William Cooper rose from humble origins to become a wealthy land speculator and U.S. congressman in what had until lately been the wilderness of upstate New York, but his high-handed style of governing resulted in his fall from power and political disgrace. His son James Fenimore Cooper became one of this country’s first popular novelists with a book, The Pioneers, that tried to come to terms with his father’s failure and imaginatively reclaim the estate he had lost. In William Cooper’s Town, Alan Taylor dramatizes the clash between gentility and democracy that was one of the principal consequences of the American Revolution, a struggle that was waged both at the polls and on the pages of our national literature. Taylor shows how Americans resolved their revolution through the creation of new social reforms and new stories that evolved with the expansion of our frontier.

    Endless rides and alcohol help her manage her grief over the death of her twin brother, Osiris, who was murdered and dumped in the Anacostia River.Unknown to Nephthys when the novel opens in 1977, her estranged great-nephew, ten-year-old Dash, is finding himself drawn to the banks of that very same river. It is there that Dash--reeling from having witnessed an act of molestation at his school, but still questioning what and who he saw--has charmed conversations with a mysterious figure he calls the "River Man," who somehow appears each time he goes there.When Dash arrives unexpectedly at Nephthys's door one day bearing a cryptic note about his unusual conversations with the River Man, Nephthys must face both the family she abandoned and what frightens her most when she looks in the mirror.Creatures of Passage beautifully threads together the stories of Nephthys, Dash, and others both living and dead. Morowa Yejidé's deeply captivating novel shows us an unseen Washington filled with otherworldly landscapes, flawed super-humans, and reluctant ghosts, and brings together a community intent on saving one young boy in order to reclaim themselves.

    But to twelve-year-old Orly, it's simply where his godmother Nina lives--and where he is being forced to stay the summer after his mother's sudden death.For Nina, Brownsville is where she grew up, where she lost her first and only love, and where she stayed as her relatives moved away and her neighborhood deteriorated. It's the place where she has buried all her secrets--and now she has another: she's providing refuge for a young immigrant boy named Daniel, for whom traveling to America has meant trading one set of dangers for another.Separated from the violent human traffickers who brought him across the border and pursued by the authorities, Daniel must stay completely hidden. But Orly's arrival threatens to put them all at risk of exposure.Tackling the crisis of U.S. immigration policy from a deeply human angle, Where We Come From explores through an intimate lens the ways that family history shapes us, how secrets can burden us, and how finding compassion and understanding for others can ultimately set us free.

    Indeed, there has been much speculation that the killer or killers are American citizens. While some leading members of the American media have reported on the situation, prompting the U.S. government to send in top criminal profilers from the FBI, little real information about this international atrocity has emerged. According to Amnesty International, as of 2006 more than 400 bodies have been recovered, with hundreds still missing.As for who is behind the murders themselves, the answer remains unknown, although many have argued that the killings have become a sort of blood sport, due to the lawlessness of the city itself. Among the theories being considered are illegal trafficking in human organs, ritualistic satanic sacrifices, copycat killers, and a conspiracy between members of the powerful Juarez drug cartel and some corrupt Mexican officials who have turned a blind eye to the felonies, all the while lining their pockets with money drenched in blood.Despite numerous arrests over the last ten years, the murders continue to occur, with the killers growing bolder, dumping bodies in the city itself rather than on the outskirts of town, as was initially the case, indicating a possible growing and most alarming alliance of silence and cover-up by Mexican politicians."The Daughters of Juarez" promises to be the first eye-opening, authoritative nonfiction work of its kind to examine the brutal killings and draw attention to these atrocities on the border. The end result will shock readers and become required reading on the subject for years to come.

    For Michael, that meant a lot of things: don’t tell anyone about the day-to-day struggle of being Black and broke in Stockton, CA. Don’t tell anyone the pain of having a father incarcerated for 25 years to life. Don’t tell anyone about living two lives, the brainy bookworm and the kid with the newest Jordans. And also don’t tell anyone about the particular joys of growing up with three “moms”―a Nana who never let him miss church, an Auntie who’d take him to the library any time, and a mother, “She-Daddy”, who schooled him in the wisdom of hip-hop and taught him never to take no for an answer.So for a long time Michael didn’t tell anyone his story, but as he went on to a scholarship at Stanford and an internship in the Obama White House, he began to realize the power of his experience, the need for his perspective in the halls of power. By the time he returned to Stockton to become, in 2016 at age 26, its first Black mayor and the youngest-ever mayor of a major American city, he knew his story meant something.The Deeper the Roots is a memoir astonishing in its candor, voice, and clarity of vision. Tubbs shares with us the city that raised him, his family of badass women, his life-changing encounters with Oprah Winfrey and Barack Obama, the challenges of governing in the 21st century and everything in between―en route to unveiling his compelling vision for America rooted in his experiences in his hometown.

