Martin, Charlaine Harris, Chuck Palahniuk, Neil Gaiman, H.P. Lovecraft, Joe R. Lansdale, Angela Carter, David J. Schow, Kathe Koja, Bentley Little, and more. Skipp provides fascinating insight and details, through two nonfiction essays, into the history and presence of shape shifting in popular culture.  Resources at the end of the book include lists of the genre's best long-form fiction, as well as movies, websites, and writers.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

     Suspenseful, surprising, sometimes dark, sometimes humorous-these all-new stories will ensure that readers never think of vampires (or birthdays) in quite the same way again. In New York Times bestselling author Charlaine Harris's "Dracula Night," Sookie Stackhouse is the only human at the annual commemoration of Dracula's birth. But this year, the Prince of Darkness actually shows up-and finds Sookie to be a tasty-looking present. New York Times bestselling author Jim Butcher's crime-solving wizard Harry Dresden, of the Dresden Files novels, heads to a role-playing party to give his vampire brother a birthday present in "It's My Birthday Too," only to discover there are some bloodthirsty party crashers who don't share their brotherly love. In "Twilight," Cassandra DuCharme, who appeared in New York Times bestselling author Kelley Armstrong's Dime Store Magic, knows she has to kill to live as a vampire another year-but finds herself disturbingly disinterested in the hunt. Plus ten more bloody good birthday stories that take the cake.Contents xi • Preface: A Few Words (Many Bloody Returns) • (2007) • essay by Charlaine Harris and Toni L. P. Kelner1 • Dracula Night • [Sookie Stackhouse 4.3] • shortstory by Charlaine Harris21 • The Mournful Cry of Owls • novelette by Christopher Golden50 • I Was a Teenage Vampire • novelette by Bill Crider73 • Twilight • [Women of the Otherworld Short Fiction 7.2] • novelette by Kelley Armstrong100 • It's My Birthday, Too • [The Dresden Files 9.2] • novella by Jim Butcher146 • Grave-Robbed • [Vampire Files] • novelette by P. N. Elrod176 • The First Day of the Rest of Your Life • [The Morganville Vampires: Extras 2.5] • novelette by Rachel Caine201 • The Witch and the Wicked • novelette by Jeanne C. Stein230 • Blood Wrapped • [Henry Fitzroy] • novelette by Tanya Huff254 • The Wish • shortstory by Carolyn Haines265 • Fire Ice and Linguini for Two • [Garnet Lacey 2.5] • novelette by Lyda Morehouse [as by Tate Hallaway ]290 • Vampire Hours • novelette by Elaine Viets318 • How Stella Got Her Grave Back • novelette by Toni L. P. Kelner

    His stories won every award the science fiction field had to offer, many times over. His first collection, The Persistence of Vision, published in 1978, was the most important collection of the decade, and changed what fans would come to expect from science fiction. Now, The John Varley Reader gathers his best stories, many out of print for years. This is the volume no Varley fan - or science fiction reader - can do without. 1 • Picnic on Nearside • [Eight Worlds] • (1974) • novelette by John Varley 24 • Overdrawn at the Memory Bank • [Eight Worlds] • (1976) • novelette by John Varley 53 • In the Hall of the Martian Kings • (1976) • novella by John Varley 91 • Gotta Sing, Gotta Dance • [Eight Worlds] • (1976) • novelette by John Varley 119 • The Barbie Murders • [Anna-Louise Bach] • (1978) • novelette by John Varley 146 • The Phantom of Kansas • [Eight Worlds] • (1976) • novelette by John Varley 180 • Beatnik Bayou • [Eight Worlds] • (1980) • novelette by John Varley 212 • Air Raid • (1977) • shortstory by John Varley 228 • The Persistence of Vision • (1978) • novella by John Varley 271 • Press Enter [] • (1984) • novella by John Varley 327 • The Pusher • (1981) • shortstory by John Varley 343 • Tango Charlie and Foxtrot Romeo • [Eight Worlds] • (1986) • novella by John Varley 409 • Options • [Eight Worlds] • (1979) • novelette by John Varley 437 • Just Another Perfect Day • (1989) • shortstory by John Varley 449 • In Fading Suns and Dying Moons • (2003) • novelette by John Varley 467 • The Flying Dutchman • (1998) • shortstory by John Varley 486 • Good Intentions • (1992) • shortstory by John Varley 502 • The Bellman • [Anna-Louise Bach] • (2003) • novelette by John Varley

    For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the thirteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

    In the award-winning title story, the narrator recounts the events of an expedition to the Belgian Congo in 1928 to collects gorillas for the Louisville Museum of Natural History. A mother invents a fairy-tale world for her son in 'Halfway People'. Twin sisters backpacking through Europe receive a mysterious invitation. A rebellious teenager is sent to a brutal reform school hidden away in paradise. A young woman inherits the family submarine. In 'The Dark', a researcher tracking plague outbreaks finds himself in the Viet Cong tunnels of Vietnam. A mystery writer visits an archaeological dig in Egypt and sets a curse in motion. In two stories, 'Booth's Ghost' and 'Standing Room Only', Fowler explores the circumstances of Lincoln's assassination from the perspectives of John Wilkes Booth's family and friends.Fowler, perhaps best known for her novels, is a master of the short story form: the secret history, the account of first contact, the murderous, ordinary tensions of family life. She draws on fairy tales, historical narratives, and war reportage, measuring the human capacities for hope and despair, brutality and kindness in the fantastic tradition of writers such as Shirley Jackson, T.H. White, Karen Russell, and Ursula K. Le Guin.

