Find the fortune. Solve the Mystery. This Christmas is to die for. Let the game begin...'Endgame has kept our secrets for half a century, now it's time for it, and its secrets, to have a new owner.'When Lily returns home to her aunt's manor house, she discovers that in order to inherit, she and her estranged cousins must stay together over the Christmas week and take part in a family tradition: the annual treasure hunt.But as they are drawn deeper into the game, the clues seem to point not to the deeds to the manor house, but to the key to a twenty-year-old mystery: what really happened to Lily's mother?As a snowstorm cuts them off from the village, it becomes apparent that the game has turned deadly and that Lily is fighting for more than just an inheritance: she is now fighting for her life. Does she have what it takes to survive?12 clues, 12 keys and 12 days of Christmas for the heirs of Endgame House to find their inheritance, but how many will die before Twelfth Night?

    If she doesn't land a paying job soon-horror movie, soap commercial, anything-she's afraid her ex-husband will use her dire financial straits to take away Petey, her cherished four-year-old son. While she's charming the crowd at storytime at the L.A. public library, a celebrity defense attorney approaches her with an unusual job offer: So long as she's discreet, Rita can rake in a thousand dollars a day preparing his client for her appearance in court.Easy money? Hardly. His client, Eileen Tenaway, is not only a wealthy heiress and a queen of the tabloids but she's been charged with the murder of her own child. The attorney needs Rita to coach Eileen secretly to help her seem more sympathetic, more human. He needs the jury to believe not only her words but the subtle cues of body language, facial expressions, even vocal style.Rita knows she can do it, but what she doesn't know is how determined she'll become to find out what really happened to Eileen's family-once her own life and Petey's life depend on it. The Actress, Elizabeth Sims's engrossing series debuting a spirited sleuth, delivers a fresh, behind-the-scenes look at Hollywood's high society at its lowest.

    Hotly pursued by the police, they crash into the suburban home of an accountant and take the family hostage. Soon the mafia are on the scene.

    It’s an ordinary request on an ordinary Sunday afternoon, and Rachel has no reason to worry—until Ben vanishes.Police are called, search parties go out, and Rachel, already insecure after her recent divorce, feels herself coming undone. As hours and then days pass without a sign of Ben, everyone who knew him is called into question, from Rachel’s newly married ex-husband to her mother-of-the-year sister. Inevitably, media attention focuses on Rachel too, and the public’s attitude toward her begins to shift from sympathy to suspicion. As she desperately pieces together the threadbare clues, Rachel realizes that the greatest dangers may lie not in the anonymous strangers of every parent’s nightmares, but behind the familiar smiles of those she trusts the most.Where is Ben? The clock is ticking...

    But now, he has escaped, and his lawyer is tracking down new evidence that might clear him. But then the sleepwalking begins . . . and one by one, the members of the jury that convicted him are being murdered.

    This is useful as she has ‘downsized’ to a flat in Stoke Newington and needs to organise her ‘tat’. While sorting through her boxes, she comes across one containing photos, labelled the Brittan albums, which she had bought with her late husband at a car boot sale in Essex 10 years earlier. The photos were taken in the 1930s. On a foray to Sussex to stay with her sister, a body is discovered. It is in a well at Willmans House, Fairlingly, where renovation work is being carried out. Apparently the female body has been there some time. Our amateur detective realises that this is where the photographs in the albums were taken. Using her new-found skills from her evening classes on family history, she begins to research the families in the photos, the Brittans and, their close neighbours, the Jeavingtons. Gradually their profiles begin to emerge. However, in Sussex, despite the help of her sister and the local vicar in unravelling the mystery, there is unexpected local opposition to her enquiries. Why so many years after a murder had been committed should there be so much local interest? As Mrs Stonier digs deeper, the questions multiply… Anne Wilkinson is a retired marine lawyer with a PhD in the history of amateur gardening, on which she has written three books. She has had a life-long interest in crime fiction and true crime stories, and in her own fiction she combines her experience of genealogical research with rediscovered crimes in a unique way. Anne's other interests include gardening, cooking and vintage and retro antique collecting, all of which have appeared, or will soon appear, in her books.

    But one of them is pure poison - and she puts them both in mortal danger.

    Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged. Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return. With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present. Beware a calm surface—you never know what lies beneath.

    Evelyn Hardcastle will die every day until he can identify her killer and break the cycle. But every time the day begins again, Aiden wakes up in the body of a different guest at Blackheath Manor. And some of his hosts are more helpful than others. With a locked room mystery that Agatha Christie would envy, Stuart Turton unfurls a breakneck novel of intrigue and suspense.For fans of Claire North, and Kate Atkinson, The 7½ Deaths of Evelyn Hardcastle is a breathlessly addictive mystery that follows one man's race against time to find a killer, with an astonishing time-turning twist that means nothing and no one are quite what they seem.This inventive debut twists together a thriller of such unexpected creativity it will leave readers guessing until the very last page.