    “That way,” Mami told the midwife, “no matter where life takes her, she won’t ever forget where she came from.” Then Mago touched my belly button . . . She said that my umbilical cord was like a ribbon that connected me to Mami. She said, “It doesn’t matter that there’s a distance btween us now. That cord is there forever.” When Reyna Grande’s father leaves his wife and three children behind in a village in Mexico to make the dangerous trek across the border to the United States, he promises he will soon return from “El Otro Lado” (The Other Side) with enough money to build them a dream house where they can all live together. His promises become harder to believe as months turn into years. When he summons his wife to join him, Reyna and her siblings are deposited in the already overburdened household of their stern, unsmiling grandmother. The three siblings are forced to look out for themselves; in childish games they find a way to forget the pain of abandonment and learn to solve very adult problems. When their mother at last returns, the reunion sets the stage for a dramatic new chapter in Reyna’s young life: her own journey to “El Otro Lado” to live with the man who has haunted her imagination for years, her long-absent father. In this extraordinary memoir, award-winning writer Reyna Grande vividly brings to life her tumultuous early years, capturing all the confusion and contradictions of childhood, especially one spent torn between two parents and two countries. Elated when she feels the glow of her father’s love and approval, Reyna knows that at any moment he might turn angry or violent. Only in books and music and her rich imaginary life does she find solace, a momentary refuge from a world in which every place feels like “El Otro Lado.” The Distance Between Us captures one girl’s passage from childhood to adolescence and beyond. A funny, heartbreaking, lyrical story, it reminds us that the joys and sorrows of childhood are always with us, invisible to the eye but imprinted on the heart, forever calling out to us of those places we first called home.

    Wretched conditions, abusive white supervisors, poor education, and low wages locked most black workers into poverty. Then two sanitation workers were chewed up like garbage in the back of a faulty truck, igniting a public employee strike that brought to a boil long-simmering issues of racial injustice.With novelistic drama and rich scholarly detail, Michael Honey brings to life the magnetic characters who clashed on the Memphis battlefield: stalwart black workers; fiery black ministers; volatile, young, black-power advocates; idealistic organizers and tough-talking unionists; the first black members of the Memphis city council; the white upper crust who sought to prevent change or conflagration; and, finally, the magisterial Martin Luther King Jr., undertaking a Poor People's Campaign at the crossroads of his life, vilified as a subversive, hounded by the FBI, and seeing in the working poor of Memphis his hopes for a better America.

    In their beautiful new rented apartment, surrounded by their rented furniture, and several Swiss instructions to maintain quiet, she finds herself totally isolated. Her husband’s job means he is almost never present, and her entire world is caring for her children—making sure they are happy and fed and comfortable, and that they can be seen as the happy, well-fed, comfortable family they should be. Everything is perfect. But, of course, it’s not. The isolation, the sleeplessness, the demands of two people under two are getting to Erika. She has never been so alone, and once the children are asleep, there are just too many hours to fill until morning . . . Kyra Wilder’s Little Bandaged Days is a beautifully written, painfully claustrophobic story about a woman’s descent into madness. Unpredictable, frighteningly compelling, and brutally honest, it grapples with the harsh conditions of motherhood and this mother’s own identity, and as the novel continues, we begin to wonder just what exactly Erika might be driven to do.

    On his way home from work, some heavily-tattooed gangsters throw him in the back of a car and take him to an abandoned house, where they saw off his friend's head and feed the kid's fingers to...something. Their message is clear: this is their territory, now. But Fernando isn't put down that easily. Using the assistance of a Santeria priestess, an insane Puerto Rican pop sensation, a very human dog, and a Russian hitman, he'll build the courage (and firepower) he'll need to fight a gangbanger who's a bit more than human...

