But Annique Villiers, elusive spy Fox Cub, is thrown in prison with British spymaster Robert Grey, ordered to enter France and bring her back. Their uneasy alliance holds, but passion builds as they flee.

    Leon Uris magnificently portrays the birth of a new nation in the midst of enemies--the beginning of an earthshaking struggle for power. Here is the tale that swept the world with its fury: the story of an American nurse, an Israeli freedom fighter caught up in a glorious, heartbreaking, triumphant era.

    Claire Donovan always dreamed of visiting Venice, though not as a chaperone for a surly teenager. But she can't pass up this chance to complete her Ph.D. thesis on Alessandra Rossetti, a mysterious courtesan who wrote a secret letter to the Venetian Council warning of a Spanish plot to overthrow the Venetian Republic in 1618. Claire views Alessandra as a heroine and harbors a secret hope that her findings will elevate Alessandra to a more prominent place in history. But an arrogant Cambridge professor is set to present a paper at a prestigious Venetian university denouncing Alessandra as a co-conspirator -- a move that could destroy Claire's paper and career.As Claire races to locate the documents that will reveal the courtesan's true motives, Alessandra's story comes to life with all the sensuality, political treachery, and violence of seventeenth-century Venice. Claire also falls under the city's spell. She is courted by a handsome Italian, matches wits with her academic adversary, bonds with her troubled young charge, and, amid the boundless beauty of Venice, recaptures the joy of living every moment....Layering wit and warmth into her portraits of two very different yet equally dynamic heroines, Christi Phillips shifts effortlessly between past and present in a remarkable novel that is at once a love story, a mystery, and an intriguing historical drama. Filled with beautifully rendered details of one of the world's oldestand most magical cities, "The Rossetti Letter" marks Phillips's debut as a writer of extraordinary skill and grace.

    The test is severe—sexual in method, psychological in substance… The artistic interest here has precisely to do with the use not only of erotic materials but also erotic methods, the deliberate stimulation of the reader as a part of and means to a total, authentic literary experience.—Eliot Fremont-Smith, The New York Times

    The sultan has offered, alongside an enormous payment, the promise of immortality, since Leonardo da Vinci’s design was rejected: ‘You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal.’ Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II – whose commission he leaves unfinished – and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire, sketching and describing his impressions along the way, and becomes immersed in cloak-and-dagger palace intrigues as he struggles to create what could be his greatest architectural master-work. Constructed from real historical fragments, Tell Them of Battles, Kings, and Elephants is a thrilling novella about why stories are told, why bridges are built, and how seemingly unmatched pieces, seen from the opposite sides of civilization, can mirror one another.

    . . Rufin maintains a perfect balance between impatient detachment and compassionate curiosity. "The Abyssinian," like Thackeray's " Vanity Fair," carries the weight of history with good-humoured finesse' "The Times "'An ambitious first novel, dashing, abundant and, when necessary, vividly theatrical' "Times Literary Supplement"'[A] remarkably assured first novel . . . Rufin's writing is elegantly readable' "Independent"'It is old-fashioned enough to be delightful, and new enough to be moving' "Glasgow Herald "'Rufin offers the reader at least three different novels in the space of a single book: a tale of diplomatic intrigue, a voyage of discovery to a virtually unknown civilisation, and a chronicle of the adventures and loves of his irrepressible hero' "Daily Telegraph"

    But Aurelia leaves Amy with one last gift.A bundle of letters with a coded key. A treasure hunt that only Amy can unlock.A life-changing secret awaits... if only she can reach it.

    The men blow the glass, and the women decorate and pack it. But when Joost Steinmann passes away unexpectedly one September night, his three daughters must learn to fend for themselves. While feisty Johanna takes a practical approach to looking for work, Ruth follows her heart, aiming to catch the eye of a handsome young villager. But it is dreamy, quiet Marie who has always been the most captivated by the magic—and sparkling possibilities—of the craft of glassblowing. As the spirited sisters work together to forge a brighter future for themselves on their own terms, they learn not only how to thrive in a man’s world, but how to remain true to themselves—and their hearts—in the process.