    Four physicians have failed to bring the young lad back to health, and his nurses seem unable to bring him comfort. Sir Robert decides that he and Elizabeth Lady Carey should have the keeping of the child – despite the disgrace that will come to them if he dies in their care. It’s not long before Sir Robert begins to suspect that foul play lies behind the young Duke’s condition. Is there a poisoner at Court? If so, will Sir Robert find the miscreant in time to save the Duke? Patricia Finney is the author of six novels featuring Sir Robert Carey, all of them written under the pseudonym P F Chisholm and all available on Kindle. Patricia Finney’s latest Elizabethan crime novel, Do We Not Bleed?, features the ambiguous James Enys, his elusive sister, and a young playwright, Will Shakespeare. Do We Not Bleed? is also available on Kindle.

    A dark and riveting psychological thriller from number-one bestselling author Louise Voss‘Superb, like an episode of Midsomer Murders written by Gillian Flynn’ Mark Edwards‘Such a great concept. Enthrallingly gripping – and those twists! A must read’ Angela ClarkeAt the peak of her career as lead singer of a legendary 1980s indie band, Meredith Vincent was driven off the international stage by a horrific incident. Now living a quiet existence in a cottage on the grounds of an old stately home, she has put her past behind her and come to terms with her new life.When a body is found in the manicured gardens of her home, and a series of inexplicable and unsettling events begins to occur, it becomes clear that someone is watching, someone who knows who she is … Someone who wants vengeance.And this is only the beginning…A dark, riveting and chilling psychological thriller, The Last Stage is also a study of secrets and obsessions, where innocent acts can have the most terrifying consequences.‘I’ve been a fan of Louise Voss for years and I honestly think THE LAST STAGE is her best yet. A superb read’ Cass Green‘Twists, turns and stabs you in the heart. It deserves to be huge’ Martyn WaitesPRAISE FOR LOUISE VOSS‘An expert piece of contrivance’ Publishers Weekly‘Brilliantly unsettling’ Jane Casey‘Ingeniously plotted and totally addictive’ Paddy Magrane‘I was guessing right to the end’ Katarina Diamond‘A compelling descent into darkness’ Ed James‘A cracking page-turner that sucks you straight into the dark heart of human behaviour. I couldn’t put it down!’ Marnie Riches‘A tense, super-twisty, well-written page-turner … Fab read’ Amanda Jennings‘Poignant, clever and terrifically tense’ William Shaw, author of The Birdwatcher‘A highly entertaining, thoroughly enjoyable and gripping read’ LoveReading

    Your goal is simple. Get out alive.In the lucrative world of finance, Vincent, Jules, Sylvie, and Sam are at the top of their game. They’ve mastered the art of the deal and celebrate their success in style―but a life of extreme luxury always comes at a cost.Invited to participate in an escape room challenge as a team-building exercise, the ferociously competitive co-workers crowd into the elevator of a high-rise building, eager to prove themselves. But when the lights go off and the doors stay shut, it quickly becomes clear that this is no ordinary competition: they’re caught in a dangerous game of survival.Trapped in the dark, the colleagues must put aside their bitter rivalries and work together to solve cryptic clues to break free. But as the game begins to reveal the team’s darkest secrets, they realize there’s a price to be paid for the terrible deeds they committed in their ruthless climb up the corporate ladder. As tempers fray, and the clues turn deadly, they must solve one final chilling puzzle: which one of them will kill in order to survive?

    Yet Nell is determined to elude the duties and restrictions of matrimony. So when she finds herself pregnant at the age of 17, she refuses to divulge the name of the father and even her childhood friend Martin is kept in the dark.Nell's stepfather Hiram sends Nell to live at the Poor Farm of which he is a governor, to await the day when her baby can be discreetly adopted. Nell is ready to go along with Hiram's plans until an unused padded cell is opened and two small bodies fall out.Nell is the only resident of the Poor Farm who is convinced that the unwed mother and her baby were murdered, and the incident prompts her to rethink her decision to abandon her own child to her fate. But the revelations to which her questions lead make her realize that even if she manages to escape the Poor Farm with her baby, she may have no safe place to run to.

    Not quite what he expected, and not for the faint of heart.Founded in 2012, The Center for Fiction's Crime Fiction Academy is the first ongoing program exclusively dedicated to crime writing in all its forms. Hone your skills with bestselling crime fiction authors Alison Gaylin and Jason Starr. Attend master classes with crime fiction greats like Mary Higgins Clark, Lee Child, Harlan Coben, Linda Fairstein, Nelson DeMille, Michael Connelly, Lisa Unger, and many more. Students receive a Writers’ Studio membership with access to our extensive circulating collection, and have the opportunity to read their work to an audience filled with editors, agents, and publishing professionals at our seasonal Crime Fiction Slam. Not in New York? Check centerforfiction.org for information about our online classes.

    When she returns only two hours later, she swears the baby in the crib is not her child. Despite her distress, David is adamant that she is wrong.The police are called to the scene. Detective Constable Simon Waterhouse is sympathetic, but he doubts Alice's story. His superior, Sergeant Charlie Zailer, thinks that Alice must be suffering from some sort of delusion brought on by postpartum depressions.With an increasingly hostile and menacing David swearing she must either be mad or lying, how can Alice make the police believe her before it's too late?