    This companion to the landmark PBS miniseries vividly and candidly tells how the story of Latino Americans is the story of our country.Author and acclaimed journalist Ray Suarez explores the lives of Latino American men and women over a five-hundred-year span, encompassing an epic range of experiences from the early European settlements to Manifest Destiny; the Wild West to the Cold War; the Great Depression to globalization; and the Spanish-American War to the civil rights movement.Latino Americans shares the personal struggles and successes of immigrants, poets, soldiers, and many others—individuals who have made an impact on history, as well as those whose extraordinary lives shed light on the times in which they lived, and the legacy of this incredible American people.

    These intimate portraits of people and relationships scour and soothe and blast a light on the nature of family, faith, forgiveness, consumption, and what we may, or may not, owe one another. A thirteen-year-old meditates on her sadness and the difference between herself and her white best friend when an unexpected tragedy occurs; a woman recovering from a miscarriage finds herself unable to let go of her daughter—whose body parts she sees throughout her daily life; a teenager resists her family’s church and is accused of courting the devil; servers at a supper club cater to the insatiable cravings of their wealthy clientele; and two estranged siblings take a road-trip with their father’s ashes and are forced to face the troubling reality of how he continues to shape them.Wise and subversive, spiritual and seductive, Milk Blood Heat forms an ouroboros of stories that bewitch with their truth.

    His kidnapping started the longest war in American history, and both sides--the Apaches and the white invaders—blamed him for it. A mixed-blood warrior who moved uneasily between the worlds of the Apaches and the American soldiers, he was never trusted by either but desperately needed by both. He was the only man Geronimo ever feared. He played a pivotal role in this long war for the desert Southwest from its beginning in 1861 until its end in 1890 with his pursuit of the renegade scout, Apache Kid. In this sprawling, monumental work, Paul Hutton unfolds over two decades of the last war for the West through the eyes of the men and women who lived it. This is Mickey Free's story, but also the story of his contemporaries: the great Apache leaders Mangas Coloradas, Cochise, and Victorio; the soldiers Kit Carson, O. O. Howard, George Crook, and Nelson Miles; the scouts and frontiersmen Al Sieber, Tom Horn, Tom Jeffords, and Texas John Slaughter; the great White Mountain scout Alchesay and the Apache female warrior Lozen; the fierce Apache warrior Geronimo; and the Apache Kid. These lives shaped the violent history of the deserts and mountains of the Southwestern borderlands--a bleak and unforgiving world where a people would make a final, bloody stand against an American war machine bent on their destruction.

    He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in. Olivarez has a unique voice that makes him a poet to watch.

    Blending radical formal fluidity and caustic humor, Mean turns what might be tragic into piercing, revealing comedy. This is a confident, funny, brassy book that takes the cost of sexual assault, racism, misogyny, and homophobia deadly seriously.We act mean to defend ourselves from boredom and from those who would cut off our breasts. We act mean to defend our clubs and institutions. We act mean because we like to laugh. Being mean to boys is fun and a second-wave feminist duty. Being mean to men who deserve it is a holy mission. Sisterhood is powerful, but being mean is more exhilarating.Being mean isn't for everybody.Being mean is best practiced by those who understand it as an art form.These virtuosos live closer to the divine than the rest of humanity. They're queers.Myriam Gurba is a queer spoken-word performer, visual artist, and writer from Santa Maria, California. She's the author of Dahlia Season (2007, Manic D) which was a finalist for the Lambda Literary Award, Wish You Were Me (2011, Future Tense Books), and Painting Their Portraits in Winter (2015, Manic D). She has toured with Sister Spit and her work has been exhibited at the Museum of Latin American Art in Long Beach. She lives in Long Beach, where she teaches social studies to eighth-graders.

    She considers what a homeland would be for a divided nation and a divided self: what it means to enter language, the body, the family, the community; to be a daughter, sister, lover, citizen, or exile.In settings from New York to San Francisco, from Scotland to Seoul, her poems question "what threads hold / our lives together" in cities and gardens, battlefields and small towns. Across the no-man's-land between every "you" and "I," her speakers encounter, quarrel with, or honor others, traveling between the living and the dead, between horror over the disastrous events of the past and hope for the future. Drawing upon a wide range of voices, styles, and perspectives, Notes from the Divided Country bears witness to the vanishing world.