The novel follows the adventures of Jack Levitt, an orphaned teenager living off his wits in the fleabag hotels and seedy pool halls of Portland, Oregon. Jack befriends Billy Lancing, a young black runaway and pool hustler extraordinaire. A heist gone wrong gets Jack sent to reform school, from which he emerges embittered by abuse and solitary confinement. In the meantime Billy has joined the middle class: married, fathered a son, acquired a business and a mistress. But neither Jack nor Billy can escape their troubled pasts, and they will meet again in San Quentin before their strange double drama comes to a violent and revelatory end.

    In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heartwrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.

    Its hero is Harry “Rabbit” Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is twenty-six years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty—even, in a sense, human hard-heartedness and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path, an invisible line toward his own salvation as straight as a ruler’s edge.

    William Styron traces the betrayals and infidelities—the heritage of spite and endlessly disappointed love—that afflict the members of a Southern family and that culminate in the suicide of the beautiful Peyton Loftis.

    But he has yet to meet the test of human conflict. In a tale of violent action and superbly sustained suspense, the harsh realities of tribal warfare force him to kill his first foe, then face torture at the stake. Still yet another kind of initiation awaits him when he discovers not only the ruthlessness of "civilized" men, but also the special danger of a woman's will. His reckless spirit transformed into mature courage and moral certainty, the Deerslayer emerges to face life with nobility as pure and proud as the wilderness whose fierce beauty and freedom have claimed his heart.

    Detail by detail their diaries record a world in which thought leads to action and action brings William G. and Neaera H. to their own open sea.

    As fresh today as it was then, Rand’s provocative novel presents one of the most challenging ideas in all of fiction—that man’s ego is the fountainhead of human progress...“A writer of great power. She has a subtle and ingenious mind and the capacity of writing brilliantly, beautifully, bitterly...This is the only novel of ideas written by an American woman that I can recall.”—The New York Times

    And J R is a book of comparable magnitude, substance, and humor--a rushing, raucous look at money and its influence, at love and its absence, at success and its failures, in the magnificently orchestrated circus of all its larger- and smaller-than-life characters; a frantic, forlorn comedy about who uses -- and misuses -- whom.At the center: J R, ambitious sixth-grader in torn sneakers, bred on the challenge of "free enterprise" and fired by heady mail-order promises of "success." His teachers would rather be elsewhere, his principal doubles as a bank president, his Long Island classroom mirrors the world he sees around him -- a world of public relations and private betrayals where everything (and everyone) wears a price tag, a world of "deals" where honesty is no substitute for experience, and the letter of the law flouts its spirit at every turn. Operating from the remote anonymity of phone booths and the local post office, with beachheads in a seedy New York cafeteria and a catastrophic, carton-crammed tenement on East 96th Street, J R parlays a deal for thousands of surplus Navy picnic forks through penny stock flyers and a distant textile-mill bankruptcy into a nationwide, hydra-headed "family of companies."The J R Corp and its Boss engulf brokers, lawyers, Congressmen, disaffected school teachers and disenfranchised Indians, drunks, divorcées, second-hand generals, and a fledgling composer hopelessly entangled in a nightmare marriage of business and the arts. Their bullish ventures -- shaky mineral claims and gas leases, cost-plus defense contracts, a string of nursing homes cum funeral parlors, a formula for frozen music -- burgeon into a paper empire ranging from timber to textiles, from matchbooks to (legalized) marijuana, from prostheses to publishing, inadvertently crushing hopes, careers, an entire town, on a collision course with the bigger world . . . the pragmatic Real World where the business of America is business, where the stock market exists as a convenience, and the tax laws make some people more equal than others . . . the world that makes the rules because it plays to win, and plays for keeps.Absurdly logical, mercilessly real, gathering its own tumultuous momentum for the ultimate brush with commodity trading when the drop in pork belly futures masks the crumbling of our own, J R captures the reader in the cacophony of voices that revolves around this young captive of his own myths -- voices that dominate the book, talking to each other, at each other, into phones, on intercoms, from TV screens and radios -- a vast mosaic of sound that sweeps the reader into the relentless "real time" of spoken words in a way unprecedented in modern fiction. The disturbing clarity with which this finished writer captures the ways in which we deal, dissemble, stumble through our words -- through our lives -- while the real plans are being made elsewhere makes J R the extraordinary novel that it is.--From the first-edition dustjacket

    Released from the social constraints of her traditional Jewish family, and thrown into the glorious, colorful world of theater, Marjorie finds herself entangled in a powerful affair with the man destined to become the greatest-and the most destructive-love of her life.Rich with humor and poignancy, Marjorie Morningstar is a classic love story, one that spans two continents and two decades in the life of its heroine. This unforgettable paean to youthful love and the bittersweet sorrow of a first heartbreak endures as one of Herman Wouk's most beloved creations.

    When fourteen children from the small town of Sam Dent are lost in a tragic accident, its citizens are confronted with one of life’s most difficult and disturbing questions: When the worst happens, whom do you blame, and how do you cope? Masterfully written, it is a large-hearted novel that brings to life a cast of unforgettable small-town characters and illuminates the mysteries and realities of love as well as grief.

    But in that dark Depression year, books were hard to sell, and the novel quickly dropped out of sight, as did its twenty-eight-year-old author. Only with its paperback publication in 1964 did the novel receive the recognition it deserves. Call It Sleep was the first paperback ever to be reviewed on the front page of The New York Times Book Review, and it proceeded to sell millions of copies both in the United States and around the world. Call It Sleep is the magnificent story of David Schearl, the “dangerously imaginative” child coming of age in the slums of New York.

    Set in Mississippi during the Civil War and Reconstruction, THE UNVANQUISHED focuses on the Sartoris family, who, with their code of personal responsibility and courage, stand for the best of the Old South's traditions.

    First published in the 1950s, at the height of the McCarthy era, Warlock is not only one of the most original and entertaining of modern American novels but a lasting contribution to American fiction.

    Powers's comic masterpiece is Father Urban, a man of the cloth who is also a man of the world. Charming, with an expansive vision of the spiritual life and a high tolerance for moral ambiguity, Urban enjoys a national reputation as a speaker on the religious circuit and has big plans for the future. But then the provincial head of his dowdy religious order banishes him to a retreat house in the Minnesota hinterlands. Father Urban soon bounces back, carrying God's word with undaunted enthusiasm through the golf courses, fishing lodges, and backyard barbecues of his new turf. Yet even as he triumphs his tribulations mount, and in the end his greatest success proves a setback from which he cannot recover.First published in 1962, Morte D'Urban has been praised by writers as various as Gore Vidal, William Gass, Mary Gordon, and Philip Roth. This beautifully observed, often hilarious tale of a most unlikely Knight of Faith is among the finest achievements of an author whose singular vision assures him a permanent place in American literature.

    He stays at the edge of an outcast community inhabited by eccentrics, criminals and the poverty-stricken. Rising above the physical and human squalor around him, his detachment and wry humour enable him to survive dereliction and destitution with dignity.