VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    Gazingnowhere in particular, the slenderThunderer surrounded by thunder,Fire zigzag in his grasp, labeled "SpiritOf Communication"---unhistorical,Pure, the merciless messenger.--from "A Phonebook Cover Hermes of the Nineteen-forties"Innovative, engaging poems from a leading American poet.Stone wheel that sharpens the blade that mows the grain,Wheel of the sunflower turning, wheel that turnsThe spiral press that squeezes the oil expressedFrom shale or olives. Particles that turn mudOn the potter's wheel that spins to form the vesselThat holds the oil that drips to cool the blade.--from "Biography"Jersey Rain takes up a central American subject: the emotional power of inventions, devices, and homemade imaginings -- from the alphabet and the lyre through the steel drum and piano to the record player, digital computer, and television. Formally innovative and highly readable poems like "ABC," "Ode to Meaning," "To Television," and "The Green Piano" meditate a life guided by the quick, artful tinkerer-god Hermes: deity of music and deception, escort of the dead, inventor of instruments, brilliant messenger, and trickster of heaven.Tiptoe on the globe. Gazingnowhere in particular, the slenderThunderer surrounded by thunder,Fire zigzag in his grasp, labeled "SpiritOf Communication"---unhistorical,Pure, the merciless messenger.--from "A Phonebook Cover Hermes of the Nineteen-forties"Jersey Rain -- at once complex and aboveboard -- marks a new, strong, lyrical stage of Robert Pinsky's work. Assembled here are poems -- some of the finest of his career -- that together compose a sweeping and embattled meditation on the themes of a life guided by Hermes: deity of music and deception, escort of the dead, inventor of instruments, brilliant messenger and trickster of heaven.

    It includes interviews with members of the band, manager Pete Jamison, web-master and GBV historian Rich Turiel and Robert Griffin of Scat Records. At least sixty-five songs were recorded and considered for the album and five distinct concepts were rejected before the band hit upon the records final form. One late version, very nearly released, contained only a few of "Bee Thousand"'s definitive songs. The rest were left out and nearly ended up in the boxes of cassette out-takes cluttering up Robert Pollard's basement. The story of "Guided By Voices" transformation from an occasional and revolving group of complete unknowns to indie-rock heroes is very much part of the story behind the making of "Bee Thousand."In addition to providing a central account of how the record was made, Woodworth devotes a substantial chapter to the album's lyrics. Robert Pollard's lyrics are described by critics, when they're described at all, as a brand of tossed-off surrealism, as if his verbal sensibility is somehow incidental to the songs themselves. Nothing could be further from the truth. Woodworth offers a sustained discussion of Pollard's work as a writer of often sublime, beautiful, and very human lyrics.The third key section of the book covers aesthetics. Woodworth considers the great appeal of the do-it-yourself nature of "Bee Thousand" and reflects on the larger importance of the strain of alternative rock for which this record is a touchstone.

    each) : analog.Part Two Of Two Parts It is 30,000 years ago, the final Ice Age of the Pleistocene Epoch. The earth is peopled by Neanderthals -- squat, bow-legged, nonverbal, they live in clans, exist by foraging, and are ruled by taboos. The Cro-Magnons, the people who will replace them, are just emerging. When an earthquake destroys a Cro-Magnon dwelling, they tame the prairie, to the sudden fortune of a lucky few. "A ripping yarn...a gorgeous piece of work." (Saturday Review of Literature)

    Doughty’s poems are at once absurdist and matter-of-fact; the images he conjures are thrown into high relief through cutting wordplay. In a series of prose poems about showbiz, he reimagines Cookie Monster as a burned-out suicide, and cheesy talk-show host Joe Franklin as a cross-dressing witness to the apocalypse. And in “For Charlotte, Unlisted,” he wrenchingly tracks the elusive memory of a faded romance.

    During the Britpop boom of the mid-90s, the astonishing success of Oasis brought Creation fame on the world stage. In 1999, however, McGee announced his shock departure as his label's influence over a generation of British music came to a confusing and disappointing end.

    

    A year later, she formed an all-girl band called the Marine Girls, played gigs, signed to an indie label, and started releasing records. Then, for 18 years, between 1982 and 2000, she was one half of Everything But the Girl. They released nine albums and sold nine million records, went on countless tours, had hits and flops, and were reviewed and interviewed to within an inch of their lives. Tracey has been in the charts, out of them, back in. She's seen herself described as an indie darling, a middle-of-the-road nobody, and a disco diva. As she explains here, she hasn't always fit in, a fact that's helped her to face up to the realities of a pop career. She discusses her realizations—that there are thrills and wonders to be experienced, but also moments of doubt, mistakes, and violent lifestyle changes from luxury to squalor and back again, sometimes within minutes. This is the funny, perceptive, and candid story of her 30-year pop career.