    Maryse Condé's imaginative subversion of historical records forms a critique of contemporary American society and its ingrained racism and sexism." —THE BOSTON SUNDAY GLOBEAt the age of seven, Tituba watched as her mother was hanged for daring to wound a plantation owner who tried to rape her. She was raised from then on by Mama Yaya, a gifted woman who shared with her the secrets of healing and magic. But it was Tituba's love of the slave John Indian that led her from safety into slavery, and the bitter, vengeful religion practiced by the good citizens of Salem, Massachusetts. Though protected by the spirits, Tituba could not escape the lies and accusations of that hysterical time. As history and fantasy merge, Maryse Condé, acclaimed author of Tree of Life and Segu, creates the richly imagined life of a fascinating woman.

    Readers of J. M. Coetzee's Disgrace, Bernhard Schlink's The Reader and Kafka will be captivated by Brodeck.Forced into a brutal concentration camp during a great war, Brodeck returns to his village at the war’s end and takes up his old job of writing reports for a governmental bureau. One day a stranger comes to live in the village. His odd manner and habits arouse suspicions: His speech is formal, he takes long, solitary walks, and although he is unfailingly friendly and polite, he reveals nothing about himself. When the stranger produces drawings of the village and its inhabitants that are both unflattering and insightful, the villagers murder him. The authorities who witnessed the killing tell Brodeck to write a report that is essentially a whitewash of the incident. As Brodeck writes the official account, he sets down his version of the truth in a separate, parallel narrative. In measured, evocative prose, he weaves into the story of the stranger his own painful history and the dark secrets the villagers have fiercely kept hidden.

    The eight stories in this collection, his first to be published in English, represent some of his best writing and most imaginative storylines: from the love story between Balthazar, wealthy and successful author, and Odette, cashier at a supermarket, to the tale of a barefooted princess; from the moving story of a group of female prisoners in a Soviet gulag to the entertaining portrait of a perennially disgruntled perfectionist. Here are eight contemporary fables, populated by a cast of extravagant and affecting characters, about people in search of happiness. Behind each story lies a simple, if elusive, truth: happiness is often right in front of our eyes, though we may frequently be blind to it.

    Hector is very good at treating patients in need of his help. But he can't do much for those who are simply dissatisfied with life, and that is beginning to depress him. When a patient tells him he looks in need of a vacation, Hector takes a trip around the world to learn what makes people happy—and sad. As he travels from Paris to China to Africa to the United States, he lists his observations about the people he meets. Is there a secret to happiness, and will Hector find it? Combining the winsome appeal of The Little Prince with the inspiring philosophy of The Alchemist, Hector's journey ventures around the globe and into the human soul. Lelord's writing inspires us to consider life's great questions. Uplifting, empowering, and optimistic, this is a fable for our times and all time.

    In the novel, First Mate Shandon receives a mysterious letter asking him to construct a reinforced steamship in Liverpool. As he heads out for Melville Bay and the Arctic labyrinth, a crewman finally reveals himself as Captain John Hatteras, and his obsession--to get to the North Pole. After experiencing appalling cold and hunger, the captain treks across the frozen wastes in search of fuel. Abandoned by most of his crew, and accompanied by a rival American explorer, Hatteras continues his journey to the Pole, encountering endless perils and adventures along the way. This new and unabridged translation of the first of Verne's Extraordinary Journeys series brilliantly conveys the novel's hypnotic mood and atmosphere. This edition also includes the original, censored ending, and fascinating details about the Arctic expeditions that captivated Verne's imagination. The introduction provides biographical insights based on recently discovered documents, and contains original proof of Verne's sources and inspiration; the notes analyze for the first time the hundreds of real-life figures cited by Verne.

    The story centers on the life of the protagonist, Arthur Burton, as a member of the Youth movement, and his antagonist, Padre Montanelli. A thread of a tragic relationship between Arthur and his love Gemma simultaneously runs through the story. It is a story of faith, disillusionment, revolution, romance, and heroism.

    After the war, the couple settles in Morocco to start a farm. While Amine tries to cultivate the rocky and unforgiving terrain, Mathilde feels suffocated by the harsh climate. Alone and isolated with her two children, she struggles with assimilation and classism. The ten years of the novel are also those of a rise in tensions and violence that will lead in 1956 to Morocco's independence. All the characters in this novel live "in the country of others": settlers vs. natives, soldiers vs. peasants, and exiles. Women, especially, live in the country of men, and must constantly fight for their emancipation.