly hair-raising...

    publication of Simon Watson Taylor's authoritative translation, completed after consultations with the author. Unconventional in form--Aragon consciously avoided recognizable narration or character development--Paris Peasant is, in the author's words, -a mythology of the modern.- The book uses the city of Paris as a stage, or framework, and Aragon interweaves his text with images of related ephemera: cafe menus, maps, inscriptions on monuments and newspaper clippings. A detailed description of a Parisian arcade (nineteenth-century precursor to the mini-mall) and another of the Buttes-Chaumont park, are among the great set pieces within Aragon's swirling prose of philosophy, dream and satire. Andre Breton wrote of this work: -no one could have been a more astute detector of the unwonted in all its forms; no one else could have been carried away by such intoxicating reveries about a sort of secret life of the city. . . .-

    One of a series of illustrated, easy-to-read adaptations of classic titles designed to support the literacy requirements at Key Stage 2 and the English curriculum at Key Stage 3.

    Refused for publication in the author's lifetime, "Exploits and Opinion of Dr. Faustroll" recounts the adventures of the inventor of "Pataphysics . . . the science of imaginary solutions." Pataphysics has since inspired artists as diverse as Marcel Duchamp and the 60s rock band Soft Machine, as well as the mythic literary organization the College de Pataphysique. Simon Watson Taylor's superb annotated translation (which in turn inspired a new French edition of the text) was first published by Grove Press in 1965 as part of their now out-of-print collection, "Selected Works of Alfred Jarry." As a result, this most important novel by Jarry has never before been published under its own title in English.

    Angélique de Sance de Monteloup, a vibrant twelve-year-old tomboy, is the daughter of a simple nobleman impoverished by taxes and other burdens. Angélique joins the local peasant children in their games, ranges the ancient forests and swamps of Poitou and when bandits visit destruction and rapine on the humble villagers, our heroine's leadership qualities come to the fore for the first time. The book also tells of Angélique's first meetings with two crucial characters - King Louis XIV of France and Joffrey. One of the scenes in the book sees Angélique and Joffrey attend the wedding of Louis XIV and his queen, Marie-Therese. As Angélique and Joffrey tangle with powerful forces, it is a classic and gripping adventure story, but we also learn about the couple's tender and often unpredictable relationship. The climax of the book is a decision by the French court which has an impact on the whole of the rest of the story - destined to move to the dangerous streets of Paris for the second book...

    As they discuss the merits of the piece and art in general, the father hears his children upstairs giggling. This childish mirth is barbaric and devastating to the father, for in their laughter he hears them mocking his "old-fashioned" viewpoint and the energy he wastes by collecting lifeless objects. In his mind, they have no respect for what has been of greatest importance in his life.

    Routledge is an imprint of Taylor & Francis, an informa company.

    Here the first of these volumes is presented in a new and lively translation. Pantagruel recounts the life a popular giant. From his portentous birth and colorful childhood, to his visit to Paris and his travels through Utopia, and not withstanding his enormous appetite, Pantagruel’s history is told with a breathtaking degree of gaiety and wit. Ingeniously coining new expressions, and with an unashamed obsession with bodily functions, Rabelais blends prose and poetry, the sacred and profound, to offer a heady satire of the religious society of his day. The result is a bawdy and brilliant celebration of life.

    Edith Wharton and Henry James wrote about the American girl abroad, but it was Elaine Dundy’s Sally Jay Gorce who told us what she was really thinking. Charming, sexy, and hilarious, The Dud Avocado gained instant cult status when it was first published and it remains a timeless portrait of a woman hell-bent on living.“I had to tell someone how much I enjoyed The Dud Avocado. It made me laugh, scream, and guffaw (which, incidentally, is a great name for a law firm).” –Groucho Marx[The Dud Avocado] is one of the best novels about growing up fast..." -The Guardian“A cheerfully uninhibited...variation on the theme of the Innocents Abroad...Miss Dundy comes up with fresh and spirited comedy....Her novel is enormous fun—sparklingly written, genuinely youthful in spirit.” —The Atlantic

    Laura Aldridge, a young Harvard psychology professor, is offered one million dollars by billionaire computer-genius and inventor Joseph Gray to assist on a mysterious project, she leaves her comfortable existence to live on his beautiful island in the South Pacific. The centerpiece of his world empire is a massive, artificially intelligent neurocomputer buried deep under the island. Its life has grown troubled and Laura must psychoanalyze and cure Gray's all-too-human computer before its malfunctions lead to global catastrophe. What she learns is information that some men--and governments--would kill to keep from being exposed.