    G. Ballard lived far ahead of his time. Called his "prophetic masterpiece" by many, The Atrocity Exhibition practically lies outside of any literary tradition. Part science fiction, part eerie historical fiction, part pornography, its characters adhere to no rules of linearity or stability. This reissued edition features an introduction by William S. Burroughs, extensive text commentary by Ballard, and four additional stories. Of specific interest are the illustrations by underground cartoonist and professional medical illustrator Phoebe Gloeckner. Her ultrarealistic images of eroticism and destruction add an important dimension to Ballard's text.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    The New Voices of Fantasy tethers some of the fastest-rising talents of the last five years. Their tales were hand-picked by the legendary Peter S. Beagle (The Last Unicorn) and genre expert Jacob Weisman (The Treasury of the Fantastic).So go ahead, join the Communist revolution of the honeybees. The new kids got your back.

    A ferocious riff on women in superhero comics.A series of linked stories from the points of view of the wives and girlfriends of superheroes, female heroes, and anyone who’s ever been “refrigerated”: comic book women who are killed, raped, brainwashed, driven mad, disabled, or had their powers taken so that a male superhero’s storyline will progress.

    That much is obvious. But it's when you realize that he's also shameless about how he feels that you recognize you're in the hands of a mad-lover, a very funny-fiend, an artist...[I Will Rot Without You] is the kind of book that makes you want to write one of your own." - JOSH MALERMAN, author of Bird BoxMeet Ernie. His life is a mess. Gretchen's gone, and the apartment they once shared is this grey, grim city is now overrun with intelligent mold and sinister bugs.Then his neighbor Dee shows up, so smart and lovely. If he can just get past the fact that her jealous boyfriend could reach out of her blouse and punch him in the face at any moment, this could be the start of a beautiful friendship.Unfortunately for all involved, a Great Storm is coming and it will wash away everything we've ever known about the human heart.

    2030. John McDean executive produces "Vigilance," a reality game show designed to make sure American citizens stay alert to foreign and domestic threats. Shooters are introduced into a "game environment," and the survivors get a cash prize.The TV audience is not the only one that's watching though, and McDean soon finds out what it's like to be on the other side of the camera.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    McHugh examines the impacts of social and technological shifts on families. Using deceptively simple prose, she illuminates the relationship between parents and children and the expected and unexpected chasms that open between generations.Contents:Ancestor Money (2003)In the Air (1995)The Cost to Be Wise (1996)The Lincoln Train (1995)Interview: On Any Given Day (2001)Oversite (2004)Wicked (2005)Laika Comes Back Safe (2002)Presence (2002)Eight-Legged Story (2003)The Beast (1992)Nekropolis (1994)Frankenstein's Daughter (2003)

    Soon after her untimely death in 1965, Jackson’s children discovered a treasure trove of previously unpublished and uncollected stories, many of which are brought together in this remarkable collection. Here are tales of torment, psychological aberration, and the macabre, as well as those that display her lighter touch with humorous scenes of domestic life. Reflecting the range and complexity of Jackson’s talent, Just an Ordinary Day reaffirms her enduring influence and celebrates her singular voice, rich with magic and resonance.  Praise for Just an Ordinary Day   “Jackson at her best: plumbing the extraordinary from the depths of mid-twentieth-century common. [Just an Ordinary Day] is a gift to a new generation.”—San Francisco Chronicle  Praise for Shirley Jackson   “[Jackson’s] work exerts an enduring spell.”—Joyce Carol Oates   “Shirley Jackson’s stories are among the most terrifying ever written.”—Donna Tartt   “An amazing writer . . . If you haven’t read [Jackson] you have missed out on something marvelous.”—Neil Gaiman   “Shirley Jackson is unparalleled as a leader in the field of beautifully written, quiet, cumulative shudders.”—Dorothy Parker   “An author who not only writes beautifully but who knows what there is, in this world, to be scared of.”—Francine Prose   “The world of Shirley Jackson is eerie and unforgettable.”—A. M. Homes   “Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.”—Victor LaValle

    'Red' seems to me to be a masterwork. 'Vampire' is a breathtaking work of virtuosity."—Dennis Etchison, from his Introduction"An impressive debut. These stories are all beautifully written and very, very disturbing."—Fangoria"Richard Christian Matheson's prose is elegant, yet spare. He is undoubtedly the master of the contemporary horror short story. His potent, subtle horror sneaks up on the reader and its echoes linger long after the story has ended."—Ellen Datlow, fiction editor, Omni