    Fate brings together a Kurdish prostitute, an art-loving Kurdish doctor, a repenting Arab General and an Anfal survivor. Each of the characters is obsessed with something. The prostitute, Dalia Sirajadeen, is obsessed with rescuing her lover from the underground world of torture dungeons. The doctor, Musa Babak, is obsessed with helping art and beauty go underground during the dictatorship. The General, Samir Al-Babilee, is obsessed with absolving himself from a past full of committing atrocities. The Anfal survivor, Jeladet the Dove is obsessed with truth and justice. Through the characters' dreams, nightmares and searches we discover a captivating world of oppression, genocide, regret, survival and perseverance.

    

    When a group of friends accidentally kill a fellow student they decide not to own up, determined that it won't ruin their lives or their friendship. After all, they weren't at fault - the girl ran out in front of their car. And what good would a confession do? Some things are not so easily forgotten, though. Ten years later they're all haunted in their own way, and strangers to each other. But they're about to become reacquainted. Two of them die within the course of a few weeks. Unanswered questions surround both deaths, raising the disturbing possibility that someone wants to make their common past disappear. Haunting and disturbing, "Among the Dead" has developed a cult following since its first publication, and has often attracted the attention of other writers and artists. Kevin Wignall is the author of five adult novels and, as KJ Wignall, the Mercian Trilogy for young adults.

    But then an unexpected pregnancy puts everything at risk, and Dorothy is left alone – with Robbie nowhere to be seen.Heartbroken, Dorothy picks up the pieces of her life as a working girl in Battersea helping to support her mother and father. But before long, things start to become difficult. Her father’s health is worsening, money is tight and worst of all, Robbie hasn’t come back for her.Can Dorothy find a way back to happiness in the face of real adversity? Will she have the courage to make it on her own – or is someone else waiting in the wings to save her?Gritty and moving, this is the perfect read for fans of Dilly Court and Maggie Hope.

    Read the stories behind songs including: Barry Manilow ~ One Voice Christina Aguilera ~ Fighter Boyz II Men/ Mariah Carey ~ One Sweet Day Paul Anka ~ My Way Daryl Hall and John Oates ~ She’s Gone Huey Lewis ~ The Heart Of Rock n’ Roll Kanye West ~ Welcome To Heartbreak John Legend ~ Ordinary People Melissa Etheridge ~ Come To My Window Ryan Tedder/One Republic ~ Apologize Smokey Robinson ~ Cruisin’ Richie Sambora / Jon Bon Jovi ~ Livin’ On A Prayer And 89 more!

    Her life is tangled in myth--much of it of her own invention. Rock and roll cultural historian Jennifer Bickerdike delivers a definitive book that unravels the story while making a convincing case for Nico's enduring importance. Over the course of her career, Nico was an ever-evolving myth: art film house actress, highly coveted fashion model, Dietrich of Punk, Femme Fatale, Chelsea Girl, Garbo of Goth, The Last Bohemian, Heroin Junkie. Lester Bangs described her as 'a true enigma.' At age 27, Nico became Andy Warhol's newest Superstar, featuring in his one commercial break out hit film Chelsea Girls and garnering the position of chanteuse for the Velvet Underground. It wasn't Nico's musical chops which got her the gig; it was her striking beauty. Her seeming otherworldly and unattainable presence was further amplified by her reputation for dating rock stars (Brian Jones, Bob Dylan, Jim Morrison, among others). She became famous for being Nico. Yet Nico's talent and her contribution to rock culture are often overlooked. She spent most of her career as a solo artist on the road, determined to make music, seemingly against all the odds, enduring empty concert halls, abusive fans, and the often perilous reality of being an ageing artist and drug addict. She created mesmerizing and unique projects that inspired a generation of artists, including Henry Rollins, Morrissey, Siousxie Sioux and the Banshees and Iggy Pop. Drawing on the archives at the Andy Warhol Museum and at Nico's record labels, various private collections, and rarely seen footage, and featuring exclusive new interviews from those who knew her best, including Iggy Pop and Danny Fields, and those inspired by her legacy.